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Sookie Stackhouse #10
Dead in the Family
It's all about family ...
Sookie Stackhouse is dealing with a whole host of family problems, ranging from her own kin (a non-human fairy and a telepathic second cousin) demanding a place in her life, to her lover Eric's vampire sire, an ancient being who arrives with Eric's 'brother' in tow at a most inopportune moment. And Sookie's tracking down a distant relation of her ailing neighbour (and ex), Vampire Bill Compton.
In addition to the multitude of family issues complicating her life, the werewolf pack of Shreveport has asked Sookie for a special favour, and since Sookie is an obliging young woman, she agrees. But this favour for the wolves has dire results for Sookie, who is still recovering from the trauma of her abduction during the Fairy War.
Sookie Stackhouse is dealing with a whole host of family problems, ranging from her own kin (a non-human fairy and a telepathic second cousin) demanding a place in her life, to her lover Eric's vampire sire, an ancient being who arrives with Eric's 'brother' in tow at a most inopportune moment. And Sookie's tracking down a distant relation of her ailing neighbour (and ex), Vampire Bill Compton.
In addition to the multitude of family issues complicating her life, the werewolf pack of Shreveport has asked Sookie for a special favour, and since Sookie is an obliging young woman, she agrees. But this favour for the wolves has dire results for Sookie, who is still recovering from the trauma of her abduction during the Fairy War.
320 pages, Hardcover
First published May 4, 2010
About the author
Charlaine Harris
279 books36.3k followersCharlaine Harris has been a published novelist for over thirty-five years. A native of the Mississippi Delta, she grew up in the middle of a cotton field. Charlaine lives in Texas now, and all of her children and grandchildren are within easy driving distance.
Though her early output consisted largely of ghost stories, by the time she hit college (Rhodes, in Memphis) Charlaine was writing poetry and plays. After holding down some low-level jobs, her husband Hal gave her the opportunity to stay home and write. The resulting two stand-alones were published by Houghton Mifflin. After a child-producing sabbatical, Charlaine latched on to the trend of series, and soon had her own traditional mystery books about a Georgia librarian, Aurora Teagarden. Her first Teagarden, Real Murders, garnered an Agatha nomination.
Soon Charlaine was looking for another challenge, and the result was the much darker Lily Bard series. The books, set in Shakespeare, Arkansas, feature a heroine who has survived a terrible attack and is learning to live with its consequences.
When Charlaine began to realize that neither of those series was ever going to set the literary world on fire, she regrouped and decided to write the book she’d always wanted to write. Not a traditional mystery, nor yet pure science fiction or romance, Dead Until Dark broke genre boundaries to appeal to a wide audience of people who simply enjoy a good adventure. Each subsequent book about Sookie Stackhouse, telepathic Louisiana barmaid and friend to vampires, werewolves, and various other odd creatures, was very successful in many languages.
The Harper Connelly books were written concurrently with the Sookie novels.
Following the end of Sookie's recorded adventures, Charlaine wrote the "Midnight, Texas" books, which have become a television series, also. The Aurora Teagarden books have been adapted by Hallmark Movie & Mystery.
Charlaine is a member of many professional organizations, an Episcopalian, and currently the lucky houseparent to two rescue dogs. She lives on a cliff overlooking the Brazos River.
Though her early output consisted largely of ghost stories, by the time she hit college (Rhodes, in Memphis) Charlaine was writing poetry and plays. After holding down some low-level jobs, her husband Hal gave her the opportunity to stay home and write. The resulting two stand-alones were published by Houghton Mifflin. After a child-producing sabbatical, Charlaine latched on to the trend of series, and soon had her own traditional mystery books about a Georgia librarian, Aurora Teagarden. Her first Teagarden, Real Murders, garnered an Agatha nomination.
Soon Charlaine was looking for another challenge, and the result was the much darker Lily Bard series. The books, set in Shakespeare, Arkansas, feature a heroine who has survived a terrible attack and is learning to live with its consequences.
When Charlaine began to realize that neither of those series was ever going to set the literary world on fire, she regrouped and decided to write the book she’d always wanted to write. Not a traditional mystery, nor yet pure science fiction or romance, Dead Until Dark broke genre boundaries to appeal to a wide audience of people who simply enjoy a good adventure. Each subsequent book about Sookie Stackhouse, telepathic Louisiana barmaid and friend to vampires, werewolves, and various other odd creatures, was very successful in many languages.
The Harper Connelly books were written concurrently with the Sookie novels.
Following the end of Sookie's recorded adventures, Charlaine wrote the "Midnight, Texas" books, which have become a television series, also. The Aurora Teagarden books have been adapted by Hallmark Movie & Mystery.
Charlaine is a member of many professional organizations, an Episcopalian, and currently the lucky houseparent to two rescue dogs. She lives on a cliff overlooking the Brazos River.
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Displaying 1 - 30 of 5,836 reviews
June 29, 2021
(B) 74% | More than Satisfactory
Notes: Despite interesting backgrounders and an all-in play on the family theme, it's critically low on plot and development.
Notes: Despite interesting backgrounders and an all-in play on the family theme, it's critically low on plot and development.
November 15, 2010
INCONSISTENT is the word for this book. That is, inconsistent with the other books.
There are just so many things that make dubious sense in a way too short book, which doesn't even take advantage of the subplots and just lets them rot and eventually spoil the book.
Not to mention that the actual plot was such a mess. Weak, really. Not a chance of any tension build-up.
I am also very bothered by the logic, which, for the most part is nonexistent.
The love scenes could have been a bit interesting, with Sookie's issues and stuff. But everything was "repaired" out of the nowhere and for no apparent good reason, leaving us "wtf?".
First of all, Eric becomes just a love-blinded version of his old viking self, this time, being entirely unbespelled. It is really hard to believe his sudden transformation, given that lately he has not been through any traumatising, life-changing experience that could perhaps explain it. Why the sudden change in personality? There is no trace of the yummy, juicy character he was. I am having trouble imagining Alexandr Skarsgard portraying this Eric.
Secondly, I feel that Sam was just shut from Sookie's universe. He basically had no impact in the plot whatsoever and he was just a filler character. Why then did Sookie go to dinner with him? Just to fill some pages? I was expecting some event taking place or something that might effect the novel in any way. Unfortunately, this book completely ignored Sam, even if it set the background for, perhaps, a more interesting role of him in a future book.
Thirdly, the thing with Bill had so much potential which was just wasted. Why did Bill need her help in sending a bloody email? If all that subplot could be solved with just an email, why did Harris go through the trouble of even including it? I think it was very wrong of her not to dwell on this more. We just get the impression that Sookie sends and e-mail and then BAM, Bill is better and possibly, on with his sister - which of course, doesn't make sense given Bill's actions in the previous books, but I am sure that the writer will arrange for those two to get together. It was really disappointing that the Bill issue was solved in 5 lines and not given more attention in a book so short, which definitely had enough space for more development in this part.
The FAIRY PART. This just a big fat NONSENSE to me. It is just illogic on so many levels!!! Why was Dermot put a spell on by Niall? And if so, why was he still against the good side in the war? If now he suddenly loved his family, how come he was against them. Why was the spell broken so easily? I am not referring to the actual way, but to the fact it took her 2 seconds to figure it out. Again, the book was so short and unsatisfying that this could have been easily exploited and developed. And why the fudge did they all end up in bed, like family? Why?
I am seriously expecting to see Michael Jackson as vampire in the next book. Maybe Princess Diana too. Hm, who else? Let me think. Maybe Napoleon? Vlad the Impaler? Jimi Hendrix? Cliff Burton? Julius Caesar? William Wallace? Kurt Cobain? I am looking forward to see who will get the chance to be resurrected as a vampire.
As to the actual plot, it was pretty much non-existent as well. No tension build-up at all because you don't know what the conflict is - oh, wait, there is none, except a fabricated one in the last 20 pages. Which of course, unravels with the speed of light and burns down equally fast.
And why was a 100 year old vampire stronger than both a bad ass Viking and a creepy Roman???
The were-wolf part was out of the nowhere as well.
In the future, I expect more sub-plot development and a more substantial main plot, with an actual tension build up.
P.S. The love scenes were quite crappy too!
There are just so many things that make dubious sense in a way too short book, which doesn't even take advantage of the subplots and just lets them rot and eventually spoil the book.
Not to mention that the actual plot was such a mess. Weak, really. Not a chance of any tension build-up.
I am also very bothered by the logic, which, for the most part is nonexistent.
The love scenes could have been a bit interesting, with Sookie's issues and stuff. But everything was "repaired" out of the nowhere and for no apparent good reason, leaving us "wtf?".
First of all, Eric becomes just a love-blinded version of his old viking self, this time, being entirely unbespelled. It is really hard to believe his sudden transformation, given that lately he has not been through any traumatising, life-changing experience that could perhaps explain it. Why the sudden change in personality? There is no trace of the yummy, juicy character he was. I am having trouble imagining Alexandr Skarsgard portraying this Eric.
Secondly, I feel that Sam was just shut from Sookie's universe. He basically had no impact in the plot whatsoever and he was just a filler character. Why then did Sookie go to dinner with him? Just to fill some pages? I was expecting some event taking place or something that might effect the novel in any way. Unfortunately, this book completely ignored Sam, even if it set the background for, perhaps, a more interesting role of him in a future book.
Thirdly, the thing with Bill had so much potential which was just wasted. Why did Bill need her help in sending a bloody email? If all that subplot could be solved with just an email, why did Harris go through the trouble of even including it? I think it was very wrong of her not to dwell on this more. We just get the impression that Sookie sends and e-mail and then BAM, Bill is better and possibly, on with his sister - which of course, doesn't make sense given Bill's actions in the previous books, but I am sure that the writer will arrange for those two to get together. It was really disappointing that the Bill issue was solved in 5 lines and not given more attention in a book so short, which definitely had enough space for more development in this part.
