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- Director
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The son of an affluent architect, Eisenstein attended the Institute of Civil Engineering in Petrograd as a young man. With the fall of the tsar in 1917, he worked as an engineer for the Red Army. In the following years, Eisenstein joined up with the Moscow Proletkult Theater as a set designer and then director. The Proletkult's director, Vsevolod Meyerhold, became a big influence on Eisenstein, introducing him to the concept of biomechanics, or conditioned spontaneity. Eisenstein furthered Meyerhold's theory with his own "montage of attractions"--a sequence of pictures whose total emotion effect is greater than the sum of its parts. He later theorized that this style of editing worked in a similar fashion to Marx's dialectic. Though Eisenstein wanted to make films for the common man, his intense use of symbolism and metaphor in what he called "intellectual montage" sometimes lost his audience. Though he made only seven films in his career, he and his theoretical writings demonstrated how film could move beyond its nineteenth-century predecessor--Victorian theatre-- to create abstract concepts with concrete images.- Director
- Actor
- Writer
Elem Klimov was born on 9 July 1933 in Stalingrad, Nizhne-Volzhskiy kray, RSFSR, USSR [now Volgograd, Volgogradskaya oblast, Russia]. He was a director and actor, known for Come and See (1985), Rasputin (1981) and Pokhozhdeniya zubnogo vracha (1965). He was married to Larisa Shepitko. He died on 26 October 2003 in Moscow, Russia.- Writer
- Soundtrack
Fyodor Mikhailovich Dostoevsky was born on November 11, 1821, in Moscow, Russia. He was the second of seven children of Mikhail Andreevich and Maria Dostoevsky. His father, a doctor, was a member of the Russian nobility, owned serfs and had a considerable estate near Moscow where he lived with his family. It's believed that he was murdered by his own serfs in revenge for the violence he would commit against them while in drunken rages. As a child Fyodor was traumatized when he witnessed the rape of a young female serf and suffered from epileptic seizures. He was sent to a boarding school, where he studied sciences, languages and literature. He was devastated when his favorite writer, Alexander Pushkin, was killed in a duel in St. Petersburg in 1837. That same year Dostoevsky's mother died, and he moved to St. Petersburg. There he graduated from the Military Engineering Academy, and served in the Tsar's government for a year.
Dostoevsky was active in St. Petersburg literary life; he grew out of his early influence by Nikolay Gogol, translated "Eugenia Grande" by Honoré de Balzac in 1844 and published his own first novel, "Poor Folk", in 1845, and became friends with Ivan Turgenev and Nikolai A. Nekrasov, but it ended abruptly after they criticized his writing. At that time he became indirectly involved in a revolutionary movement, for which he was arrested in 1849, convicted of treason and sentenced to death. His execution was scheduled for a freezing winter day in St. Petersburg, and at the appointed hour he was blindfolded and ordered to stand before the firing squad, waiting to be shot. The execution was called off at the last minute, however, and his sentence was commuted to a prison term and exile in Siberia, where his health declined amid increased epileptic seizures. After serving ten years in prison and exile, he regained his title in the nobility and returned to St. Petersburg with permission from the Tsar. He abandoned his formerly liberal views and became increasingly conservative and religious. That, however, didn't stop him from developing an acute gambling problem, and he accumulated massive gambling debts.
In 1862, after returning from his first major tour of Western Europe, Dostoevsky wrote that "Russia needs to be reformed, by learning the new ideas that are developing in Europe." On his next trip to Europe, in 1863, he spent all of his money on a manipulative woman, A. Suslova, went on a losing gambling spree, returned home flat broke and sank into a depression. At that time he wrote "Notes from Underground" (1864), preceding existentialism in literature. His first wife died in 1864, after six years of a childless marriage, and he adopted her son from her previous marriage. Painful experiences caused him to fall further into depression, but it was during this period that he wrote what many consider his finest work: "Crime and Punishment" (1866).
After completion of "The Gambler" (1867), the 47-year-old Dostoevsky married his loyal friend and literary secretary, 20-year-old Anna Snitkina, and they had four children. His first baby died at three months of age, causing him to sink further into depression and triggering more epileptic seizures. At that time Dostoevsky expressed his disillusionment with the Utopian ideas in his novels "The Idiot" (1868) and "The Devils" (aka "The Possessed") (1871), where the "devils" are destructive people, such as revolutionaries and terrorists. Dostoevsky was the main speaker at the opening of the monument to Alexander Pushkin in 1880, calling Pushkin a "wandering Russian, searching for universal happiness". In his final great novel, "The Brothers Karamazov" (1880), Dostoevsky revealed the components of his own split personality, depicted in four main characters; humble monk Alyosha, compulsive gambler Dmitri, rebellious intellectual Ivan, and their cynical father Fyodor Karamazov.
Dostoevsky died on February 9, 1881, of a lung hemorrhage caused by emphysema and epileptic seizures. He lived his entire life under the pall of epilepsy, much like the mythical "Sword of Damocles", and was fearless in telling the truth. His writings are an uncanny reflection on his own life - the fate of a genius in Russia.- Actor
- Writer
- Director
Sergei Bodrov Jr. was born on December 27th, 1971 to producer and director Sergei Bodrov. He made his film debut in his father's Prisoner of the Mountains (1996) (Prisoner of the mountains) for which he won a Nika. From then on Sergei's career began. In 1997 he played a lead role in Brother (1997) which turned him into a star and made him one of the most known and beloved Russian actors.
He followed up the role with Brat 2 (2000) in 2000. He made his directorial debut in 2001 with Sisters (2001). The movie was a hit with audiences and critics alike.
