Dora maar photography
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Paris-The Centre Pompidou, Musée national d’art moderne, in coproduction with the J. Paul Getty Museum (Los Angeles) and in collaboration with the Tate Modern (London) hosts the largest French retrospective ever devoted to Dora Maar (1907-1997) invites you to discover all the facets of her work, through more than five hundred works and documents. Initially a professional photographer and surrealist before becoming a painter, Dora Maar is an artist of undeniable renown. Far beyond the image…
A Unique Object, 1936
Dora Maar
The erotic, the exaggerated and the elegant are interwoven in all the accounts of Dora Maar’s meeting with Picasso in 1936...
History remembers her as Picasso’s muse but Maar was an unflinching artist who infiltrated the surrealists’ boys club – and helped paint Guernica
This haunting show, in the cool gallery spaces high above the city that Dora Maar knew so well, makes it clear that she was indeed a star, a leading figure in Surrealist photo-montage of the mid-1930s. Maar’s largest exhibition in France, it contains over 400 of her works, yet, like the model in the banner, she turns away, and hides her face, remaining enigmatic in her work. In Self-Portrait with Fan (1930), she shows only her reflection in a mirror, her serious gaze shrouded by the circles…
Autoportrait Day 46~ Dora Maar A random survey of self-portraits created by women through the centuries Photographer and painter Dora Maar (1907-1997) 1. Autoportrait à la Fenêtre, c.1926 / Gelatin Silver Negative / Centre Pompidou, Paris, FR
MAN RAY (1890-1976), Dora MAAR (1907-1997), and Paul ELUARD (as 'Didier Desroches'; 1895-1952). Le Temps déborde. Paris: Cahiers d'Arts, 1947. 4° (247 x 185mm). Frontispiece and 10 illustrations after photographs by Man Ray and Dora Maar. Original printed wrappers (small chips at spine ends); in early, possibly contemporary glassine (chipped at the spine, browned); blue morocco clamshell case, unsigned but by Cambras, and blue cloth chemise.