The FAIRY PART. This just a big fat NONSENSE to me. It is just illogic on so many levels!!! Why was Dermot put a spell on by Niall? And if so, why was he still against the good side in the war? If now he suddenly loved his family, how come he was against them. Why was the spell broken so easily? I am not referring to the actual way, but to the fact it took her 2 seconds to figure it out. Again, the book was so short and unsatisfying that this could have been easily exploited and developed. And why the fudge did they all end up in bed, like family? Why?
I am seriously expecting to see Michael Jackson as vampire in the next book. Maybe Princess Diana too. Hm, who else? Let me think. Maybe Napoleon? Vlad the Impaler? Jimi Hendrix? Cliff Burton? Julius Caesar? William Wallace? Kurt Cobain? I am looking forward to see who will get the chance to be resurrected as a vampire.
As to the actual plot, it was pretty much non-existent as well. No tension build-up at all because you don't know what the conflict is - oh, wait, there is none, except a fabricated one in the last 20 pages. Which of course, unravels with the speed of light and burns down equally fast.
And why was a 100 year old vampire stronger than both a bad ass Viking and a creepy Roman???
The were-wolf part was out of the nowhere as well.
In the future, I expect more sub-plot development and a more substantial main plot, with an actual tension build up.
P.S. The love scenes were quite crappy too!
May 5, 2010
Disappointing to say the least. The whole book was rather boring. There were a few interesting parts, but overall, I skimmed a lot because it didn't add to the plot or story, and I was very irritated with the lack of Eric and Sookie. It seemed like Harris is trying to tell us they won't end up together. With Eric's Maker telling Sookie that she'll never keep Eric, with Bill confessing more, with Alcide confessing more, With Eric being absent a lot, and no communication with Sookie for days at at time. I don't know, I feel rather cheated with this book. The last few books have felt like major filler books, to pass the time and make money, but not really developing anything new in Sookie land. The fae stuff was 'interesting' but... felt sort of silly.
April 27, 2017
Hrm. I'm not exactly sure how I felt about this one, it was just kind of meh. There were too many storylines going on and things were tied up way too neatly.
I've also come to the realization that I like Sookie and Eric better when she's fighting her attraction to him. As a couple, they've kind of lost their appeal, which is weird, because he's always been my favorite pick for her. I think Charlaine writes better sexual tension and conflict than actual sex scenes.
The title of this installment is ridiculously accurate; the story revolves around almost every character's family. It got to the point though that things started to get convoluted. We've got Sookie's two cousins, Eric's "brother" and his maker, Bill's family and his "sister," Tara's pregnancy, and Sam's problems with his family all thrown into the mix. On top of that, people are calling for the Weres to be registered, and even though that storyline seemed like it should have taken precedence, it gets thrown by the wayside in favor of all the drama.
This one was ... weird. I saw that a lot of people thought it started off slow and boring, but I never felt that way. It moves at a leisurely pace and Sookie isn't running from danger at every turn, but I was never bored. Maybe I was just happy to be with these characters again. This novel feels like filler for sure, but I wasn't completely disappointed by the storyline. There were some interesting things that we finally have answers to, but I thought the main mystery was figured out too easily. Although, at this point it makes sense that Sookie can figure out things a little quicker now; she's got more experience and more resources to help her out. There just wasn't that suspense and tension that I look for in Charlaine's books this time around though.
Even though the main mystery was solved and many things were tied up neatly, some interesting new questions have been thrown into the mix at the end. I'm not completely disappointed with this book, but I really wish I didn't have to wait a year for the next one when this one was lacking that certain special something I've come to expect when I read her books.
Oh well, until next May!
I've also come to the realization that I like Sookie and Eric better when she's fighting her attraction to him. As a couple, they've kind of lost their appeal, which is weird, because he's always been my favorite pick for her. I think Charlaine writes better sexual tension and conflict than actual sex scenes.
The title of this installment is ridiculously accurate; the story revolves around almost every character's family. It got to the point though that things started to get convoluted. We've got Sookie's two cousins, Eric's "brother" and his maker, Bill's family and his "sister," Tara's pregnancy, and Sam's problems with his family all thrown into the mix. On top of that, people are calling for the Weres to be registered, and even though that storyline seemed like it should have taken precedence, it gets thrown by the wayside in favor of all the drama.
This one was ... weird. I saw that a lot of people thought it started off slow and boring, but I never felt that way. It moves at a leisurely pace and Sookie isn't running from danger at every turn, but I was never bored. Maybe I was just happy to be with these characters again. This novel feels like filler for sure, but I wasn't completely disappointed by the storyline. There were some interesting things that we finally have answers to, but I thought the main mystery was figured out too easily. Although, at this point it makes sense that Sookie can figure out things a little quicker now; she's got more experience and more resources to help her out. There just wasn't that suspense and tension that I look for in Charlaine's books this time around though.
Even though the main mystery was solved and many things were tied up neatly, some interesting new questions have been thrown into the mix at the end. I'm not completely disappointed with this book, but I really wish I didn't have to wait a year for the next one when this one was lacking that certain special something I've come to expect when I read her books.
Oh well, until next May!
August 3, 2010
Dear Charlaine Harris,
You can stop now. You have officially sucked all the life out of all of your characters and made them all eminently dislikable. I know this is your cash cow but, please, let Alan Ball take over for you and you can go and do... whatever it is that you do to occupy your time. Bake moon pies? Write Robert Pattinson fanfic? Hunt for the long-mythologized swamp weasel of South Carolina? Anything would be an improvement over you letting your imagination continue to run amok in Bon Temps.
I probably wouldn't mind so much if ANYTHING HAPPENED in this 300 page travesty of a "book" but I guess you were too busy counting your True Blood royalties to bother too much with a little detail like that. Instead you wanted to write 20 page scenes about taking Sookie's telepathic cousin to the park or the funeral of an incredibly minor character who you have only ever mentioned in passing before. Why should we care? You allude to much, but in the end you say NOTHING and I'm left bitter that I waited anxiously for this book to finally be returned to the library so that I could read it.
I would have been better off watching this Snoop Dogg fan video again. In summation, you and I are through. Please stop taunting me with your stupid ass book covers and ridiculous sex scenes.
Best Wishes,
Logan
You can stop now. You have officially sucked all the life out of all of your characters and made them all eminently dislikable. I know this is your cash cow but, please, let Alan Ball take over for you and you can go and do... whatever it is that you do to occupy your time. Bake moon pies? Write Robert Pattinson fanfic? Hunt for the long-mythologized swamp weasel of South Carolina? Anything would be an improvement over you letting your imagination continue to run amok in Bon Temps.
I probably wouldn't mind so much if ANYTHING HAPPENED in this 300 page travesty of a "book" but I guess you were too busy counting your True Blood royalties to bother too much with a little detail like that. Instead you wanted to write 20 page scenes about taking Sookie's telepathic cousin to the park or the funeral of an incredibly minor character who you have only ever mentioned in passing before. Why should we care? You allude to much, but in the end you say NOTHING and I'm left bitter that I waited anxiously for this book to finally be returned to the library so that I could read it.
I would have been better off watching this Snoop Dogg fan video again. In summation, you and I are through. Please stop taunting me with your stupid ass book covers and ridiculous sex scenes.
Best Wishes,
Logan
March 15, 2021
3.5 stars. Definitely not a nail biter, but an interesting enough plot, even if it didn't have the usual tension.
May 10, 2010
This book was not what I expected. I waited so long for it that I just wanted more of it. I mean after all the time it took to get published, the book could have been a bit longer. Still it was much better than the previous book.
I loved to finally see Sookie and Eric in a real relationship. It seemed so natural. I was extremely happy as well because Sookie even considered how it would be to be changed into a vampire. Finally. Although she didn't give much thought to it, just a paragraph,lol, and not a real answer.
My problem with this book was that nothing really important happened. After having read about wars,conferences and congresses between the sups, the plot in this book seemed a bit weak. And as all the "enemies" appeared and died in this very same book, it seemed as a poor addition to the series. I think it would have been better if we had get more Victor in it and more about the sups we already knew.
But there were some great things in the book. First, I loved this new side of Claude. I really liked him and I think he will turn a great character in the next books, as well as Dermot. I love the family aspect and how it's developing. I hope they stay in the series as good guys because I really like the 2 fairies. They make everything more interesting. I loved as well to see this more mature side of Jason, because in the previous books he had annoyed me tremendously. And it couldn't have been invented a better ending to the Bill Drama. I loved how everything turned out.
I think this was a great book, which gave closure to a lot of problems that had been going on but were not a very big deal. This book was like a transition between what had been going on and what will happen next. I believe everything has been presented to give us the idea that something very big will be going on next book. Can't wait. I love this series, although I'm not sure how I will tolerate the waiting. I wanna read next book NOW.
I loved to finally see Sookie and Eric in a real relationship. It seemed so natural. I was extremely happy as well because Sookie even considered how it would be to be changed into a vampire. Finally. Although she didn't give much thought to it, just a paragraph,lol, and not a real answer.
My problem with this book was that nothing really important happened. After having read about wars,conferences and congresses between the sups, the plot in this book seemed a bit weak. And as all the "enemies" appeared and died in this very same book, it seemed as a poor addition to the series. I think it would have been better if we had get more Victor in it and more about the sups we already knew.
But there were some great things in the book. First, I loved this new side of Claude. I really liked him and I think he will turn a great character in the next books, as well as Dermot. I love the family aspect and how it's developing. I hope they stay in the series as good guys because I really like the 2 fairies. They make everything more interesting. I loved as well to see this more mature side of Jason, because in the previous books he had annoyed me tremendously. And it couldn't have been invented a better ending to the Bill Drama. I loved how everything turned out.
I think this was a great book, which gave closure to a lot of problems that had been going on but were not a very big deal. This book was like a transition between what had been going on and what will happen next. I believe everything has been presented to give us the idea that something very big will be going on next book. Can't wait. I love this series, although I'm not sure how I will tolerate the waiting. I wanna read next book NOW.