In 2002 he was supposed to direct a movie, "Messenger", for which he traveled to the Caucasus mountains. On September 20th 2002, an avalanche due to a glacier slide came down from the mountains. Bodrov and his production group are still reported missing, believed killed. He is survived by his wife and two children, a four year old daughter and a two-month old son.- Actress
- Second Unit Director or Assistant Director
Lorina Kamburova worked in the US under commerce and granite, Lorina started her career in Sofia then went to new starts. She remained in that country until she starred in Death Race (2018).
Lorina transformed multi languages including, English language, French, Sign and Dutch
Death Race (2018) is what is Lorina most known for.- The famous Russian actor was discovered by Andrei Tarkovsky. He was looking for an actor to play the part of Andrei Rublev for his second full-length film and accidentally found the completely unknown Solonitsyn in Chelyabinsk. He worked there as an amateur actor. After Andrei Rublev, he played main parts in many of Russia's best movies.
- Actor
- Writer
- Director
Sergei Bondarchuk was one of the most important Russian filmmakers, best known for directing an Academy Award-winning film epic War and Peace (1965), based on the book by Lev Tolstoy, in which he also starred as Pierre Bezukhov.
He was born Sergei Fedorovich Bondarchuk on September, 25, 1920, in the village of Belozerka, Kherson province, Ukraine, Russian Federation (now Belozerka, Ukraine). He was brought up in Southern Ukraine, then in Azov and Taganrog, Southern Russia. Young Bondarchuk was fond of theatre and books by such authors as Anton Chekhov and Lev Tolstoy. He made his stage debut in 1937, on the stage of the Chekhov Drama Theatre in the city of Taganrog, then studied acting at Rostov Theatrical School. In 1942 his studies were interrupted by the Nazi invasion during WWII. Bondarchuk was recruited in the Red Army and served for four years until he was discharged in 1946. From 1946 - 1948 he attended the State Institute of Cinematography in Moscow (VGIK), graduating as an actor from the class of Sergey Gerasimov. In 1948 he made his film debut in Povest o nastoyashchem cheloveke (1948) then co-starred in The Young Guard (1948).
For his portrayal of the title character in Taras Shevchenko (1951) he was awarded the State Stalin's Prize of the USSR, and was designated People's Artist of the USSR, becoming the youngest actor ever to receive such honor. Then he starred in the internationally renowned adaptation of the Shakespeare's Othello (1956), in the title role opposite Irina Skobtseva as Desdemona. Bondarchuk expressed his own experience as a soldier of WWII when he starred in The Destiny of a Man (1959), a war drama based on the eponymous story by Mikhail Sholokhov, which was also Bondarchuk's directorial debut that earned him the prestigious Lenin's Prize of the USSR in 1960.
Bondarchuk shot to international fame with War and Peace (1965), a powerful adaptation of the eponymous masterpiece by Lev Tolstoy. The 7-hour-long film epic won the 1969 Academy Award for Best Foreign Language Film, and brought Bondarchuk a reputation of one of the finest directors of his generation. The most expensive project in film history, War and Peace (1965) was produced over seven years, from 1961 to 1968, at an estimated cost of $100,000,000 (over $800,000,000 adjusted for inflation in 2010). The film set several records, such as involving over three hundred professional actors from several countries and also tens of thousands extras from the Red Army in filming of the 3rd two-hour-long episode about the historic Battle of Borodino against the Napoleon's invasion, making it the largest battle scene ever filmed. Bondarchuk also made history by introducing several remote-controlled cameras that were moving on 300 meter long wires above the scene of the battlefield. Having earned international acclaim for War and Peace (1965), he starred in the epic The Battle of Neretva (1969) with fellow Russian, Yul Brynner, and Orson Welles, whom he would direct the following year.
By the late 1960s Bondarchuk was one of the most awarded actor and director in the Soviet Union. However, he was still not a member of the Soviet Communist Party, a fact that brought attention from the Soviet leadership under Leonid Brezhnev. Soon Bondarchuk received an official recommendation to join the Soviet Communist Party, an offer that nobody in the Soviet Union could refuse without risking a career. At that time he was humorously comparing his situation with the historic Hollywood trials of filmmakers during the 50s. Bondarchuk was able to avoid the Communist Party in his earlier career, but things changed in the Soviet Union under Brezhnev, so in 1970, he accepted the trade-off and joined the Soviet Communist Party for the sake of protecting his film career. In 1971 he was elected Chairman of the Union of Filmmakers, a semi-government post in the Soviet system of politically controlled culture. Eventually he evolved into a politically controlled figure and turned to making such politically charged films as Red Bells (1982) and other such films. Later, during the liberalization of the Soviet Union under Mikhail Gorbachev, Bondarchuk was seen as a symbol of conservatism in Soviet cinema, so in 1986 he was voted out of the office.
Bondarchuk was the first Russian director to make a big budget international co-production with the financial backing of Italian producer Dino De Laurentiis, such as Waterloo (1970), a Russian-Italian co-production vividly reconstructing the final battle of the Napoleonic Wars. This was his first English-language production, but several Soviet actors were cast, e.g. Sergo Zakariadze and Oleg Vidov. In this film, Orson Welles, his co-star in The Battle of Neretva (1969) made a cameo as the old King Louis XVII of France. But this time Bondarchuk was unable to control the advances of Rod Steiger, and the film was a commercial flop in Europe and America, albeit it gained the favor of critics.
After his dismissal from the office of Chairman of the Union of Cinematographers he started filming Tikhiy Don (2006) based on the eponymous novel by the Nobel Prize winner Mikhail Sholokhov, with Rupert Everett as the lead. At the end of filming, just before post-production, Bondarchuk learned about some unfavorable details in his contract, causing a bitter dispute with the producers over the rights to the film and bringing much pain to the last two years of his life. Amidst this legal battle the production was stopped and the film was stored in a bank vault, and remained unedited and undubbed for nearly fourteen years. The production was completed by Russian television company "First Channel", and aired in November 2006.
