13 reviews
Really cheesy.
"The Chair" is another set in prison horror film,which reminds me "Prison"(1988).I loved "Prison",but this one is pretty bad.The performances are mostly awful,the special effects are cheesy beyond belief and there's absolutely no suspense.The gore is also absent,so horror fans will certainly be disappointed with "The Chair".However if you have some time to waste,check it out-you have been warned!!!The plot:Twenty years later there was a riot in prison.During it one of the wardens was electrocuted.Now he is back for revenge...
- HumanoidOfFlesh
- Mar 24, 2002
- Permalink
Fizzled!
An idealistic psychologist Dr. Harold Woodhouse Langer re-opens an abandon prison to hopefully change the mindset of some hardened criminals. Warden Edward Dwyer thinks very little of the program, but begins to be haunted by the prison's horrific past which he personally knows about. Soon the prisoners break into fear with the strange things going on, but Dr. Langer doesn't believe them.
Soon after the Renny Harlin's 1988 horror flick film 'Prison', came this very cheap, uneven and non-effective prison supernatural horror yarn. It never breaks away from the overall silliness, to storm up anything that resembles thrills. The problem was I don't know if it was trying to be humorous or not, because of how quirky the story and performances came across. Too bad it wasn't funny either. What was the deal of that over-extended opening sequence with that weepy blues song? I had to check the video again to make sure I was watching the right film, because it felt totally out-of-place. This can be said the same for Eddie Reyes' makeshift (carnival sounding) music score, which would go out of its way to butcher some scenes. What drag it out was that it had a slim, ponderous plot that takes ages to get going, and when it does its rather anticlimactic. The talky script might want to be character-based, but it couldn't have been anymore redundant and vapid in detailing the characters and their plights. Batty acting amuses, with the likes of Paul Benedict, Mike Starr and Stephen Geoffreys. Holding her own is Trini Alvarado. Director Waldemar Korzeniowsky clumsily stages it with nothing but routine tools and techniques. The special effects are sparse, but the execution is goofy. I could've gone without it. Very weak.
Soon after the Renny Harlin's 1988 horror flick film 'Prison', came this very cheap, uneven and non-effective prison supernatural horror yarn. It never breaks away from the overall silliness, to storm up anything that resembles thrills. The problem was I don't know if it was trying to be humorous or not, because of how quirky the story and performances came across. Too bad it wasn't funny either. What was the deal of that over-extended opening sequence with that weepy blues song? I had to check the video again to make sure I was watching the right film, because it felt totally out-of-place. This can be said the same for Eddie Reyes' makeshift (carnival sounding) music score, which would go out of its way to butcher some scenes. What drag it out was that it had a slim, ponderous plot that takes ages to get going, and when it does its rather anticlimactic. The talky script might want to be character-based, but it couldn't have been anymore redundant and vapid in detailing the characters and their plights. Batty acting amuses, with the likes of Paul Benedict, Mike Starr and Stephen Geoffreys. Holding her own is Trini Alvarado. Director Waldemar Korzeniowsky clumsily stages it with nothing but routine tools and techniques. The special effects are sparse, but the execution is goofy. I could've gone without it. Very weak.
- lost-in-limbo
- May 9, 2008
- Permalink
Fails to jolt the audience
Warden Edward Dwyer (Paul Benedict of THE JEFFERSONS) re-opens a dilapidated prison with the help of 8 trustee inmates. Along for the ride are psychologist Dr. Langer (James Coco) and his assistant Lisa (Trini Alvarado), who try to help the prisoners with some 80s "I'm okay, you're okay" therapy. Of course, this prison has - I hope you have already guessed - a history and there is a ghost out for revenge. Believe it or not, this is one of the few flicks produced by Angelika Films, a production company offshoot that predated NYC's famous Angelika Film Center (same logo and everything). For a group known for having its finger on the indie pulse, they sure didn't know crap about making a viable commercial product. Actually, husband and wife industrial filmmakers Waldermar Korzenioswsky and Carolyn Swartz are mostly to blame here as they never make it horrific enough, unless you count their terrible attempts at comedy and the ill-fitting piano score and opening blues tune. Just what the hell was the film supposed to be? And how can you waste such a good location and actors? The film ends with an on screen dedication reading "For Jimmy" as Coco died during filming. Poor Jimmy (in both regards). Co-starring Mike Starr, Brad Greenquist, Stephen Geoffreys and a underutilized Richard Edson.
Gosh, what was this all about...?