June 10, 2010
After the last two books, I think I was expecting a little more from this book than what I got. Don't get me wrong, I liked the book and would've given it a 3.5 had it been an option.
My biggest problem is that while I know this is a clearly a transitional book, very little happens that is of consequence (if we're being set up for something big in a later book, Harris has done a poor job of building tension/momentum).
It was also very choppy, as if significant edits were made and you can see the lines where the plot was glued back together, but it doesn't come together cohesievely every time.
Finally, the poor introduction of new characters. Faces that had become so familiar over the last few books are gone one way or another(Amelia, Octavia, Tray, Caludine, etc) and new people (beings?) are introduced. The character developement is weak at best and non-existent at worst. (And seriously, Charlaine- no mention of what happened to Arlene after she tried to kill Sookie? Is she rotting in jail? Did she get off scott-free? You mananged to make mention of things that happened five books ago and anyone familiar with the Sookie-verse would know it already, but you can't follow up with Arlene? But maybe I should just be happy that Sookie is wearing her hair up in a scrunchie anymore and you aren't mentioning it every chapter.)
However, there were several things I *did* like. Jason- finally growing up. Eric telling Sookie just *why* he didn't come to rescue her right away in the previous book. Sookie- not being a vampire doormat. All these are good things, but I wasn't left wanting MORE MORE MORE like I have been after the last few books.
I hope Harris takes some time off between this book and the next one and really thinks about where she's going with Sookie's story, and give it the thoughful attention it deserves.
My biggest problem is that while I know this is a clearly a transitional book, very little happens that is of consequence (if we're being set up for something big in a later book, Harris has done a poor job of building tension/momentum).
It was also very choppy, as if significant edits were made and you can see the lines where the plot was glued back together, but it doesn't come together cohesievely every time.
Finally, the poor introduction of new characters. Faces that had become so familiar over the last few books are gone one way or another(Amelia, Octavia, Tray, Caludine, etc) and new people (beings?) are introduced. The character developement is weak at best and non-existent at worst. (And seriously, Charlaine- no mention of what happened to Arlene after she tried to kill Sookie? Is she rotting in jail? Did she get off scott-free? You mananged to make mention of things that happened five books ago and anyone familiar with the Sookie-verse would know it already, but you can't follow up with Arlene? But maybe I should just be happy that Sookie is wearing her hair up in a scrunchie anymore and you aren't mentioning it every chapter.)
However, there were several things I *did* like. Jason- finally growing up. Eric telling Sookie just *why* he didn't come to rescue her right away in the previous book. Sookie- not being a vampire doormat. All these are good things, but I wasn't left wanting MORE MORE MORE like I have been after the last few books.
I hope Harris takes some time off between this book and the next one and really thinks about where she's going with Sookie's story, and give it the thoughful attention it deserves.
January 5, 2011
Why, oh why had I been so worried?
Displeased with Sookie’s attitude and the overall plot of Dead and Gone, I was reluctant to start Dead in the Family. Concern that the series had finally lost its luster made me hold off. I was a fool.
Dead in the Family is a wonderful addition to the Southern Vampire Mysteries. The dialogue is comfortable, the characters are true to form, and the plot rolls along steadily, touching on all the key threads that make this series a success. Harris returns to Bon Temps as spring takes hold, bringing with it change and growth so clearly reflected in the story.
Launching with a prologue, Harris offers a window into how the characters are coping after so much horror. I’m glad Ms. Harris took the time to touch on Sookie‘s healing process; her progression from depression to resignation, to the realisation she wants to live, to finally being able to wrestle some happiness out of life, was powerful and necessary. Though Sookie is certainly more cynical than she once was, it was nice to see her confidence and her fiesty attitude return. Dead in the Family brings practical Sookie back to the fore (with a little more ruthlessness thrown in).
The obvious theme of this book is family: Sookie’s and Eric’s primarily, with reinforcement from Bill, Sam, Tara, and even characters who are just passing through. Offering several relationships to compare and contrast, Harris displays both the positive and negative aspects of familial ties. All of the connections were interesting, some were heartbreaking, and others - like Sookie’s relationship with her cousin, Hunter - were filled with promise. I enjoyed this theme and the questions it raised about Sookie’s future. I suspect there’s a lot of foreshadowing scattered throughout, and I’m starting to build some theories on how the series will wrap up.
Having Eric’s maker around was not as thrilling as anticipated. I couldn’t help feeling disappointed that he didn’t cause a lot more turmoil. Despite that, Eric’s vulnerability was a sight to behold and well worth dealing with the lack-luster Roman.
Eric and Sookie. I like the progress. I’m enjoying seeing them relate to one another in a more open way. I’m glad we got an answer to the “Why didn’t he come?” question that’s been plaguing us all. At the same time, I wish this book had given them more space for heart-to-heart conversations.
Even more than Sookie’s love life, I wanted to explore the continuing predicament with the new ruling parties. I’m eager to dive into the full political implications of Victor’s behaviour, Felipe’s reign, and Eric’s precarious position. I suspect this is a slow build up to major maneuvering. Bring on the vampire intrigue!
Speaking of supernatural politics: Since outing themselves to the rest of the world, the shape shifters have had an increasingly rough time of it. In an example of solid storytelling, updates on Sam’s family offered a tidy and welcome way of highlighting the problems the general shifter community must face.
Finally, the fae. They’ve been my primary issue with the series as of late. They aren’t as well-developed as Harris’ other races, so I’ve never felt invested in them. And I can’t stand Niall’s selfishness and lack of foresight. That said, the mystery fae mentioned in the blurb came as quite a surprise. A welcome one, since the motivations behind the lurking were understandable and even helped tie up some loose ends. For once, the inclusion of the fae didn’t drive me batty.
As I mentioned, I see a good deal of foreshadowing in this book. Knowing the series will soon end, I can’t help but examine every little detail more closely. I’m terrible that way - always trying to suss out how the author will leave things. In this case, Harris has given me much to ponder over the next five months.
Displeased with Sookie’s attitude and the overall plot of Dead and Gone, I was reluctant to start Dead in the Family. Concern that the series had finally lost its luster made me hold off. I was a fool.
Dead in the Family is a wonderful addition to the Southern Vampire Mysteries. The dialogue is comfortable, the characters are true to form, and the plot rolls along steadily, touching on all the key threads that make this series a success. Harris returns to Bon Temps as spring takes hold, bringing with it change and growth so clearly reflected in the story.
Launching with a prologue, Harris offers a window into how the characters are coping after so much horror. I’m glad Ms. Harris took the time to touch on Sookie‘s healing process; her progression from depression to resignation, to the realisation she wants to live, to finally being able to wrestle some happiness out of life, was powerful and necessary. Though Sookie is certainly more cynical than she once was, it was nice to see her confidence and her fiesty attitude return. Dead in the Family brings practical Sookie back to the fore (with a little more ruthlessness thrown in).
The obvious theme of this book is family: Sookie’s and Eric’s primarily, with reinforcement from Bill, Sam, Tara, and even characters who are just passing through. Offering several relationships to compare and contrast, Harris displays both the positive and negative aspects of familial ties. All of the connections were interesting, some were heartbreaking, and others - like Sookie’s relationship with her cousin, Hunter - were filled with promise. I enjoyed this theme and the questions it raised about Sookie’s future. I suspect there’s a lot of foreshadowing scattered throughout, and I’m starting to build some theories on how the series will wrap up.
Having Eric’s maker around was not as thrilling as anticipated. I couldn’t help feeling disappointed that he didn’t cause a lot more turmoil. Despite that, Eric’s vulnerability was a sight to behold and well worth dealing with the lack-luster Roman.
Eric and Sookie. I like the progress. I’m enjoying seeing them relate to one another in a more open way. I’m glad we got an answer to the “Why didn’t he come?” question that’s been plaguing us all. At the same time, I wish this book had given them more space for heart-to-heart conversations.
Even more than Sookie’s love life, I wanted to explore the continuing predicament with the new ruling parties. I’m eager to dive into the full political implications of Victor’s behaviour, Felipe’s reign, and Eric’s precarious position. I suspect this is a slow build up to major maneuvering. Bring on the vampire intrigue!
Speaking of supernatural politics: Since outing themselves to the rest of the world, the shape shifters have had an increasingly rough time of it. In an example of solid storytelling, updates on Sam’s family offered a tidy and welcome way of highlighting the problems the general shifter community must face.
Finally, the fae. They’ve been my primary issue with the series as of late. They aren’t as well-developed as Harris’ other races, so I’ve never felt invested in them. And I can’t stand Niall’s selfishness and lack of foresight. That said, the mystery fae mentioned in the blurb came as quite a surprise. A welcome one, since the motivations behind the lurking were understandable and even helped tie up some loose ends. For once, the inclusion of the fae didn’t drive me batty.
As I mentioned, I see a good deal of foreshadowing in this book. Knowing the series will soon end, I can’t help but examine every little detail more closely. I’m terrible that way - always trying to suss out how the author will leave things. In this case, Harris has given me much to ponder over the next five months.
May 8, 2010
Dead in the family isn't a book that you can easily judge on its own. Dead in the Family is really just a filler book between the Fairy battle of last book and the inevitable show down with the King of Louisiana and his people to come.
This makes it hard to review because, to be honest, nothing really happens. We have what I would call a short story "arc" to bridge us between what I would consider the main story. Sookie finishes up in this book much the same as she started though she has undergone some very positive character upgrades since the beginning of the series.
The writing is okay, the mystery is flat and the end is kind of a let down but this book isn't bad. I think it's just not what I came to expect from this series and frankly, I felt like this book didn't really need to happen.
The positive parts are the characters of Jason and Claude who get a happy little depth and improvement to them. The relationship between Sookie and Eric is nice.
However that's all I can really say about this book. It wasn't exciting, it wasn't a page turner and it doesn't really leave me hanging out for the next one.
I hate to say it but maybe it's time for Sookie's story to come to a nice close but I wonder how much there really is left to tell. Judging by this book, probably not much.