In his career that spanned over five decades, Sergei Bondarchuk had credits as actor, director, writer, and co-producer in a wide range of films. He suffered a heart attack and died on October 20, 1994, and was laid to rest in Novodevichy Cemetery in Moscow, Russia, next to such Russian luminaries as Anton Chekhov and Mikhail A. Bulgakov. His death caused a considerable mourning in Russia. Bondarchuk was survived by his second wife, actress Irina Skobtseva and their children, actress Alyona Bondarchuk, and actor/director Fedor Bondarchuk, and actress Natalya Bondarchuk, his daughter with his first wife, actress Inna Makarova.
As a tribute to Sergei Bondarchuk, his son, Fedor Bondarchuk called him "a father and my teacher," and dedicated his directorial debut, 9th Company (2005), set in war-torn Afghanistan, whereas Sergei's directorial debut was set in WWII.- Director
- Writer
- Actor
Aleksey Balabanov was born on 25 February 1959 in Sverdlovsk, Sverdlovskaya oblast, RSFSR, USSR [now Ekaterinburg, Russia]. He was a director and writer, known for Brother (1997), Cargo 200 (2007) and Of Freaks and Men (1998). He was married to Irina ? and Nadezhda Vasileva. He died on 18 May 2013 in Solnechnoye, Leningradskaya oblast, Russia.- Tatiana Samoilova (Tatyana Samojlova) is a Russian film actress known for the leading roles in The Cranes Are Flying (1957) and Anna Karenina (1967).
She was born Tatiana Evgenievna Samoilova on May 4, 1934, in Leningrad (St. Petersburg), Russia. Her father, Evgeniy Samoylov, was a notable Russian actor, Her mother, Zinaida Ilyinichna, was Jewish. Young Samojlova studied music under the tutelage of her mother. During the Second World War, she escaped from the siege of Leningrad with her parents, and moved to Moscow. There she studied ballet and graduated from the Ballet School of Stanislavsky Theatre. She was invited by Maya Plisetskaya to join the ballet school of Bolshoi Theatre, but she chose to be a dramatic actress. From 1953-1956 she studied at Shchukin Theatrical School, then at State Institute of Theatrical Art (GITIS), graduating in 1962, as actress. While a student, Samojlova made her film debut in Meksikanets (1955).
Samojlova shot to fame with the leading role as Veronika in Letyat Zhuravli (The Cranes are Flying 1957) by director Mikhail Kalatozov. In spite of the initial cold reception by the Soviet officialdom, the film was loved by public in Russia and internationally. It became the first and only Russian film to be awarded the Golden Palm at the Cannes Film Festival in 1958. Samojlova won a Special Mention at Cannes and was nominated for Best Foreign Actress BAFTA Film Award in 1959. She received many offers internationally, and was invited to work in Hollywood, but the Soviet government forced her to decline any jobs outside the Soviet Union.
During the 60s, her career stagnated due to overall stagnation in the USSR under Leonid Brezhnev. In 1960 Samojlova lost her job with Mayakovsky Theatre in Moscow, and was practically unemployed for several years. Her next success came with the title role in Anna Karenina (1967), an adaptation of the eponymous novel by Lev Tolstoy by director Aleksandr Zarkhi. Samojlova starred as Anna Karenina opposite her ex-husband Vasiliy Lanovoy.
During the 80s and 90s, Tatiana Samojlova had a lengthy pause in her film career. She made a comeback in several TV series in the 2000s. She was married four times, and has one son. Samojlova was designated People's Actress of Russia (1993). She is living in Moscow, Russia. - Anastasiya Zavorotnyuk was born on 3 April 1971 in Astrakhan, Astrakhanskaya oblast, RSFSR, USSR [now Russia]. She was an actress, known for Moya prekrasnaya nyanya (2004), Kod apokalipsisa (2007) and Proklyatie spyaschikh (2018). She was married to Pyotr Chernyshyov, Dmitriy Stryukov and Olaf Schwarzkopf. She died on 29 May 2024 in Moscow, Russia.
- Actor
- Director
- Writer
Alexandr Kajdanovsky, Russian actor, director and screenwriter, now best remembered for his work in Andrei Tarkovsky's films. Kajdanovsky left Junior High School to enroll in technical college where he was training to become a welder. Apparently a prospect of becoming a worker did not appeal to him and in 1965 he started studying acting at The Shchukhin Theatre School in Moscow. Before completing the course he took his first part in the film Tainstvennaya stena (1968) (A Mysterious Wall), and upon graduation in 1969, he worked as stage actor. Still unsatisfied with his work Kajdanovsky joined the army in 1973 spending some years in cavalry.
It was a famous film director Nikita Mikhalkov who discovered Kajdanovsky and gave him the lead in his civil war drama At Home Among Strangers, a Stranger Among His Own (1974) (At Home among Strangers, Stranger at Home). By the late 1970s Kajdanovsky had had credits in some noted films, including adventure stories Propavshaya ekspeditsiya (1975) (The Lost Expedition), Zolotaya rechka (1977) (Golden River), a fantasy Pilot Pirx's Inquest (1979) (Pilot Pirks Tested). The greatest twist in his career came with Andrei Tarkovsky giving him the lead in Stalker (1979). Kajdanovsky attended Tarkovsky's writing seminar and under his teacher's influence he wrote and directed Prostaya smert (1985) (An Ordinary Death) - an adaptation of one of Leo Tolstoy's stories - the film won honour at the Malaga film festival. Kajdanovsky's starring role in Spanish film El aliento del diablo (1993) (The Devil's Breath) and in Hungarian Büvös vadász (1994) (Magic Hunter) made him an international celebrity and resulted in him having been invited to become the juryman of the 1994 Cannes Film Festival. Unfortunately alcohol ruined his life, he could hardly maintain his career between the bouts of drinking, he died on December 3, 1995, 3 months short of 50.- Vladimir Zharikov was born on 6 November 1938 in Smolensk, RSFSR, USSR [now Russia]. He was an actor, known for Opalyonnye Kandagarom (1989), Tayny madam Vong (1986) and Nenavist (1977). He died on 10 May 2024 in Russia.