I don't quite know what to make out of this one. Basically it's a rip-off of "Prison" (1988). The latter, in my humble opinion, was a good movie, and "The Chair"... well, sometimes things look pretty bad here. From the moment you hear this extremely mellow jazzy song with female vocals over the opening credits, you just know this is going to be be a rather offbeat flick. An former prison facility re-opens as a psychiatric institute. Turns out that one guard and his friend were held captive during an inmate mutiny years ago. His friend died... but his ghost still haunts the facility and wants... well, something. Not quite sure it's revenge he's after, though. Weird thing was that, during the movie, there were several (often painful) attempts at comedy. And then, after about 20 minutes, this living eyeball with a worm-like body (brought to life by stop-motion) appears several times in a light bulb (!), and it feels like you've just entered a Frank Henenlotter movie. Pretty damn weird. Also add a lot of cheesy animated electricity effects, often for reasons I couldn't fully grasp either. One could argue that David Lynch often makes movies you can't make heads or tails of too, but that would be giving this movie too much credit. Way too much. One of the best scenes undoubtedly was the electrocution, with a cool close-up of an eye popping out of its socket. Those really are the few nifty moments you endure the rest of the movie for. And, yes, it was also fun seeing Mike Starr and Stephen Geoffreys in supporting roles. The other actors were only so-so and sadly, this movie doesn't lead to anything special, except for an ending that indicates that it's all going start again (that, or an ending like "this ain't over yet", was more or less obligatory for the 80's, and onward, so it's not like I'm spoiling anything here). I have a feeling that some day I'll be wanting to re-watch "The Chair", but for now... I'm just going to flunk it. At any rate, like I said, "Prison" is a better watch. And it stars Viggo Mortensen before he became..., well, Famous Viggo Mortensen. So go seek out that one.
- Vomitron_G
- Feb 5, 2010
- Permalink
Anyways, The Chair
- BandSAboutMovies
- Oct 30, 2021
- Permalink
The most uncomfortable seat in the house
One thing there wasn't a shortage of during the late 80s were horror movies set in prisons and featuring electric chairs. "The Chair" is already the fourth I've seen, after the superior "Prison", the enjoyable "The Horror Show", and the lousy "Shocker".
Of those, "The Chair" is most reminiscent to Renny Harlin's "Prison" in terms of plot and storyline, but certainly not in terms of quality level and entertainment value. In fact, this might even be one of the weakest and dullest horror movies of the 1980s, and that is saying a lot. You know you're in trouble when an allegedly blood-soaked and grisly horror film opens with the mushiest tearjerker blues-song you ever heard. Those boring opening credits seemingly go on forever, by the way.
The set-up is decent, the locations and set pieces are more than adequate, and the cast is excellent. So where did the unknown and inexperienced director Waldemar Korzeniowsky mess up? Well, maybe partially because he's inexperienced, his film is woefully incoherent and uneven. It's harrowing drama mixed with (unintentional?) comedy and cheesy horror. For example, there are dead-serious psychiatric therapy sessions as well as goofy stop-motion eyeball in a light bulb. One scene luckily compensates for a lot namely, the electrocution footage in which we witness - in extreme closeup - eyes popping out of their sockets and exploding. Yay. Rewind this particular scene a few times, because the rest of the film is dreadfully boring.
Of those, "The Chair" is most reminiscent to Renny Harlin's "Prison" in terms of plot and storyline, but certainly not in terms of quality level and entertainment value. In fact, this might even be one of the weakest and dullest horror movies of the 1980s, and that is saying a lot. You know you're in trouble when an allegedly blood-soaked and grisly horror film opens with the mushiest tearjerker blues-song you ever heard. Those boring opening credits seemingly go on forever, by the way.
The set-up is decent, the locations and set pieces are more than adequate, and the cast is excellent. So where did the unknown and inexperienced director Waldemar Korzeniowsky mess up? Well, maybe partially because he's inexperienced, his film is woefully incoherent and uneven. It's harrowing drama mixed with (unintentional?) comedy and cheesy horror. For example, there are dead-serious psychiatric therapy sessions as well as goofy stop-motion eyeball in a light bulb. One scene luckily compensates for a lot namely, the electrocution footage in which we witness - in extreme closeup - eyes popping out of their sockets and exploding. Yay. Rewind this particular scene a few times, because the rest of the film is dreadfully boring.
Avoid, avoid, avoid
When I went down to the video store to rent this movie I looked at the back of the film and read the short description of the movie. It looked kind of cool and had a somewhat interesting story so I decided to rent it.
In the introduction of the movie you see people cleaning out an old prison and in the background you hear this blues/soul music. This was the first hint that the movie was bad.
If I wanted blues I would have rented The Blues Brothers, but I wanted a horror movie so the tune felt all wrong.
To sum this up. The movie was bad and not really a horror movie. More of a drama/thriller. I have three carefully chosen words for this movie. Avoid, avoid and avoid.
