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How to Order the Universe Hardcover – February 16, 2021
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A San Francisco Chronicle and Southwest Review Best Book of the Year and A World Literature Today Notable Translation of the Year
“A dreamscape of a book. I adored this compelling, wise, and utterly unique coming-of-age tale.” ―Tara Conklin
For seven-year-old M, the world is guided by a firm set of principles, based on her father D’s life as a traveling salesman. Enchanted by her father’s trade, M convinces him to take her along on his routes, selling hardware supplies against the backdrop of Pinochet-era Chile. As father and daughter trek from town to town in their old Renault, M’s memories and thoughts become tied to a language of rural commerce, philosophy, the cosmos, hardware products, and ghosts. M, in her innocence, barely notices the rising tensions and precarious nature of their work until she and her father connect with an enigmatic photographer, E, whose presence threatens to upend the unusual life they’ve created.
María José Ferrada expertly captures a vanishing way of life and a father-daughter relationship on the brink of irreversible change. At once nostalgic, dangerous, sharply funny, and full of delight and wonder, How to Order the Universe is a richly imaginative debut and a rare work of magic and originality.
- Print length180 pages
- LanguageEnglish
- PublisherTin House Books
- Publication dateFebruary 16, 2021
- Dimensions5.3 x 0.7 x 7.6 inches
- ISBN-101951142306
- ISBN-13978-1951142308
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Editorial Reviews
Review
― The New York Times Book Review
"The novel is about the length of a baby carrot and its prose is so spare it almost reads like a blueprint―but you know what they say about good things and small packages."
― Vulture
"María José Ferrada examines the Pinochet regime through the eyes of a traveling 7-year-old in How to Order the Universe. Traveling salesman D is his daughter, M's, whole world. But readers will catch the subtle shifts taking place around them in Chile, even if the novel's young protagonist does not."
― Bustle
"Charming. . . . Fans of The Elegance of the Hedgehog will want to make time for this one."
― The Chicago Review of Books
"Filled with tenderness, awe, and love, How to Order the Universe. . . . is a gem of a book, short and brilliant, a shooting star we would want to hold on to, but, as anything worth experiencing, can’t."
― The Common
"Arresting."
― Sydney Review of Books
"A tale that captures a child’s perspective on a world created and disrupted by adults."
― The Christian Science Monitor
"I was so delighted with it. . . . It's one of these novels in translation that you can read in a sitting or extend it out in a way that’s really lovely."
― So Many Damn Books podcast
"This quick and quirky book is as charming as it is unsettling, as appealing as it is wise."
― Kirkus, Starred Review
"A moving tribute to childhood, Ferrada’s novel is an enthralling tale of resilience, deception, and trauma during a dark time in Chile’s history."
― Publishers Weekly
"A debut as haunting as it is charming, a study in contrast between the simplicity of childhood and the heaviness of adulthood. Readers will fly through this slim novel, which is perfect for discussion."
― Booklist
"Outstanding."
― World Literature Today
"Through a child's clever but innocent point of view, this inventive debut novel considers family, hope and the harsher realities of 1980s Chile."
― Shelf Awareness
"Sparse, poetic. . . . Ferrada organizes her work in short, breathable chapters, each of which is constructed like a poem without ever feeling pretentious."
― Rain Taxi
"A Paper Moon-esque story set in Pinochet-era Chile. . . . A really bittersweet story of a girl’s love for her dad and the things in life that even the most intelligent children don’t understand when they are young."
― Book Riot
"How to Order the Universe is rife with wisdom, lists and wishes, and Ferrada unpacks the strangeness of M’s early years in poetic and simple prose."
― Bookreporter
"Intimate, intense. . . . Luminous and tender, How to Order the Universe is a novel about the love―filled with words unsaid―between a father and daughter who are caught up in the tides of change that engulf their ordinary, ordered way of life."
― Foreword Reviews
"How to Order the Universe is a dreamscape of a book. In an assured and striking voice, María José Ferrada tells the story of M, a girl who skips school to join her traveling salesman father on the road. Along the way, M witnesses tragedy, desire, secrecy, and grief as she finds her own truths and learns to separate her father’s disappointments from her own. I adored this compelling, wise, and utterly unique coming-of-age tale."
― Tara Conklin, author of The Last Romantics
"Complex in its simplicity, and full of life and mystery."
― Frances de Pontes Peebles, author of The Air You Breathe
"Powerful and accomplished."
― Complete Review
"Honest, endearing and nostalgic―it seems to scratch an urge one didn’t even know they had. Its length and accessibility may make it the perfect novel to pick up on a Sunday afternoon with a cup of tea."