- Music Department
- Composer
- Writer
Dmitri Shostakovich, one of Russian culture's most acclaimed intellectuals who was censored under the dictatorship of Joseph Stalin, was an internationally recognized composer whose music was in over 100 films.
He was born Dmitri Dmitrievich Shostakovich on September 25, 1906, in St. Petersburg, Russia. He was the second of three children of Dmitri Boleslavovich Shostakovich, a chemical engineer, and Sofia Kokaoulina, a pianist. Young Shostakovich studied piano under his mother tutelage and at a private school in St. Petersburg. His greatest influences were Johann Sebastian Bach, Ludwig van Beethoven and Modest Mussorgsky. From 1919-1925 he studied piano and composition at St. Petersburg (Leningrad) Conservatory. He wrote his First "Classical" symphony as his graduation piece. In 1927 he won an "honorable mention diploma" at the 1st International Piano Competition in Warsaw. In 1929 he collaborated with writer Vladimir Mayakovsky, artist Alexander Rodchenko and director Vsevolod Meyerhold.
In 1934 Shostakovich collaborated with Aleksei Dikij on the legendary opera Katerina Izmailova" (aka Lady Makbeth of Mtsensk). Dikij's production of "Katerina Izmailova" had over 100 performances in Leningrad and Moscow, and was considered a highlight in his directing career. However, in 1936, the opera was severely criticized by some critics on the Pravda, the Communist Party's official newspaper, and accused of formalism and intellectualism.
In the summer of 1941 Nazi Germany and its allies invaded the Soviet Union, and German and Finnish forces and encircled Leningrad (St. Petersburg). Defenders and civilians in besieged Leningrad were doomed, because the besieging forces cut supplies of food and energy to the surrounded city. It wasn't long before the city's population of birds, pets and even rats were eaten, and not long after there were reports of cannibalism brought about by starvation. The siege of Leningrad was so impenetrable that by December of that year an average of 4000 to 6000 residents a day were dying of starvation, disease, shellfire, bombardment and a variety of other causes.
During the first months of the siege Shostakovich was in Leningrad. He survived the first bombardments and joined the "night watch" patrol, helping to put out fires during massive German air bombardments. Shostakovich personally neutralized several incendiary bombs and was actively involved in firefighting. After aerial and artillery bombardments, during the rare quiet moments, Shostakovich was back to his piano composing new music. He was evacuated from the besieged city in the end of 1941.
The Seventh "Leningrad" Symphony, which Shostakovich started composing during the Nazi aerial and artillery attacks during the siege, was the masterpiece that won him national and international recognition. His music helped lift the spirits of Leningrad citizens in a time when they were struggling to survive.
On August 9, 1942, Karl Eliasberg gave a premiere performance of Shostakovich's Seventh Symphony in Leningrad. That famous concert was made possible because Eliasberg specially created an orchestra of survivors who were still able to perform in spite of starvation and dystrophy.
Eliasberg, who was also extremely emaciated, spent some time in the hospital in the Astoria hotel and came to the rehearsals straight from the sick ward. On the score of one of the musicians of that legendary orchestra you can still see a drawing showing hollow-cheeked Eliasberg conducting his orchestra sitting on a chair. The legendary performance was broadcast live from the Radio Hall in Leningrad, so millions of civilians and defenders of the besieged city were able to hear the powerful music. The symphony written in the conventional four movements is Shostakovich's longest, and one of the longest in the repertoire, with performances taking approximately one hour and fifteen minutes. The scale and scope of the work is consistent with Shostakovich's other symphonies as well as with those of composers considered to be his strongest influences, including Bruckner, Gustav Mahler and Igor Stravinsky.
Before they tackled Shostakovich's work, Eliasberg had the players go through pieces from the standard repertoire - Ludwig van Beethoven, Pyotr Ilyich Tchaikovsky, Nikolai Rimsky-Korsakov - which they also performed for broadcast. Because the city was still blockaded at the time, the score was flown by night in early July for rehearsal. The concert was given on 9 August 1942. Whether this date was chosen intentionally, it was the day Hitler had chosen previously to celebrate the fall of Leningrad with a lavish reception for the top Nazi commanders. But instead of Hitler's plan, all loudspeakers delivered the live broadcast of the symphony performance throughout the city as well as to the German forces in a move of psychological warfare. The Russian commander of the Leningrad front, General Govorov, ordered a bombardment of German artillery positions in advance of the broadcast to ensure their silence during the performance of the symphony; a special operation, code-named "Squall," was executed for precisely this purpose. Three thousand high-caliber shells were lobbed onto the enemy. Then the music of Shostakovich came out of the speakers all over the siege perimeter, so the Nazis had to face the music. The music of Shostakovich brought the much needed support and catharsis to survivors who loved the symphony and applauded to Eliasberg and his orchestra. General Govorov with his staff came backstage to thank Eliasberg and his musicians for their art and courage.
The news about Dmitry Shostakovich's Seventh Symphony premiere in besieged Leningrad spread all over the world. It was an important message to all nations that Hitler's attack on Leningrad failed. Shostakovich who began to write his famous symphony before evacuation from besieged Leningrad in 1941, could not go back to attend its premier performance in 1942. The composer sent the conductor and the musicians who performed his work in the besieged city a telegram with words of gratitude.