In the introduction of the movie you see people cleaning out an old prison and in the background you hear this blues/soul music. This was the first hint that the movie was bad.
If I wanted blues I would have rented The Blues Brothers, but I wanted a horror movie so the tune felt all wrong.
To sum this up. The movie was bad and not really a horror movie. More of a drama/thriller. I have three carefully chosen words for this movie. Avoid, avoid and avoid.
**thumbs down**
I remember borrowing this movie when I couldn't find anything else I wanted.I've rented quite a few bad videos and The Chair was one of them.I didn't follow it too well and come to think of it I didn't even end up watching the whole thing.
So videos are like books,what you see on the cover isn't always what you get.
So videos are like books,what you see on the cover isn't always what you get.
all those men and one woman,one young beautiful woman.
i was hoping trini would be more hornier and suggestive.her character was the only woman in a men's prison.men who haven't had the pleasures of the flesh in years.she could've had any man she wanted but never did.this was a missed opportunity for skin and sex.she could've been in the showers, naked and soap dripping between her breasts .i was hoping trini would be more hornier and suggestive.her character was the only woman in a men's prison.men who haven't had the pleasures of the flesh in years.she could've had any man she wanted but never did.this was a missed opportunity for skin and sex.she could've been in the showers, naked and soap dripping between her breasts .
- nikkivisser
- May 1, 2016
- Permalink
Shockingly bad.
The late 80s saw a spate of prison/electric chair themed horror movies: Prison (1987), Shocker (1989), House III (1989), and The Chair (1988), the latter easily being the worst of the bunch. The Chair is clumsily directed, poorly written, badly acted trash, with just a few seconds of reasonable make-up effects preventing the film from being a total waste of time.
Andie MacDowell lookalike Trini Alvarado (The Frighteners) plays Lisa Titus, who takes a job at the High Street Correctional Facility, run by Dr. Harold Woodhouse Langer (James Coco), who hopes to rehabilitate a group of prisoners (including Fright Night's Stephen Geoffreys) through his emotional guidance and growth project. What they don't realise is that the building is haunted by the angry spirit of a warden who was fried in the electric chair by his prisoners during a riot.
The one and only film to be directed by Waldemar Korzeniowsky, this film is ineptly made drivel from the outset, the action moving clumsily from one terrible scene to the next with zero regard for narrative cohesion. The whole film has a bizarre, offbeat vibe that is reflected in the quirky performances, all of which feel completely out of place in a horror film -- the whole thing is just too damn strange to be scary.
2/10.
Andie MacDowell lookalike Trini Alvarado (The Frighteners) plays Lisa Titus, who takes a job at the High Street Correctional Facility, run by Dr. Harold Woodhouse Langer (James Coco), who hopes to rehabilitate a group of prisoners (including Fright Night's Stephen Geoffreys) through his emotional guidance and growth project. What they don't realise is that the building is haunted by the angry spirit of a warden who was fried in the electric chair by his prisoners during a riot.
The one and only film to be directed by Waldemar Korzeniowsky, this film is ineptly made drivel from the outset, the action moving clumsily from one terrible scene to the next with zero regard for narrative cohesion. The whole film has a bizarre, offbeat vibe that is reflected in the quirky performances, all of which feel completely out of place in a horror film -- the whole thing is just too damn strange to be scary.
2/10.
- BA_Harrison
- Aug 17, 2024
- Permalink
No Blockbuster but still interesting
This film is okay for a 1988 B-movie. Feature released on HBO and direct to video in the day.
I remember renting it at a Blockbuster because Stephen Geoffreys (Fright Night) starred. The other core cast, Trini Alvarado, James Coco, Paul Benedict hold their own. The direction is mediocre at best, but Interesting. With the prisoners inflected in some lame rehabilitation program that lacks luster and goes nowhere. The plot surrounds the gruesome murder of the prison's former warden. And strange things begin happening. Which is typical for a horror suspense thriller. It has its moments. One area seems to highlight a potential romance between the female intern and a streetwise inmate.
I remember renting it at a Blockbuster because Stephen Geoffreys (Fright Night) starred. The other core cast, Trini Alvarado, James Coco, Paul Benedict hold their own. The direction is mediocre at best, but Interesting. With the prisoners inflected in some lame rehabilitation program that lacks luster and goes nowhere. The plot surrounds the gruesome murder of the prison's former warden. And strange things begin happening. Which is typical for a horror suspense thriller. It has its moments. One area seems to highlight a potential romance between the female intern and a streetwise inmate.
- nettiegurl
- Jul 9, 2021
- Permalink
Feelings don't matter when you've got thousands of volts of electricity going through you.
- mark.waltz
- Jun 8, 2023
- Permalink
Unusual, largely unsuccessful dark horror comedy