Mary i

Your favorite painted potrait of any monarchs in history page 1 - RoyalDish is a forum for discussing royalty. The Danish and British Royal Families in particular, so get your snark on!

Portrait of Queen Mary I by unknown artist, c.1590. English school. Oil on panel; 56 x 44.5cm. Sold at Christie’s in 2007 for £21,600. The portrait used to belong to Newburgh Priory near Coxwold, North Yorkshire, which was once visited by Mary’s aunt, Margaret Tudor, Queen of Scotland. The painting dates to a period when portraits of past royals were sought after. It may have even been part of a set of the Kings and Queens of England. Now owned by The Weiss Gallery…

Explore lisby1's 20924 photos on Flickr!

Let's face it: everything is a lot more horrifying than you thought when you were a kid. Pick even the most childlike, innocent thing you can think of, and the odds are that there's a deeply disturbing story behind it. For instance, nursery rhymes. We grew up

Mary Tudor was the daughter of Henry VIII and his wife Katherine of Aragon. She was born in 1516 and was their only surviving child. After many years of

Explore lisby1's 20828 photos on Flickr!

Explore guantletgoddess' 244 photos on Flickr!

Mary Tudor (1516-1558) succeeded as Queen of England in 1553 and married Philip II of Spain in the following year. A disastrous cleaning in 1976 revealed that the painting is substantially a 19th-century pastiche, perhaps over a 17th-century original.

Stained glass window of Queen Mary I in the Chapel of Trinity College, Cambridge. The college was founded by Henry VIII in 1546. His daughter, Mary, granted Trinity monastic lands worth £370 a year in 1554. Building of the chapel commenced during Mary’s reign. The stained glass image of Mary is beside one of her father. The windows were commissioned in the nineteenth-century. The chapel was completed in 1567, during the reign of Elizabeth I (who is also represented in one of the windows).

Princess Elizabeth, daughter of Henry VIII and Anne Boleyn and half-sister to Mary I. The painting is attributed to William Scrots and was painted in the last years of Henry’s reign. This was painted at a time when Elizabeth and her sister enjoyed a friendly relationship, prior the days when it would become incredibly strained on grounds of religion and politics (and to some degree parentage).