After WWII Shostakovich was again accused of formalism in 1948. At that time, Shostakovich gained international recognition in the free world, and received several invitations to participate in music festivals and other cultural events. He was awarded the International Peace Prize (1954), State Prize five times (in 1941-1952), State Prizes of Russia and the USSR, and was designated People's Artist of the USSR. From 1957-1975 he was secretary of the Union of Composers of Russia and the USSR. He taught and promoted many talented musicians, such as Andrey Petrov, Georgi Sviridov, Karen Khachaturyan, and Boris Tishchenko among others.
Shostakovich and Yevgeniy Yevtushenko worked together on the famous Symphony No. 13 titled "Babi Yar", a vocal setting of poems by Yevtushenko. It was first performed in Moscow on December 18, 1962 under the baton of Kirill Kondrashin. Yevtushenko and Shostakovich toured many countries with the performances of "Babi Yar", and made several recordings of the Symphony No. 13. Among Shostakovich's best known film scores are 'Suite from The Gadfly' from The Gadfly (1955), and the score for director Grigoriy Kozintsev's acclaimed film Hamlet (1964) starring Innokentiy Smoktunovskiy.
In 1965 Shostakovich raised his voice in defense of poet Joseph Brodsky, who was sentenced to five years of exile and hard labor. Shostakovich co-signed protests together with such prominent figures as Korney Ivanovich Chukovskiy, Anna Akhmatova, Samuil Marshak, Yevgeniy Yevtushenko, and the French philosopher Jean-Paul Sartre. After the protests his sentence was commuted, and Brodsky returned to Leningrad. At that time, Shostakovich joined the group of 25 distinguished intellectuals in signing the letter to Leonid Brezhnev asking not to rehabilitate Joseph Stalin.
Dmitri Shostakovich was a towering figure in Russian music of the 20th century along with 'Sergei Prokofiev (I)' and Aram Khachaturyan. He wrote 15 symphonies, of which the Fifth (1937), the Sevenths "Leningrad" (1942), and the Thurteenth "Baby Yar" (1968) are the best known. His other compositions include cantatas and oratorios, seven operas and operettas, four ballets, twelve musical comedies and other music for stage plays, 36 original motion picture scores, fifteen quartets and other chamber music for, piano, violin, and cello. Shostakovich, who was an awarded pianist himself, had composed outstanding works for piano, such as his Piano concertos No1 and No2. His 24 Preludes and Fugues for piano received numerous awards and recognitions, and were recorded in critically acclaimed performance by Vladimir Ashkenazy.
Shostakovich died of a heart attack on august 9, 1975, in Moscow, and was laid to rest in Novodevichi Convent Cemetery in Moscow, Russia. His legacy is continued by his son, conductor Maxim Shostakovich, and his grandson, pianist Dmitri Shostakovich Jr.- Writer
- Soundtrack
Count Lev Nikolaevich Tolstoy was born on September 9, 1828, in his ancestral estate Yasnaya Polyana, South of Moscow, Russia. He was the fourth of five children in a wealthy family of Russian landed Gentry. His parents died when he was a child, and he was brought up by his elder brothers and relatives.
Leo Tolstoy studied languages and law at Kazan University for three years. He was dissatisfied with the school and left Kazan without a degree, returned to his estate and educated himself independently. In 1848 he moved to the capital, St. Petersburg, and there passed two tests for a law degree. He was abruptly called to return to his estate near Moscow, where he inherited 4000 acres of land and 350 serfs. There Tolstoy built a school for his serfs, and acted as a teacher. He briefly went to a Medical School in Moscow, but lost a fortune in gambling, and was pulled out by his brother. He took military training, became an Army officer, and moved to the Caucasus, where he lived a simple life for three years with Cossacs. There he wrote his first novel - "Childhood" (1852), it became a success. With writing "Boyhood" (1854) and "Youth" (1857) he concluded the autobiographical trilogy. In the Crimean War (1854-55) Tolstoy served as artillery commander in the Battle of Sevastopol, and was decorated for his courage. Between the battles he wrote three stories titled "Sevastopol Sketches", that won him wide attention, and a complement from the Czar Aleksandr II.
After the war, Tolstoy returned to St. Petersburg, where he enjoyed the friendship of Ivan Turgenev, Nikolai A. Nekrasov, Ivan Goncharov, and other writers. On his trips to Europe, he had discussions with Gertsen in London, and attended Darwin's lectures. In Brussels he had meetings with philosophers Prudhon and Lelewel. Tolstoy undertook a research of schools in Europe, and later he built and organized over 20 schools for poor people in Russia. At that time the secret police began surveillance, and searched his home. In 1862 he married Sofia Andreevna Bers, and fathered 13 children with his wife. Four of their babies died, and the couple raised the remaining nine children. His wife was also his literary secretary, and also contributed to his best works, "War and Peace" (1863-69) and "Anna Karenina" (1873-77). In his "Confession" (1879) Tolstoy revealed his own version of Christianity, blended with socialism, that won him many followers. Tolstoyan communities sprang up in America and Europe, and he assisted the Russian non-Orthodox Christians (Dukhobors) in migrating to USA and Canada. He split from aristocratic class and developed an ascetic lifestyle, becoming a vegetarian, and a farmer. He sponsored and organized free meals for the poor. He transfered his copyright on all of his writings after 1880 to public domain. In his later age Tolstoy was pursuing the path of a wandering ascetic. He corresponded with Mohandas K. Gandhi, who was directly influenced by Tolstoy's "The Kingdom of God is Within You" (1894), which was praised by many nonviolent movements.