This makes it hard to review because, to be honest, nothing really happens. We have what I would call a short story "arc" to bridge us between what I would consider the main story. Sookie finishes up in this book much the same as she started though she has undergone some very positive character upgrades since the beginning of the series.
The writing is okay, the mystery is flat and the end is kind of a let down but this book isn't bad. I think it's just not what I came to expect from this series and frankly, I felt like this book didn't really need to happen.
The positive parts are the characters of Jason and Claude who get a happy little depth and improvement to them. The relationship between Sookie and Eric is nice.
However that's all I can really say about this book. It wasn't exciting, it wasn't a page turner and it doesn't really leave me hanging out for the next one.
I hate to say it but maybe it's time for Sookie's story to come to a nice close but I wonder how much there really is left to tell. Judging by this book, probably not much.
October 16, 2011
Once upon a time there was a handsome Viking with a great sense of humor. He was no prince like the people from the realm of HBO seem to believe – just the garden variety Northman. But where he lacked in nobility he made up in boldness, generosity, and zest.
He had a perky girlfriend who was not only openhearted but gifted above all other humans with nerve, wits, and a sixth sense. They loved each other, although not always in a conventional way, and they tried hard to make their relationship work out in spite of all obstacles. They lived in an enchanted kingdom called Northern Louisiana, where most unusual creatures roamed: werewolves, fairies, demons, shifters of all kind, and the mighty vampires – the Viking’s kin.
In the beginning their life was fascinating, with the most wondrous adventures and fortuitous turns of fate. Their stories were told around every campfire for years and years, and the good maidens from the city of GoodReads lived vicariously through them. But their happiness was not meant to last.
A terrible disease threatened their world: chronic boredomitis. The first maidens got sick during the seventh year of kingdom’s existence, but the illness was not pervasive. Then two years later, a grisly outbreak hit with merciless fury: people all over the city of GoodReads were falling off their feet yawning with ennui and, in some severe cases, were even falling asleep while listening to the stories. A petrifying dread filled everyone’s hearts when the virile Viking and his merry damsel, along with most of their friends perished, victims of the plague.
Some blamed the Northman’s maker, Appius Livius Ocella, for bringing the sickness. But the elders know better that it was the maker’s maker, Charlaine Harrisella who brought the boredomitis upon everyone.
The End
He had a perky girlfriend who was not only openhearted but gifted above all other humans with nerve, wits, and a sixth sense. They loved each other, although not always in a conventional way, and they tried hard to make their relationship work out in spite of all obstacles. They lived in an enchanted kingdom called Northern Louisiana, where most unusual creatures roamed: werewolves, fairies, demons, shifters of all kind, and the mighty vampires – the Viking’s kin.
In the beginning their life was fascinating, with the most wondrous adventures and fortuitous turns of fate. Their stories were told around every campfire for years and years, and the good maidens from the city of GoodReads lived vicariously through them. But their happiness was not meant to last.
A terrible disease threatened their world: chronic boredomitis. The first maidens got sick during the seventh year of kingdom’s existence, but the illness was not pervasive. Then two years later, a grisly outbreak hit with merciless fury: people all over the city of GoodReads were falling off their feet yawning with ennui and, in some severe cases, were even falling asleep while listening to the stories. A petrifying dread filled everyone’s hearts when the virile Viking and his merry damsel, along with most of their friends perished, victims of the plague.
Some blamed the Northman’s maker, Appius Livius Ocella, for bringing the sickness. But the elders know better that it was the maker’s maker, Charlaine Harrisella who brought the boredomitis upon everyone.
The End
November 1, 2021
This review is for an ARC.
I would say that Charlaine wasn't joking when she said the title for this book was very apt. It is all about family. Blood families and packs alike. I liked how each corner of the Sookieverse gets a look in, and something about that family is developed - the humans, the fairies, the weres and the vampire families all get story time.
The character of Eric is filled in wonderfully in this book, and his fans will be delighted with how he, his history, and his family are written. I won't say more and ruin anything, but I thought it was fun that we finally got to find out a little about where the great man rests his head.
Bill, Sam and Alcide all get appropriate chunks of the story, and the virtues and vices of each become clearer to Sookie. I feel like I can now see a glimmer of who she will end up with when all is said and done.
Speaking of Sookie herself, she is a much darker character in Dead in the Family. She has suffered a lot, and struggles on a daily basis to keep that suffering in check. She has more moxie than before (if that was possible) and seems to be developing a new catchphrase... 'geez Louise'. I'm not sure I like that, but it sure is a Sookie-phrase! She speaks her mind more, and is inevitably more wary.
At 295 pages, the book is about the right length, and it is split into 3 definite parts. The start deals with Sookie's recovery from the events at the end of Dead and Gone, the middle delves into the family theme in detail, and the ending is very Shakespearian.
At times I felt like the story was meandering, and lacked the clear focus of other Sookie books; the mystery in this one is smaller, and less pressing. However I feel that in order to continue the series, this book is absolutely pivotal to collect up all the many threads which have been written, tie a few together, and leave us ready for the next installment - which must surely focus on the legal implications of the werecommunity's revelation.
I'd give this 4.5 stars if possible, as I really really enjoyed it, but I felt the necessary meandering stole a little of the urgency away from the story.
I would say that Charlaine wasn't joking when she said the title for this book was very apt. It is all about family. Blood families and packs alike. I liked how each corner of the Sookieverse gets a look in, and something about that family is developed - the humans, the fairies, the weres and the vampire families all get story time.
The character of Eric is filled in wonderfully in this book, and his fans will be delighted with how he, his history, and his family are written. I won't say more and ruin anything, but I thought it was fun that we finally got to find out a little about where the great man rests his head.
Bill, Sam and Alcide all get appropriate chunks of the story, and the virtues and vices of each become clearer to Sookie. I feel like I can now see a glimmer of who she will end up with when all is said and done.
Speaking of Sookie herself, she is a much darker character in Dead in the Family. She has suffered a lot, and struggles on a daily basis to keep that suffering in check. She has more moxie than before (if that was possible) and seems to be developing a new catchphrase... 'geez Louise'. I'm not sure I like that, but it sure is a Sookie-phrase! She speaks her mind more, and is inevitably more wary.
At 295 pages, the book is about the right length, and it is split into 3 definite parts. The start deals with Sookie's recovery from the events at the end of Dead and Gone, the middle delves into the family theme in detail, and the ending is very Shakespearian.
At times I felt like the story was meandering, and lacked the clear focus of other Sookie books; the mystery in this one is smaller, and less pressing. However I feel that in order to continue the series, this book is absolutely pivotal to collect up all the many threads which have been written, tie a few together, and leave us ready for the next installment - which must surely focus on the legal implications of the werecommunity's revelation.
I'd give this 4.5 stars if possible, as I really really enjoyed it, but I felt the necessary meandering stole a little of the urgency away from the story.
September 13, 2021
Let me start off by saying that this series is truly one of my favorites and I always eagerly anticipate any new books when they are released. Unfortunately, I can't say that this book was well worth the wait. I felt like I was waiting for the real story to begin the entire book. There were too many plot lines going and none of them really made a whole lot of sense. You began with Eric/Victor issues but after a certain point it was almost as if that storyline was forgotten. To me nothing from this book added to the series story progression and I was very disappointed in the lack of relationship interaction between Eric/Sookie. I know that CH has signed on for 3 more books after #11 so hopefully all of those will be much better. I would rather have fewer books and great stories than more 'just ok' stories to produce more books.
Positives:
1. Eric 'My Lover' (Eric being involved is always a positive)
2. Hunter's appearance - finally after so long
3. Jason growing up (taking care of Sookie)
4. Alcide (nice Alcide, not mean & bitter)
5. Bill talking to Caroline Bellfleur & acknowledging he was her Great-Great Grandfather
6. Finally finding out why Eric wasn't able to get to Sookie when she was held captive.
Negatives
1. Not enough Eric/Sookie relationship (they admit they love each other, but they barely have any scenes together in the book. And no I'm not just talking about sex scenes either)
2. Eric's maker -Appius Livius Ocella & Alexei -WTF!
3. No story progression - was this a short story?
4. Weres! I love a good werewolf or shifter just like the next gal, but come on. At least give me a good story, the only good thing was Alcide!
5. I had to wait a year for this, WTH! I wanted the story to grab hold of me and not let go, I've been waiting so long.
With all this being said, Eric still makes reading any of Sookie's books worthwhile and I will continue to read them as a faithful fan.
Positives:
1. Eric 'My Lover' (Eric being involved is always a positive)
2. Hunter's appearance - finally after so long
3. Jason growing up (taking care of Sookie)
4. Alcide (nice Alcide, not mean & bitter)
5. Bill talking to Caroline Bellfleur & acknowledging he was her Great-Great Grandfather
6. Finally finding out why Eric wasn't able to get to Sookie when she was held captive.
Negatives
1. Not enough Eric/Sookie relationship (they admit they love each other, but they barely have any scenes together in the book. And no I'm not just talking about sex scenes either)
2. Eric's maker -Appius Livius Ocella & Alexei -WTF!
3. No story progression - was this a short story?
4. Weres! I love a good werewolf or shifter just like the next gal, but come on. At least give me a good story, the only good thing was Alcide!
5. I had to wait a year for this, WTH! I wanted the story to grab hold of me and not let go, I've been waiting so long.
With all this being said, Eric still makes reading any of Sookie's books worthwhile and I will continue to read them as a faithful fan.
This entire review has been hidden because of spoilers.
April 9, 2011
This is the first book in the Sookie Stackhouse series that I actually didn't want to finish. I only did out of tradition because I've been with this series for so long. It's gone from being a 4 star addiction to a 3 star guilty pleasure... and now it's gone down to a dismal 2 stars. It's so disappointing.
I guess I just really don't care anymore.
