George grosz

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George Grosz, Street Scene (Kurfürstendamm) (Straßenszene [Kurfürstendamm]), 1925 New Objectivity, Weimar, Ludwig Meidner, George Grosz, Max Beckmann, Degenerate Art, German Expressionism, People Walking, German Art

SCHIRN KUNSTHALLE FRANKFURT, OCTOBER 27, 2017 – FEBRUARY 25, 2018 Social tensions, political struggles, social upheavals, as well as artistic revolutions and innovations characterize the Weimar Republic. Beginning October 27, 2017, the Schirn Kunsthalle Frankfurt is presenting German art from 1918 to 1933 in a major thematic exhibition. Direct, ironic, angry, accusatory, and often even prophetic works demonstrate the struggle for democracy and paint a picture of a society in the midst of…

George-grosz_-sonniges-land-(sunny-land)_-1920.-courtesy-of-richard-nagy-ltd_-london Weimar, New Objectivity, Karl Hofer, Hans Thoma, Horst Janssen, George Grosz, Max Beckmann, Degenerate Art, German Expressionism

The hipsters like to think they discovered everything. Brooklyn, beards, Berlin; all co-opted into the cause with scant regard for their past, simply championed for the role they play in their Flat-White dreams. But a new show just opened in London reminds us that Berlin has felt like the centre of a countercultural world before, as realised by the artist George Grosz.

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