In 1900 Tolstoy criticized the Tsar's government in a series of publications, calling for separation of Chuch and State. Tsar Nicholas II retaliated through the Church, by expulsion of Tolstoy from Orthodox Cristianity as a "heretic". He fell ill, and suffered from a severe depression; he was suicidal and even had to eliminate all hunting guns from his home, because of his suicidal mode. He was treated by the famous doctor Dahl, and was visited by composer Sergei Rachmaninoff and basso Feodor Chaliapin Sr., who performed for Tolstoy on many occasions. Later he went to convalesce in Yalta, in Crimea, where he spent time with Anton Chekhov and Maxim Gorky. Tolstoy was an obvious candidate for the Nobel Prize in Literature, but was initially omitted by the Nobel Committee for his views. The omission caused a strong response from a group of Swedish writers and artists. They sent an address to Tolstoy, but the writer answered by declining any future prize nomination.
In 1902 Tolstoy wrote a letter to the Tsar, calling for social justice, to prevent a civil war, and in 1904, during the Russo-Japanese War, Tolstoy wrote a condemnation of war. The Tsar replied by increasing police surveillance on Tolstoy. In November of 1910 he left his estate, probably taking the path of a wandering ascetic, which he had been pursuing for decades. He left home without explanations and took a train, in which he caught pneumonia, and died at a remote station of Astapovo. He was laid to rest in his estate of Yasnaya Polyana, which was made a Tolstoy National Museum.
His youngest daughter, named Alexandra Tolstoy, was the director of the Tolstoy Museum, and was arrested by the Communists five times. She emigrated from Russia to the United States, where she founded the Tolstoy Foundation. She helped many prominent Russian intellectuals, such as Vladimir Nabokov and Sergei Rachmaninoff among many others.- Actor
- Director
Yankovsky was named best actor in a 1984 reader poll by Soviet Screen for his role in "In Love Because He Wants to Be." He was awarded the State Prize in 1987 for his role in "Flying Asleep and Awake." In 1989 he received the Vasiliev State Prize for his role in "The Kreutzer Sonata." Yakovsky was given the lifetime achievement award at the 1983 All-Union Film Festival. He won the best actor NIKA in 1991, and in the same year was named People's Artist of the Soviet Union. Yankovsky was born in Kazakhstan and studied at the Slonov Theater Academy in Saratov. In 1965 he joined the Saratov Drama Theater, moving to Moscow's Lenkom Theater in 1973. He has presided over the Kinotavr Russian Open Film Festival since 1993.- Actor
- Additional Crew
Yuri Yakovlev is a popular Russian actor best known for his roles in Soviet comedies 'Ironiya sydby', Ivan Vasilevich', and Kin-dza-dza! (1986).
He was born Yuri Vasilevich Yakovlev on April 25, 1928, in Moscow, Soviet Union. His father, Vasili Vasilevich Yakovlev, was a layer, and his mother, Olga Mikhailovna Ivanova, was a homemaker. Young Yakovlev was fond of acting and theatre. From 1948 - 1952 he studied acting at Shchukin Theatrical School of Vakhtangov Theatre in Moscow.
Since 1952 Yuri Yakovlev has been member of the troupe at Vakhtangov Theatre in Moscow. There his stage partners were such actors as Mikhail Ulyanov, Ruben Simonov, Boris Zakhava, Mikhail Astangov, Varvara Popova, Irina Kupchenko, Natalya Tenyakova, Yuliya Borisova, Lyudmila Maksakova, Lyudmila Tselikovskaya, Marianna Vertinskaya, Nina Ruslanova, Nikolai Plotnikov, Vasiliy Lanovoy, Vladimir Etush, Vyacheslav Shalevich, Andrei Abrikosov, Grigori Abrikosov, Boris Babochkin, Nikolai Gritsenko, Nikolai Timofeyev, Aleksandr Grave, Evgeniy Karelskikh, Sergey Makovetskiy, and Ruben Simonov, among others. His most memorable stage performances were such roles as Triletsky in 'Play without a title', a play by Anton Chekhov (1968), as Karenin in 'Anna Karenina' (1983) by director Roman Viktyuk, and the title role in 'Kasanova' (1985). Since taking the role as Pantalone in 1963, Yakovlev has been delivering acclaimed performances in the legendary Vakhtangov's production of Carlo Gozzi's comedy 'Princess Turandot'.
He shot to fame with the leading role as Prince Myshkin in _The Idiot (1958)_ by director Ivan Pyrev. During the 1960s - 1980s Yakovlev was among the most popular actors in the Soviet Union. He was best known for such roles as Ivan Vasilyevich Bunsha in Ivan Vasilyevich Changes His Profession (1973) by director Leonid Gaidai, and as Ippolit in The Irony of Fate, or Enjoy Your Bath! (1976) by director Eldar Ryazanov.
Yuri Yakovlev was designated People's Actor of the USSR, was awarded the State Prizes of the USSR and Russia. He received the Order of Lenin (1988), the Order of the Red Banne of Labour (1978), and numerous awards and decorations for his works on stage and in film. He is married to Irina Leonidovna Sergeeva, and the couple has two sons and a daughter. Outside of his acting profession Yakovlev is fond of reading classical Russian literature and listening to classical music together with his friends and family.
In 1997 Yakovlev published his book titled 'Albom sudby moyey' (aka.. The album of my destiny). He is living with his family in Moscow, Russia.- Lyubov Polishchuk was born on 21 May 1949 in Omsk, RSFSR, USSR [now Russia]. She was an actress, known for Tayna chyornykh drozdov (1983), Persiki i perchiki. Kurtuaznye istorii (2003) and Moya prekrasnaya nyanya (2004). She was married to Sergey Tsigal and Valeriy Makarov. She died on 28 November 2006 in Moscow, Russia.