The novel was slow and boring. Nothing really happened to contribute to the overall plot, the whole story was just quite pitiful. The only parts I really enjoyed were the sex scenes with Eric, like I always do, but I'm starting to think about dropping the series and sticking with True Blood for my Eric fix.
It's quite sad but I'm losing grip on the story and characters. I might come back to it one day though.
I guess I just really don't care anymore.
The novel was slow and boring. Nothing really happened to contribute to the overall plot, the whole story was just quite pitiful. The only parts I really enjoyed were the sex scenes with Eric, like I always do, but I'm starting to think about dropping the series and sticking with True Blood for my Eric fix.
It's quite sad but I'm losing grip on the story and characters. I might come back to it one day though.
November 10, 2016
Dead in the Family is a great book. I used to love this series, adored the characters, but it has one of the worst endings ever! Do not read the last book. Stay away from it. But this one, and the ones before and the two after are fine. But stay away from the last book!
May 22, 2010
Charlaine Harris's books are definitely a guilty pleasure of mine. They are not great works of literature and not written terribly well, and yet I never cease to enjoy them. Same applies to this newest addition to the Sookie Stackhouse series - Dead in the Family, only this book adds another dimension to the expression "guilty pleasure," because more than any other book in this series it has a soap-operish feel to it.
For one, it is virtually impossible to give a short summary of this installment, mainly because nothing major happens in it. Rather, it wraps up all unfinished business left after Dead and Gone. Specifically:
1) how will Sookie deal with her memories of fairy torture?
2) will Bill recover after silver poisoning?
3) will Eric and Sookie finally define their relationship?
4) did all fairies leave the human world with Niall?
5) will Sookie train her young cousin Hunter to manage his telepathic abilities?
All these plot threads are tied together very loosely and in fact should have been a part of the epilogue to Dead and Gone.
What serves as a sort of main mystery line - some werewolf business - is very thin and has just enough "meat" for a decent short story.
And second, what is with a sudden epidemic of pregnancy and return of long-lost relatives?
You might think I hated the book, but it's not so. It was an easy, enjoyable read. Harris has an ability to keep me interested even while describing the most mundane things, her characters are very vivid too. Reading about Eric was a pleasure, but his presence in Dead in the Family was minimal and there was almost no smut (I am not counting that one weird "tryst" when even no clothes came off)! I am also glad the author finally abandoned the fairy story line, because let's face it, her fairy lore was a big time joke. Harris should stick to what she does best - weres', vamps', and shapeshifters' politics.
Dead in the Family is definitely one of the weakest books in the series. It seems Charlaine Harris is grasping at straws here, attempting to extend the series as much as she possibly can. I realize it and yet, I'll be reading the next book. She has me hooked...
For one, it is virtually impossible to give a short summary of this installment, mainly because nothing major happens in it. Rather, it wraps up all unfinished business left after Dead and Gone. Specifically:
1) how will Sookie deal with her memories of fairy torture?
2) will Bill recover after silver poisoning?
3) will Eric and Sookie finally define their relationship?
4) did all fairies leave the human world with Niall?
5) will Sookie train her young cousin Hunter to manage his telepathic abilities?
All these plot threads are tied together very loosely and in fact should have been a part of the epilogue to Dead and Gone.
What serves as a sort of main mystery line - some werewolf business - is very thin and has just enough "meat" for a decent short story.
And second, what is with a sudden epidemic of pregnancy and return of long-lost relatives?
You might think I hated the book, but it's not so. It was an easy, enjoyable read. Harris has an ability to keep me interested even while describing the most mundane things, her characters are very vivid too. Reading about Eric was a pleasure, but his presence in Dead in the Family was minimal and there was almost no smut (I am not counting that one weird "tryst" when even no clothes came off)! I am also glad the author finally abandoned the fairy story line, because let's face it, her fairy lore was a big time joke. Harris should stick to what she does best - weres', vamps', and shapeshifters' politics.
Dead in the Family is definitely one of the weakest books in the series. It seems Charlaine Harris is grasping at straws here, attempting to extend the series as much as she possibly can. I realize it and yet, I'll be reading the next book. She has me hooked...
April 22, 2011
Re-reading by audiobook for 2nd time - 04/19/11 - also have hardback
Great book and ditto for the review below with maybe the reference to the Look candy bar removed. What was I thinking? Love this series and can't wait until the next book comes out - May 2011!!!!!!
PREVIOUS REVIEW - After reading this book, I remember why this series is one of my top 5 favorites. It's like the Look candy bar to me. During my pregnancy with my oldest daughter I would walk to the store each workday and buy one because they were so good and it forced me to take a walk. And then over years, I've eaten other candy bars and loved them. I remembered I liked Look a lot but the others have become as good or better. But then I eat a Look candy bar now and I remember why it was so good and one of my favorites. Okay, I'm craving candy and it's 12:45 a.m.
I can't wait until the next book comes out! I realize a lot of people didn't like how depressed Sookie was but really, after seeing so many people die, people that she really liked and may even have loved, and then to have parts of her be literally eaten slowly, how could anyone just bounce back? I wish this vampire marriage thing would be firmed up, maybe have a human marriage to make it more real for her? Hope that's in the next book. And the question about Niall, that's something else I hope is in the next book. I'm going to check and see if I can preorder the next book right now.
Great book and ditto for the review below with maybe the reference to the Look candy bar removed. What was I thinking? Love this series and can't wait until the next book comes out - May 2011!!!!!!
PREVIOUS REVIEW - After reading this book, I remember why this series is one of my top 5 favorites. It's like the Look candy bar to me. During my pregnancy with my oldest daughter I would walk to the store each workday and buy one because they were so good and it forced me to take a walk. And then over years, I've eaten other candy bars and loved them. I remembered I liked Look a lot but the others have become as good or better. But then I eat a Look candy bar now and I remember why it was so good and one of my favorites. Okay, I'm craving candy and it's 12:45 a.m.
I can't wait until the next book comes out! I realize a lot of people didn't like how depressed Sookie was but really, after seeing so many people die, people that she really liked and may even have loved, and then to have parts of her be literally eaten slowly, how could anyone just bounce back? I wish this vampire marriage thing would be firmed up, maybe have a human marriage to make it more real for her? Hope that's in the next book. And the question about Niall, that's something else I hope is in the next book. I'm going to check and see if I can preorder the next book right now.
June 22, 2010
I could swear that the earlier books weren't this badly written. Rather than invest more time in composing a coherent review, I'm just going to make a random list of complaints:
* Lifeless writing, tons of exposition and little characterization. I thought the best bits of the writing were the phone conversations.
* The utter ruin of Eric's character. He spends this entire book being vaguely and ineffectually afraid. And the sex scenes were cringe-worthy.
* Alexei the vampire. Yes, that Alexei. I think Harris didn't have enough plot for a novel, so she figured that by introducing a famous character she could fill a few pages with a history lesson.
* "Oneys" and "twoeys" has to be the worst nomenclature I've ever seen in urban fantasy.
* Boring lecture on vampire politics that was irrelevant to the plot and will certainly be reiterated in future books. More filler.
* Terrible action scenes where superstrong, superfast vampires are defeated in hand-to-hand combat with a cocktail waitress.
* Lifeless writing, tons of exposition and little characterization. I thought the best bits of the writing were the phone conversations.
* The utter ruin of Eric's character. He spends this entire book being vaguely and ineffectually afraid. And the sex scenes were cringe-worthy.
* Alexei the vampire. Yes, that Alexei. I think Harris didn't have enough plot for a novel, so she figured that by introducing a famous character she could fill a few pages with a history lesson.
* "Oneys" and "twoeys" has to be the worst nomenclature I've ever seen in urban fantasy.
* Boring lecture on vampire politics that was irrelevant to the plot and will certainly be reiterated in future books. More filler.
* Terrible action scenes where superstrong, superfast vampires are defeated in hand-to-hand combat with a cocktail waitress.
October 3, 2010
Dropped everything for this book! Great Mother's day gift! I enjoyed the book but it is probably my least favorite in the series so far. I was glad to be back with Sookie again. She is like an old friend now. Her personality is refreshing, charasmatic, and unique. The story, while good,just was not as exciting as previous books but it was very enjoyable to get to find out more about the history of Eric and Bill and get to know more about Claude.
I went back a month later and listened to this book on audio. I upgraded my rating to 4 stars. I had anticipated this book so much that my expectations were too high. When I listened to it I enjoyed the story much more. Audibles does a great job and the narration was excellent. I now wait patiently for book 11.
I went back a month later and listened to this book on audio. I upgraded my rating to 4 stars. I had anticipated this book so much that my expectations were too high. When I listened to it I enjoyed the story much more. Audibles does a great job and the narration was excellent. I now wait patiently for book 11.
May 14, 2010
I read this book in a day and a half...and I tried to pace myself. I wanted more Sookie and Eric, but I ALWAYS want more Sookie and Eric!! I loved it anywho, but am eagerly awaiting book eleven...
December 6, 2010
Oh, how I missed Sookie and Eric and all of the Bon Temps gang.
Charlaine Harris can sure tell a good story. She takes the most boring and mundane details of life in a small town and makes it an interesting and humorous read. I had to chuckle when a comment was made about the patrons of Merlotte’s singing Bad Things by Jace Everett so loud that Sookie couldn’t hear the conversation she was having with Sam.
So many things happen in this book. The weres are coming out and this would have been a great story line if only more time was given to it. Instead we get a few little anti-were protests. I did enjoy the were politics. I did miss Alcide and I now have a new respect for his role as an Alpha.
The vampire politics and intrigue continued. As I continue on with this series, I really do appreciate Pam more and more. She is one astute player, carefully thinking out the repercussions of any move that can or will be made. Eric was different in this book. He kind of seemed defeated, maybe a little bit softer than in previous books. I miss the Viking Eric.
I noticed a few things that are very different from the TV series, notably on the vampire back stories. In the book, Eric’s maker is Appius Livius, not Godric. Honestly, I prefer Godric to this character. Bill’s back story also differs a little. Bill has a shining moment when he makes peace with his human family.
