I've lived and worked in London for most of my adult life and am perpetually astonished, amazed, and fascinated by the city around me. It's histories, small and large, are a constant delight and surprise for me, and its hidden places of enchantment fire my imagination. So, when I came to write my first novel, for Claret Press, there was no other place where it could possibly be set and I chose central London which I knew very well and had layer upon physical layer of history. Given that it was a crime thriller, it had to use those hidden places, which mirrored the surface world, as part of the plot. Walk with me along one of London's lost rivers on my website.
OK, this isn't focused on the subterranean, but it does touch frequently upon underpasses and tunnels and is a personal journey, passing through the parts of London where the 'Ginger Line' - the London Overground railway - runs. Sinclair uses his experiences to illuminate the changing city, a jumping-off point for explorations of places, their past, and present. His journey is bound up with writers and artists of all kinds. He, like Ackroyd, has an eye for the bizarre, but Sinclair has a sense of danger, real and modern, while Ackroyd summons the haunting past.
Iain Sinclair explores modern London through a day's hike around the London Overground route.
Echoing his journey in London Orbital over a decade ago, Iain Sinclair narrates his second circular walk around the capital. Shortly after rush-hour and accompanied by a rambling companion, Sinclair begins walking along London's Overground network, or, 'Ginger Line'. With characteristic playfulness, detours into folk history, withering assessments of the political classes and a joyful allegiance to the ordinary oddball, Sinclair guides us on a tour of London's trendiest new transport network - and shows the shifting, changing city from new and surprising angles.