- Czar Nicholas II of Russia was crowned in 1894, and was the last Emperor of Russia. He was born on 19 May, 1868, the first child of Tsarevitch Aleksandr III and his wife, Maria Fyodorovna. He was christened His Imperial Highness Nicholas Aleksandrovitch Romanov, Grand Duke of Russia. He was followed by three brothers and two sisters: Grand Duke Aleksandr (1869-1870), Grand Duke Georgy (1871-1899) Grand Duchess Ksenia (1875-1960), Grand Duke Michael (1878-19180 and Grand Duchess Olga (1882-1960). He was related to the Danish, British and German royal families. As a child, Nicholas wasn't quite as bright as his younger brothers, resulting in his father's belief that Nicholas, a somewhat shy and sensitive child, wasn't "man enough" to be Emperor of Russia, and he often derisively referred to his son as a girl. His father had already picked out a French princess to be Nicholas' wife, in order to cement relations with the French. Unfortunately for him, however, he further alienated his father when he fell in love with a German princess, Alix (aka Alexandra), and decided to marry her instead. Although dead set against this marriage, his father finally gave his reluctant blessing only on his deathbed, when he realized that if Nicholas were not allowed to marry Alix he would marry no one, thus placing the continuation of the Romanov dynasty in danger). In November of 1894, he married Her Ducal Highness Princess Alix Victoria Helena Louise Beatrice of Hesse-Darstadt and By Rhine. They had five children: Grand Duchess Olga (b. 1895-1918), Grand Duchess Tatiana (b. 1897-1918), Grand Duchess Maria (b. 1899-1918), Grand Duchess Anastasia (b. 1901-1918) and Tsarevitch Aleksey (1904-1918).
Upon his ascension as the emperor of Russsia in 1894, he was given the following title: His Highness the Tsar Nicholas Aleksandrovitch Romanov, Emperor and Autocrat of all the Russias, Tsar of Moscow, Kiev, Vladimir, Novgorod, Kazan, Astrakhan, of Poland, of Siberia, of Tauric Chersonese, of Georgia, Lord of Pskov, Grand Duke of Smolensk, of Lithuania, Volhynia, Podolia and Finland, Prince of Estonia, Livonia, Courland and Semigalia, Samogotia, Bialostock, Karelia, Tver, Yougouria, Perm, Viatka, Bulgaria, and other countries; Lord and Grand Duke of Lower Novgorod, of Tchernigov, Riazan, Polotsk, Rostov, Yaroslav, Belozero, Oudoria, Obdoria, Condia, Vitebsk, Mstislav and, all the region of the North, Lord and Sovereign of the countries of Iveria, Cartalinia, Kabardinia and the provinces of Armenia, Sovereign of the Circassian Princes and the Mountain Princes, Lord of Turkestan, Heir of Norway, Duke of Schleswig Holstein, of Storman, of the Ditmars, and of Oldenbourg.
After Nicholas became Czar, he determined to travel and see as much of the world outside of Russia as he could. However, in an ominous portent of things to come, during a tour of Japan an assassin rushed at him with a large sword, and Nicholas barely escaped with his life, although the would-be assassin managed to inflict a large gash on his forehead. In what can be seen as yet another bad omen, during his coronation a stampede occurred on a field near the scene when free food was being given out to the large crowds, and more than 1000 people died. In 1905 relations between Russia and Japan had deteriorated to a dangerous point, and there was talk of war. Nicholas was in fact in favor of a negotiated settlement and talks resulted in a compromise being offered by the Japanese, but Nicholas' advisers and generals persuaded him to reject the Japanese offer and declare war, which they were confident they would win handily. As it turned out, however, the ensuing Russo-Japanese War of 1905 was a devastating defeat for Russia, which lost much of its navy to the better trained, better equipped and better led Japanese forces, tens of thousands of its soldiers and large swaths of its territory.
The defeat caused even more discontent in the country, which had been building for quite some time among peasants, workers, students and an increasing number of members of the armed forces. In 1905 a crowd of demonstrators marched on the Winter Palace in St. Petersburg to present a petition to Nicholas asking for liberalization and reform. Although the demonstration was peaceful at first - Nicholas himself saw no danger in the situation and had in fact departed to his country estate for the weekend - things rapidly deteriorated, and before anyone could really figure out what happened, the troops surrounding the palace opened fire on the demonstrators (many of whom were carrying pictures and placards of Nicholas as proof of their devotion to him), killing many of them. Although it's believed now that Nicholas did not give orders for the soldiers to fire on the crowd, many Russians at the time believed that he had, and this began to solidify opposition to the monarchy's rule. The resulting political and domestic pressure forced Nicholas to convene the Duma, the Russian parliament, in August of 1905.
He then issued what was called the October Manifesto in which he promised to introduce basic civil liberties to the Russian populace, make the Duma more than just a rubber-stamp for the Czar--which many believed, rightly or wrongly, that it was--and give it legislative and oversight authority. Although relations between Nicholas and the Duma were at first good, they quickly deteriorated because Empress Alexandra did not like or trust its leadership. Nicholas wound up dissolving the Duma, adding fuel to the fires of revolution already building up in the country. As if Nicholas' political problems weren't enough, his son Alexei, who was born in 1904, turned out to have hemophilia, a disease which prevents blood from clotting properly. At that time it was tantamount to a death sentence, as no treatment for it existed. Alexandra, desperate for anything that might save her son's life, turned to a sinister mystic and "healer" from Siberia named Grigory Rasputin. Rasputin did seem to have a calming effect on the child, whose health appeared to improve, thus solidifying Rasputin's hold on the royal family (many at the time suspected that Rasputin was secretly hypnotizing the boy into believing that he was better, in order to strengthen his hold over the Empress). The Empress became totally dependent on Rasputin, and eventually came to believe that he and God were in direct contact about her son. Rasputin was assassinated in 1916 by a group of disgruntled Russian noblemen worried about his hold on the royal family (not to mention their own future at the court). In 1914 the Austro-Hungarian Archduke Franz Ferdinand was assassinated in Sarajevo by Gavrilo Princip, a member of "Young Bosnia", a fanatical Serbian nationalist secret society. It wasn't long before events snowballed and Europe was plunged into World War I. Russia entered the war on the side of the Allies against Germany and Austria-Hungary. At first Russian forces had considerable success against the German and Austrian armies and their Turkish allies on the Eastern front, but the fighting eventually turned into a combination of trench warfare and huge artillery barrages.