What would a Sookie book be without some sort of fairy story line? Claude the most gorgeous fairy misses being with his kind so he becomes Sookie’s new roommate.
Oh, and did anyone notice the mini baby boom in Bon Temps?
While this is not the best book in the series, it was an enjoyable read and something to keep me in Bon Temps until the next season of True Blood.
Charlaine Harris can sure tell a good story. She takes the most boring and mundane details of life in a small town and makes it an interesting and humorous read. I had to chuckle when a comment was made about the patrons of Merlotte’s singing Bad Things by Jace Everett so loud that Sookie couldn’t hear the conversation she was having with Sam.
So many things happen in this book. The weres are coming out and this would have been a great story line if only more time was given to it. Instead we get a few little anti-were protests. I did enjoy the were politics. I did miss Alcide and I now have a new respect for his role as an Alpha.
The vampire politics and intrigue continued. As I continue on with this series, I really do appreciate Pam more and more. She is one astute player, carefully thinking out the repercussions of any move that can or will be made. Eric was different in this book. He kind of seemed defeated, maybe a little bit softer than in previous books. I miss the Viking Eric.
I noticed a few things that are very different from the TV series, notably on the vampire back stories. In the book, Eric’s maker is Appius Livius, not Godric. Honestly, I prefer Godric to this character. Bill’s back story also differs a little. Bill has a shining moment when he makes peace with his human family.
What would a Sookie book be without some sort of fairy story line? Claude the most gorgeous fairy misses being with his kind so he becomes Sookie’s new roommate.
Oh, and did anyone notice the mini baby boom in Bon Temps?
While this is not the best book in the series, it was an enjoyable read and something to keep me in Bon Temps until the next season of True Blood.
October 28, 2011
Book Ten, and Sookie Stackhouse finally experiences both trauma and guilt in relation to the string of murders and unnecessary deaths which happen around her. This is a relief to me, as I was beginning to wonder if I was supposed to be interpreting her character as an emotionless psychopath devoid of human feeling.
Least Erotic Talk During Sex
This is from Eric. In the same scene he offers his erection as proof that he loves Sookie, which seems rather transitory evidence to me. However Sookie easily tops this unappealing tackiness with the truly appalling response:
And finally the even worse
Harris is certainly on form, once again offering her readers one of the worst sex scenes ever committed to print.
Most Confusing Statement
Sookie on a new vampire who makes a brief appearance before being killed
Does being a vampire negate your racial origins? I’m pretty sure you are the same race after you die as before. You’re just a dead member of that race, surely?
Most Unusual Life Lesson
Sookie on her 5-yr-old nephew Hunter
Not quite sure how that works out. Especially since the “manners” Sookie refers to merely constitute calling her “ma’am.” Is that a great help in life?
Most Unjustified Self-Analysis
No. you’re not a better person that that Sookie. Not in any way. You’re a spiteful, jealous bitch who hates all women, and most especially those who have the nerve to become involved with one of your many cast-off men.
Unfortunately I assume this development of normal emotion was tacked on last-minute in response to reader criticism, as it begins and ends in the brief prologue material. Once Sookie has recovered from her horrific experiences by means of a steak and an orgasm, the novel proper begins.
It’s business as usual. Sookie witters on about hair, make-up and outfits as a series of events occur around her. Her housemate Amelia is summarily disposed of, her use as a character having run its course, and she is replaced by Sookie’s fairy cousin Claud. Sookie is attacked for about the 30th time, and spends a great deal of time going on about people’s hair-dos and judging every man’s girlfriend as not good enough for him. All the male characters would prefer to date Sookie, but since she can’t be involved with all of them at once they are sometimes forced to resort to dating the other female characters, who are either bitches, nonentities or both.
There’s a long and rather dull explanation of how vampires divide America into various kingdoms and fiefdoms, which Sookie pays little attention to because she’s too desperate to have sex. She does briefly get enraged about some issue with Hawaii being autonomous, which I failed to understand; I guess it’s summat that concerns Americans. After this we meet Eric’s sire (whose existence Harris’ remembered to mention for the first time in the previous book - pretty good forward planning for her), and his latest sex slave, who for some reason is the last Tsesarevich of Russia. I can only assume that Harris had read a trash history book about Rasputin the same week she wrote this latest book. Still, at least this new random real-life character involvement is less annoying than the ridiculous Elvis business she insists on including in so many books of this series.
Not much happens to Sookie for some time after that, and certainly nothing new. She gets involved once again in both vampire and werewold politics, thereby endangering her life. She accompanies Bill when he tells the Bellefleur family that he is their direct ancestor, a revelation the reader has known since near to the beginning of the series and which has no ramifications whatsoever. Also she steals a disc from Bill containing a database of all known vampires in America, which has been mentioned in almost every book so far for no apparent reason and finally serves 2 purposes; to allow Sookie to trace Bill’s vampire sister and to make Sookie look incredibly stupid. It’s bad enough that she hides the disc for the day in a hall cupboard under some towels, reasoning that this is safe because she calculates her cousin will definitely use few enough towels to come upon it by accident, rather than hiding it somewhere she doesn’t know for a fact her cousin is likely to be looking. But what really makes you question if her intelligence is within the “normal” range is when it emerges that she believes it likely that a piece of software can be so programmed that if you enter the security code incorrectly it could blow up your entire computer. She considers this so credible a threat that she actually hides under the desk after entering the code, just in case. I know she’s not exactly a technophile, but Jesus Christ!
Eventually the ill-advised involvement in were-politics leads to Sookie taking a random illegal drug which her ex found lying about among the belongings of some never-before-mentioned were-Shaman, which even she admits is a bit stupid. The effect of this unknown substance is to make Sookie feel “a lot like Alice in Wonderland after she took a bite of the mushroom.”, by which she presumably means annoyed and either much taller or much shorter. Unless of course Harris hasn’t read the book and is talking crap. Under the influence of this unknown substance Sookie is able to see the degree to which all the were-pack members are devoted to their leader, Alcide, visually represented by the colours of their auras. This makes no particular sense, but it does allow Sookie to identify some obvious traitors to the pack, before she and Jason leave in order that Jason not witness the murder of two attractive girls. Presumably he would’ve been fine with seeing some ugly women ripped apart by wolves. At any rate, this episode is very dull and only interested me insofar as it left me wondering how Sookie can take mind-altering substances but still recall and recount events with exactly the same clarity, detail and tedium as always.
The book concludes with Sookie once more in danger, as Eric’s newly introduced vampire brother predictably goes crazy and kills several unimportant people. All the key characters survive as usual, and conveniently there’s a mass blood-bath where Sookie’s enemies helpfully murder each other, saving Sookie having to make any effort whatsoever. There’s then some random sub-Disney disenchantment of a character who I thought was supposed to be bloodthirsty enemy of Sookie. Then everyone goes home to bed. And that’s it.
Worst New Character Names
Dr. Dinwiddie
Kennedy Keyes
Perdita and Crawdad Jones
Hamilton Bond
Worst Attempt to Get a Girl’s Sexual Attentions
Bill suggests that Sookie sleep with him in order to make him feel better after he was injured in the last war to feature in the books. To Sookie’s discredit she does waver slightly here, which doesn’t say much about her commitment to her current boyfriend, Eric.
Most Naively Patriotic Statement
“It would be awful to think your own government was spying on you,” I said. “Especially after you’d been thinking of yourself as a regular citizen your entire life.”
Least Erotic Talk During Sex
“I think you love me to give it to you.”
This is from Eric. In the same scene he offers his erection as proof that he loves Sookie, which seems rather transitory evidence to me. However Sookie easily tops this unappealing tackiness with the truly appalling response:
“That looks painful. Would you like me to nurse it?”
And finally the even worse
“I moved with increased purpose, swallowing down everything he gave me.”
Harris is certainly on form, once again offering her readers one of the worst sex scenes ever committed to print.
Most Confusing Statement
Sookie on a new vampire who makes a brief appearance before being killed
“Corinna was—had been—African-American.”
Does being a vampire negate your racial origins? I’m pretty sure you are the same race after you die as before. You’re just a dead member of that race, surely?
Most Unusual Life Lesson
Sookie on her 5-yr-old nephew Hunter
“The better manners he had, the easier this world would be for him.”
Not quite sure how that works out. Especially since the “manners” Sookie refers to merely constitute calling her “ma’am.” Is that a great help in life?
Most Unjustified Self-Analysis
“I was not going to be one of those awful people who gets all bent out of shape when the ex acquires a replacement. That was hypocritical and selfish to the extreme, and I hoped I was a better person than that.”
No. you’re not a better person that that Sookie. Not in any way. You’re a spiteful, jealous bitch who hates all women, and most especially those who have the nerve to become involved with one of your many cast-off men.
Annoyingly, Sookie spends the entirety of this book going on about some vampire she wants murdered, presumably in the hope someone else will do this for her. Sadly absolutely no progress is made regarding this murder, so I can only assume it will be the main plot force of the next book. Hopefully it will finally occur to Sookie do summat for herself rather than rely on any other supernatural character or man she meets, as I’m getting sick of her whining prevarication.
This entire review has been hidden because of spoilers.
November 26, 2011
Having followed Sookie Stackhouse's adventures since the first book was published (way back in 2001, I think), I have certain expectations from the series. This book failed to meet them completely. In fact, it was so poorly written (and plotted), I could not even finish it, skipping from here to there, as though it were a collection of disjointed short stories. My personal opinion is that since True Blood debuted on HBO, Charlaine Harris has lost her Mojo. She doesn't even seem to know who her characters are any more.
Granted, True Blood is definitely the Alternate Sookieverse, and light years removed from these charming books. You either like it or you don't. (I don't, except for parts of Season 2). BUT...True Blood should have little or no effect on the "Real" Bon Temps and its residents, as have been carefully detailed & developed by Harris over many years.