― Sounds and Colours
About the Author
Elizabeth Bryer is a translator and writer from Australia. Her translations include Claudia Salazar Jiménez’s Americas Prize–winning Blood of the Dawn; Aleksandra Lun’s The Palimpsests, for which she was awarded a PEN/Heim Translation Fund grant; and José Luis de Juan’s Napoleon’s Beekeeper. Her debut novel, From Here On, Monsters, was co-winner of the 2020 Norma K. Hemming Award.
Product details
- Publisher : Tin House Books; Translation edition (February 16, 2021)
- Language : English
- Hardcover : 180 pages
- ISBN-10 : 1951142306
- ISBN-13 : 978-1951142308
- Item Weight : 8.8 ounces
- Dimensions : 5.3 x 0.7 x 7.6 inches
- Best Sellers Rank: #681,049 in Books (See Top 100 in Books)
- #3,600 in Magical Realism
- #6,907 in Coming of Age Fiction (Books)
- #10,537 in Family Life Fiction (Books)
- Customer Reviews:
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A slight thing - 41 chapters for 170 pp, lots of white space on the page.
Having been a "field rep" for most of 30 years (in what we called "Library-Land" - I was not selling spockets!), this book, which is set around a father who is a travelling saleman, and his very young daughter, who accompanies him for a time, interested me when I heard about it. And I enjoyed as much as I expected to as well.
Narrated by a 7 year old girl for most of the book, and set in Pinochet's Chile. Yet it did not have a particular feel as being "Chile" - that is, other than the right wing, citizen led death squads.
Quirky and fun with some unique characters, and yet (obviously) serious as well.
I read an interview with Ferrada the same day as well, in which she railed a bit about the "Neoliberals" allowing the demise of the small family owned stores in little towns. So, the Walmart-ization of America was not just happening here, it was happening in South America, and elsewhere too I am sure, as well. Yet I never viewed the mega-chain stores that took over the street's marketplace as being "Neoliberal" (look at what they pay, and their lack of benefits). Was there some way this political "group" was supposed to be able to stop the changing economy?
While I understand that the novel concludes with an end to her childhood, and an acceptance of the end of a near fantasy world, I still have some issues with the now 15 year old narrator choosing never to see her failing father again. He prefers to attempt to make it appear that his old, now disappeared, world still exists - and she can not live in that fantasy any longer. But, at a time when he could use his daughter the most, she leaves him for good.
The novel's translation - well, when reading the book is effortless enough that you forget it is a translation, it usually means they have done a good, a very good, job. Elizabeth Bryer has. Enough that I went to take a look at what else she has translated (she has recently published her own first novel as well). She seems to have a penchant for female authors who set their novels in war torn, revolutionary, or violent settings.
Enjoy the read, I did!
Thanks to a mother preoccupied with an unknown grief, a precocious attitude, and a father either oblivious to the risks or reluctant to face them, M becomes an excellent salesman's assistant. She smokes and overhears men's rough talk all while filing it away in a system of classification part adopted from her father and part all her own. Even though she she's exposed to these "adult" experiences, M, and therefore the reader, doesn't quite grasp the true peril she's in.
Pinochet has solidified his power terrorizing the people of Chile, some into silence and others into fighting. M is in a liminal space of not quite child not yet adult but a child hurtling faster into adulthood than is normal. It's the hurtling, the being thrust without warning that makes M's story tragic, poignant, and utterly relatable. Most of us have moments when we realized that the way we thought the world worked isn't the case, and those moments and they way they reshape our memories are painful and often times defining.
This change in our foundation of understand is at the heart of the book. M is probably an exceptionally intelligent girl who understands parts of astronomy and philosophy and follows a sophisticated system for classifying people, places, things, and events. But just like everyone else, when that foundation is shaken or even crumbles, she is forced to change or at least reassess the very parts that makes her who she is. The process is painful, but if we ignore it, the consequences can be devastating.
*thank you to Tin House for a copy of this book*
Have you ever gone on a spontaneous road trip where nothing was planned and you just let the world show you things?
That’s how this book felt.
A mix tape in words.
I want to keep it in my glovebox.
Read it at a stop sign.
Carry it in my purse.
Following a dad salesman and his daughter who goes along for the rides, this book was so free spirited.
I loved how easy it was to pick up and put down. Uncommitted and yet invested...isn’t that how all good relationships start?
This book felt like a dream that you wake up from and half remember half forget, but it leaves you with that ghost of a feeling that follows you around all day.
⭐️⭐️⭐️⭐️1/2
Creative and indicative of a color wheel, where everything is right there to see, yet what you focus on gets to be yours alone....