Roger ballen
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Twirling Wires, 2001 This demonstrates in a fresh and very personal way photography's intrinsic ability to lead beyond our usual conception of reality without resorting to visual exaggeration. Roger Ballen's Shadow Chamber By Robert Fleck, Originally Published, Eikon Issue 57 - March 20
the comprehensive exhibition features the black-and-white, minimalist images of the south africa-based photographer highlighting various points throughout his fifty year career.
‘I don’t see my work as extreme. I don’t really believe in traditional definitions of beauty,’ says photographer Roger Ballen, who charts the deprivation and creativity in the lives of some of South Africa’s most shunned inhabitants
London and New York: Phaidon Press, Inc., 2009 1st Edition. Hardcover. Price is net to all; promotional discounts do not apply.SPECIAL ORDER. PRICING & AVAILABILITY SUBJECT TO CHANGE.SHIPPING NOTE: due to size and weight, additional shipping fees apply calculated at checkout .First edition, first printing. Includes a gelatin silver print of Contemplation, 2008, in an edition of 50, signed
From Roger Ballen at James Fuentes to a talk with Kembra Pfahler at the Rubin Museum.
The legendary photographer shares unseen work with us.
For nearly 40 years Roger Ballen has been an outsider, operating on the margins with his fellow art brut artists. Now a new book and exhibition offer a glimpse inside the workings and processes of his dark mind, a world, he says, that, “reveals itself through itself”
Internationally renowned photographer Roger Ballen talks about his controversial portraits of marginalised South African whites, the subject of his first exhibition in India.