In Dead In The Family, Sookie behaves in ways that are totally foreign to the kindhearted & plucky girl we learned to love over time. Her treatment of Bill was abominable, as though his dying of silver poisoning was nothing much to her, even though he acquired it saving her life. Her relationship with Eric is domestic to the point of being sickening. (Who wants Eric Northman all tamed down and husbandly, anyway?) Even 2nd and 3rd tier characters sound & behave nothing like themselves at all.
Maybe this was what Harris planned all along, but I can't help but feel she has lost her way with the series, and really ought to bring it to an end. It's the humane thing to do.
Meanwhile, with a plethora of Urban Fantasy books available at every store, I have decided to bid Sookie farewell. In my heart, I know how her story should conclude, so I've settled it up thusly, to my own satisfaction. The End, Sookie.
Bookin' It
Granted, True Blood is definitely the Alternate Sookieverse, and light years removed from these charming books. You either like it or you don't. (I don't, except for parts of Season 2). BUT...True Blood should have little or no effect on the "Real" Bon Temps and its residents, as have been carefully detailed & developed by Harris over many years.
In Dead In The Family, Sookie behaves in ways that are totally foreign to the kindhearted & plucky girl we learned to love over time. Her treatment of Bill was abominable, as though his dying of silver poisoning was nothing much to her, even though he acquired it saving her life. Her relationship with Eric is domestic to the point of being sickening. (Who wants Eric Northman all tamed down and husbandly, anyway?) Even 2nd and 3rd tier characters sound & behave nothing like themselves at all.
Maybe this was what Harris planned all along, but I can't help but feel she has lost her way with the series, and really ought to bring it to an end. It's the humane thing to do.
Meanwhile, with a plethora of Urban Fantasy books available at every store, I have decided to bid Sookie farewell. In my heart, I know how her story should conclude, so I've settled it up thusly, to my own satisfaction. The End, Sookie.
Bookin' It
February 27, 2017
4.5 ★s
Dead in the Family is the tenth full-length novel in the Sookie Stackhouse series by popular American author, Charlaine Harris. As Sookie recovers from torture suffered during the fae conflict, she learns of a bequest left her in a fairy will. She also learns the magnitude of her great grandfather’s influence when the FBI call off their enquiry. After reluctantly seeing off her houseguest, Amelia, Sookie is puzzled when her newly-discovered cousin wants to share her house, citing loneliness, but kindness overpowers scepticism, and she agrees.
Sookie consents to look after (and counsel) her telepathic young nephew, Hunter, for an overnight stay. But a were and a vampire tracker alert Sookie to the presence of unknown fairies in the woods out back of her house, as well as a couple of buried corpses. Vampire Bill is still suffering silver poisoning; some less-than-welcome family members come calling on Eric; and Sookie discovers a government spy in their midst. As usual, attempts are made on Sookie’s life; someone tries to frame her for a murder; and she grudgingly takes on the temporary role of shaman for Alcide’s pack.
There’s a bit of vampire politics, a bit of were activism, a protest rally, and some vampire spies. A spell is broken by a kiss and, by the end, there are quite a few deaths. The highlight of this instalment is Hunter’s interaction with Sookie. Jason finally proves he is more than a pretty face, and family turns out to be important for all the main characters in this aptly titled dose of Sookie.
Dead in the Family is the tenth full-length novel in the Sookie Stackhouse series by popular American author, Charlaine Harris. As Sookie recovers from torture suffered during the fae conflict, she learns of a bequest left her in a fairy will. She also learns the magnitude of her great grandfather’s influence when the FBI call off their enquiry. After reluctantly seeing off her houseguest, Amelia, Sookie is puzzled when her newly-discovered cousin wants to share her house, citing loneliness, but kindness overpowers scepticism, and she agrees.
Sookie consents to look after (and counsel) her telepathic young nephew, Hunter, for an overnight stay. But a were and a vampire tracker alert Sookie to the presence of unknown fairies in the woods out back of her house, as well as a couple of buried corpses. Vampire Bill is still suffering silver poisoning; some less-than-welcome family members come calling on Eric; and Sookie discovers a government spy in their midst. As usual, attempts are made on Sookie’s life; someone tries to frame her for a murder; and she grudgingly takes on the temporary role of shaman for Alcide’s pack.
There’s a bit of vampire politics, a bit of were activism, a protest rally, and some vampire spies. A spell is broken by a kiss and, by the end, there are quite a few deaths. The highlight of this instalment is Hunter’s interaction with Sookie. Jason finally proves he is more than a pretty face, and family turns out to be important for all the main characters in this aptly titled dose of Sookie.
March 19, 2019
‘’-He asked me if he could stay here for a while…
-You are letting a man live with you…..
-Believe me, he’s not interested in me as a woman…He’s all about the guys.’’
Bitch you know he ain’t gay. Also you can just say to your weird and possessive ‘’husband’’ that he is your COUSIN!!!!! I swear to fucking God my poor brain cell. BTW I like how everyone is like ‘’omfg Sookie you are letting a guy stay over’’ and she is like ‘he is gay and my cousin’’ but they still go ‘’so what?’’. WHAT THE FUCK IS HAPPENING. IS THIS GOT??? BTW guys Claude is a stripper :O. Did you know that? :O
‘Someone had just put Jace Everett’s ‘’Bad Things’’ on.’
‘’I wasn’t directly responsible for most of the deaths that were scattered in my wake, but I was haunted by the feeling that none of them would have happened if it weren’t for me… I wondered if my life was worth the price that had been paid for it’’
God no? Why is everyone dying for this dumb bitch. She’s not worth it. I like her but damn.
This is definitely a filler book. I read the ending and it sounds soooo fucking stupid, I NEED to get to book 13. Side note, I also read the ending of TVD & I won’t be getting the last 3 books unless I find them for 1-2euros. Fucking garbage.
June 30, 2015
Did the author officially run out of ideas at this point? Is it a case of "what in the world can I have happen to this dumb little redneck girl now?" I guess that once you get that couple together - the one everyone has been waiting for, you have to try and figure out what to do with them next. So, what's the most traumatic and annoying thing that happens to new couples? That's right, family visiting! You know, that part of the family that you find just a bit creepy and way too in-your-face for comfort. And, they want you to entertain them at all times...and they stay waaaay too long. Of course they are too cheap to get a hotel room and expect you to put them up, feed them every meal, and clean up after them. "Instead of coming to town and staying at my house, why don't you just shoot me in the face?"
this is in my gift bag that I give all of my houseguests on arrival..
In this case, we have Eric's maker and brother show up unexpectedly. They give creepy a whole new meaning. The maker-guy is an old Roman dude, and his "son", who is also his lover, is a young boy who was supposedly the young prince from the Romanov family. There is so much wrong in this - in so many ways. First, pedophilia? Eww... do we really need that included in the book? Second, why do we have to have famous dead people as vampires? First Elvis, now a Romanov? It's lame. Really lame. (And, I'm not even mentioning the fact that every single time the Elvis vampire is mentioned we have to hear the explanation as to why he is a vampire again. Yeah, we know!!! Nobody is reading a book 10 in a series without having read the rest! Enough with the f-ing backstory already!)
Get your shit together!
And, Sookie is completely understanding that her boyfriend is under tremendous pressure with people trying to kill him, and now having his psycho family in town.....What? Oh, right, excuse me, this is Sookie we are talking about. I almost forgot about what a selfish little baby she is... the girl who broke up with Quinn because he had a mother and a sister who needed him... yeah. She was a total whiney bitch about how Eric wasn't paying enough attention to her. That's our Sookie. Completely self-absorbed and ready with a bitchy attitude at all times.
On the other hand, I liked Claude and his relationship with Hunter in this book. I would like to see Claude's character developed more, and for him to continue becoming "more human".
I'm also wondering what will happen with Bill. I've been watching the television series and it is so different that I have absolutely no idea where Bill's storyline goes. He's always been such a boring character that I can understand why they wanted to make him more interesting for the show, and I hope he does something interesting in the books before the series ends. We'll see. It would be cool if he went on a killing rampage or something. Lol! That, I would like.
this is in my gift bag that I give all of my houseguests on arrival..
In this case, we have Eric's maker and brother show up unexpectedly. They give creepy a whole new meaning. The maker-guy is an old Roman dude, and his "son", who is also his lover, is a young boy who was supposedly the young prince from the Romanov family. There is so much wrong in this - in so many ways. First, pedophilia? Eww... do we really need that included in the book? Second, why do we have to have famous dead people as vampires? First Elvis, now a Romanov? It's lame. Really lame. (And, I'm not even mentioning the fact that every single time the Elvis vampire is mentioned we have to hear the explanation as to why he is a vampire again. Yeah, we know!!! Nobody is reading a book 10 in a series without having read the rest! Enough with the f-ing backstory already!)
Get your shit together!
And, Sookie is completely understanding that her boyfriend is under tremendous pressure with people trying to kill him, and now having his psycho family in town.....What? Oh, right, excuse me, this is Sookie we are talking about. I almost forgot about what a selfish little baby she is... the girl who broke up with Quinn because he had a mother and a sister who needed him... yeah. She was a total whiney bitch about how Eric wasn't paying enough attention to her. That's our Sookie. Completely self-absorbed and ready with a bitchy attitude at all times.
On the other hand, I liked Claude and his relationship with Hunter in this book. I would like to see Claude's character developed more, and for him to continue becoming "more human".
I'm also wondering what will happen with Bill. I've been watching the television series and it is so different that I have absolutely no idea where Bill's storyline goes. He's always been such a boring character that I can understand why they wanted to make him more interesting for the show, and I hope he does something interesting in the books before the series ends. We'll see. It would be cool if he went on a killing rampage or something. Lol! That, I would like.
April 1, 2019
2019 Re-Read
The “Pam is Awesome” volume.
This is the book where Pam becomes my favourite vampire (though Bill is still in the running). I love the deadpan lines that Harris writes for this cold blonde.
As in this conversation between Sookie and Pam:
*****
Original review:
Not as much fun as earlier books, but still a good way to see my way through the first migraine headache that I have had in many years! This was a good distraction.
Although Sookie and Eric seem to have gelled into a couple, this actually takes away much of the plot tension from the story. Despite the fact that Eric is often away, they seem to have lost the push and pull in their relationship that made previous books so addictive for me.
On the plus side, we get to know Sookie’s little telepathic cousin, Hunter, a little better and her fairy cousin Claude moves in and becomes marginally more likeable. Sookie’s brother, Jason, seems to have matured a bit as well, even if he has moved on awfully quickly from his marriage to the late & unlamented Crystal.
And it’s not only Sookie’s family that gets time in this installment—Eric’s vampire sire and “little brother” show up. Of course his sire is an ancient Roman and the “brother” is the Russian Romanov prince who was so damaged by the time he became a vampire that he is unstable and dangerous (shades of Anne Rice in both of these matters). Plus, Sookie finds a “sister” of Bill’s, someone to assist him in regaining his health after his gallantry in book 9. (However, she very much resembles Bill’s mortal wife from the 1800s, so we will have to see how Sookie deals with that kind of competition for Bill’s affection, little dog-in-the-manger that she is).
All in all, a very appropriate title for this volume, as there are many family ties explored. Also included: some heavy foreshadowing, as Sookie contemplates her age and how long Eric or Bill will remain interested in her when she is no longer young & pretty. Since there have also been discussions of how much more blood exchange can take place between Sookie & Eric without turning her, this will no doubt be an issue dealt with more thoroughly in the last 3 books.
The “Pam is Awesome” volume.
“Fangtasia, where all your bloody dreams come true,' said a bored female voice.
'Pam. Listen.'
'The phone is pressed to my ear. Speak.'
'Appius Livius Ocella just dropped in.'
'Fuck a zombie!”
This is the book where Pam becomes my favourite vampire (though Bill is still in the running). I love the deadpan lines that Harris writes for this cold blonde.
As in this conversation between Sookie and Pam:
Pam: “How is Eric?'
Sookie: 'Very tightly wound. Plus, a lot of stuff happened that he'll tell you about.'
Pam: 'Thanks for the warning. I'll go to the house now. You're my favorite breather.'
Sookie: 'Oh. Well ... great.'
She hung up.”
*****
Original review:
Not as much fun as earlier books, but still a good way to see my way through the first migraine headache that I have had in many years! This was a good distraction.
Although Sookie and Eric seem to have gelled into a couple, this actually takes away much of the plot tension from the story. Despite the fact that Eric is often away, they seem to have lost the push and pull in their relationship that made previous books so addictive for me.
On the plus side, we get to know Sookie’s little telepathic cousin, Hunter, a little better and her fairy cousin Claude moves in and becomes marginally more likeable. Sookie’s brother, Jason, seems to have matured a bit as well, even if he has moved on awfully quickly from his marriage to the late & unlamented Crystal.
And it’s not only Sookie’s family that gets time in this installment—Eric’s vampire sire and “little brother” show up. Of course his sire is an ancient Roman and the “brother” is the Russian Romanov prince who was so damaged by the time he became a vampire that he is unstable and dangerous (shades of Anne Rice in both of these matters). Plus, Sookie finds a “sister” of Bill’s, someone to assist him in regaining his health after his gallantry in book 9. (However, she very much resembles Bill’s mortal wife from the 1800s, so we will have to see how Sookie deals with that kind of competition for Bill’s affection, little dog-in-the-manger that she is).
All in all, a very appropriate title for this volume, as there are many family ties explored. Also included: some heavy foreshadowing, as Sookie contemplates her age and how long Eric or Bill will remain interested in her when she is no longer young & pretty. Since there have also been discussions of how much more blood exchange can take place between Sookie & Eric without turning her, this will no doubt be an issue dealt with more thoroughly in the last 3 books.
November 7, 2021
More of the same from Charlaine Harris' Southern Vampire Mystery series. This isn't necessarily a bad thing. After 10 novels you know exactly what to expect- a likeable main character with one or two supernatural love interests and a very loose Mystery interwoven throughout.
I'm a fan of both the books and the earlier seasons of the TV show and I enjoy the easy pace, and likeable characters. Sookie's boss Sam remains a favourite of mine, but most of the cast are just comfy and familiar at this stage.
My only criticism is that once again the book took a very meandering tone and progression for for first 90 % and then had a sudden rush to the finish. I think this is a stylistic choice of the author I think I'd prefer a more gradual build
Must say though it is impressive for a series to still be going strong after 10 books.
I'm a fan of both the books and the earlier seasons of the TV show and I enjoy the easy pace, and likeable characters. Sookie's boss Sam remains a favourite of mine, but most of the cast are just comfy and familiar at this stage.
My only criticism is that once again the book took a very meandering tone and progression for for first 90 % and then had a sudden rush to the finish. I think this is a stylistic choice of the author I think I'd prefer a more gradual build
Must say though it is impressive for a series to still be going strong after 10 books.
May 8, 2010
This was a Sookie book so of course I enjoyed reading it, but in terms of the rest of the book series it was sort of a disappointment. Compared to the other books, I felt that there was a lack of action and in some respects, a lack of a strong plot. Sure, we learned some of Eric and Bill's background, and Sookie is taking steps to connect with her fae side as well as her cousin Hadley's telepathic son, but what else happened? There was no strong development or resolution with the tense vampire political situation (huge missed opportunity) or any of Sookie's relationships (with Eric, Bill, or Sam) even in her own mind. Honestly, I can't tell what she wants anymore and I'm starting to think that Charlaine Harris just doesn't want to commit to anything because 1)she has no idea where the series is going 2)she is making a lot of money and is therefore dragging out the inevitable (ie: having sookie get off vamps once and for all or come up with plan B such as decide to be turned).
Another aspect of this book that drove me bonkers is all the summarizing of the other books. I felt like half of the book was reminding me what happened in previous books. I'm sure with the success of True Blood, there are tons of new readers but they certainly shouldn't be jumping in at book 10! It seemed like a waste of valuable pages that I would have preferred be devoted to NEW stuff.
I know it sounds like I didn't like the book, but I honestly did enjoy it... just not AS MUCH as the previous books. There were so many things that were left undone and I felt let down after so much anticipation. I know that it must be hard for Charlaine Harris to make the fans pf the books and the HBO show happy so I don't want to seem like I am complaining. Overall, am I happy that Sookie is still with Eric? absolutely. Did the book satisfy me? no.
Another aspect of this book that drove me bonkers is all the summarizing of the other books. I felt like half of the book was reminding me what happened in previous books. I'm sure with the success of True Blood, there are tons of new readers but they certainly shouldn't be jumping in at book 10! It seemed like a waste of valuable pages that I would have preferred be devoted to NEW stuff.
I know it sounds like I didn't like the book, but I honestly did enjoy it... just not AS MUCH as the previous books. There were so many things that were left undone and I felt let down after so much anticipation. I know that it must be hard for Charlaine Harris to make the fans pf the books and the HBO show happy so I don't want to seem like I am complaining. Overall, am I happy that Sookie is still with Eric? absolutely. Did the book satisfy me? no.
This entire review has been hidden because of spoilers.
June 8, 2016
:: 3.5 Pretty Little Stars ::
Unfortunately, this is not my favorite Sookie Stackhouse novel. This is not to say that I thought the book was bad because that’s not it. It just didn’t have the “spark” that some of her previous novels had. In this particular book, you can feel the weight of Sookies problems that have been resting on her shoulders due to the ordeal she had with the Fae war. This makes the book rather dark and depressing to be honest. Sookie is not her usual light hearted self in this one. I suppose it makes sense due to everything she went through in the previous book but when I pick up one of these novels I do so because they are usually an all-time favorite and because I find them lighthearted and fun. This is not what this one is like though so I hope in the next book Sookie will be back to being more herself.
In this book, we see the aftermath of the Fae War. As I said before, it is pretty dark and depressing and the characters aren’t as light hearted and fun as we have grown to see, know, and love. Many of the secondary characters play light roles in this one as well. Alcide makes an appearance but I wish to have seen more of him. The same goes to Eric and Bill. Sookie of course is apparent throughout this book. Here she is trying to figure out which fairy did not go through the portal when it was closed. She isn’t necessarily being stalked so there isn’t a huge aura of mystery here but there are some underlying issues that need to be handled in this one. Pretty much, this is the extent of the book.
Once again, while I am a huge Sookie Stackhouse fan this one just ultimately fell flat for me. It was a bit drabber than the others. With that being said, I still won’t hesitate to read the rest of the series as it is an ultimate favorite of mine! On to the next one…
Unfortunately, this is not my favorite Sookie Stackhouse novel. This is not to say that I thought the book was bad because that’s not it. It just didn’t have the “spark” that some of her previous novels had. In this particular book, you can feel the weight of Sookies problems that have been resting on her shoulders due to the ordeal she had with the Fae war. This makes the book rather dark and depressing to be honest. Sookie is not her usual light hearted self in this one. I suppose it makes sense due to everything she went through in the previous book but when I pick up one of these novels I do so because they are usually an all-time favorite and because I find them lighthearted and fun. This is not what this one is like though so I hope in the next book Sookie will be back to being more herself.
In this book, we see the aftermath of the Fae War. As I said before, it is pretty dark and depressing and the characters aren’t as light hearted and fun as we have grown to see, know, and love. Many of the secondary characters play light roles in this one as well. Alcide makes an appearance but I wish to have seen more of him. The same goes to Eric and Bill. Sookie of course is apparent throughout this book. Here she is trying to figure out which fairy did not go through the portal when it was closed. She isn’t necessarily being stalked so there isn’t a huge aura of mystery here but there are some underlying issues that need to be handled in this one. Pretty much, this is the extent of the book.
Once again, while I am a huge Sookie Stackhouse fan this one just ultimately fell flat for me. It was a bit drabber than the others. With that being said, I still won’t hesitate to read the rest of the series as it is an ultimate favorite of mine! On to the next one…
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