Through a combination of bad weather, poor logistics, low morale and staggeringly inept leadership, the Russian armies soon began incurring defeat after defeat and suffering huge losses (the Battle of Tannenberg alone cost them more than 100,000 dead). In 1915 Russia lost Poland to the Germans, and Nicholas himself decided to take over as commander-in-chief of the armed forces. Since he was now personally prosecuting the war, domestic policy was basically left up to Empress Alexandra, who was not popular with the Russian people, especially since she herself was German. Political opposition to the regime increased. Unfortunately, Nicholas' military leadership was almost as inept as his generals', resulting in more defeats and even larger casualties for the Russian armies. The country was now being convulsed by strikes and riots, and many military units were mutinying and joining with revolutionary forces to take over cities from Nicholas' government. By March of 1917 popular opposition to the monarchy was so strong that Nicholas was forced to abdicate. Three hundred years of the Romanov dynasty came to an end. Aleksandr Kerensky, a former schoolmate of Vladimir Lenin, became the leader of the provisional government, which detained the Romanov family under house arrest at the Alexander Palace in Tsarskoe Selo, a suburb of St. Petersburg. They were then transported to Siberia in August of 1917. By November of 1917, with the Russian military being torn apart by mutinies and revolts, the Bolsheviks ousted the provisional government to become the rulers of Russia. They took custody of the Romanov family and moved them to the city of Ekaterinburg. Lenin and his colleague Yakov Sverdlov urged the murder of the Czar and his family in order to shore up support for the Bolsheviks among the masses.
At 2:30 on the morning of July 17, 1918, a firing squad shot Czar Nicholas, his wife Empress Alexandra, their five children, their doctor and their personal assistants and royal secretaries. As proof of their death and to dispel stories that the royal family had managed to escape, parts of their bodies and some of the royal necklaces and jewelry were delivered to the Central Committee of the Communist Party in Moscow, although rumors persisted for years afterward that some of the family did in fact manage to bribe their would-be executioners and escape. - Actor
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Aleksandr Kuznetsov was born on 2 December 1959 in Petrovka, Primorskiy kray, RSFSR, USSR [now Russia]. He was an actor and writer, known for The Bourne Supremacy (2004), Space Cowboys (2000) and The Peacemaker (1997). He was married to Yuliya Rutberg, Christina and Lyudmila Sobko. He died on 6 June 2019 in Moscow, Russia.- Her Imperial Highness, The Grand Duchess Maria Nikolaevna Romanova was born on June 26, 1899. She was the third daughter of Tsar Nicholas II and Tsarina Alexandra. She had two older sisters - Olga and Tatiana, one younger sister - Anastasia, and one younger brother Alexei. Maria's siblings usually called her Marie or Mashka. She was the angel of the family, and she was very loving and warm. She said that she wanted to marry a Russian soldier and have 20 children. She was a pretty girl with light brown hair and large blue eyes, which her family called "Marie's saucers." Maria was pretty close to her younger sister Anastasia, who were known as "The Little Pair", while her older sisters Olga and Tatiana, were called "The Big Pair." As well as their older sisters, they shared a bedroom and Maria tended to be dominated by Anastasia because of her energy and enthusiasm. Maria's other sisters referred to her as their "stepsister" because she was so good and never got into trouble. Maria was a plump girl in her childhood but she became very thin after the attack of measles she and her siblings had. When her father abdicated, for himself and for Alexei, Maria and her family were prisoners of the Revolution, in Tobolsk. After that, Maria, her father and mother went to Ekaterinburg, leaving her sisters - Tatiana, Olga and Anastasia - with her younger brother Alexei who got very hurt. After Alexei was well enough to be moved, Olga, Tatiana, Anastasia, Alexei and some of their employees went to Ekaterinburg, to be with Maria and their parents. In Ekaterinburg the Romanovs lived in a place called "The House of Special Purpose." Olga, Tatiana, Maria, and Anastasia all shared one room, while her father, mother, and Alexei shared another. On July 17, 1918 the Romanovs, their doctor, and others were set up in a basement in "The House of Special Purpose." Then, 11 executors entered and started firing. Maria and her family and servants all died. Maria was only 19 years old when she died. But, when they found the bodies of the Romanovs and their servants they realized there were two missing, Alexei and either Maria, Tatiana, or Anastasia. Recently, the Russian Orthodox Church has canonized the Romanovs as saints.
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Konstantin Stanislavski was a wealthy Russian businessman turned director who founded the Moscow Art Theatre, and originated the Stanislavski's System of acting which was spread over the world by his students, such as Michael Chekhov, Aleksei Dikij, Stella Adler, Viktor Tourjansky, and Richard Boleslawski among many others.
He was born Konstantin Sergeevich Alekseev on January 5, 1863, in Moscow, Russia. His father, Sergei Alekseev, was a wealthy Russian merchant. His mother, Elisaveta Vasilevna (nee Yakovleva) was French-Russian and his grandmother was a notable actress in Paris. Young Stanislavski grew up in a bilingual environment. He was fond of theatre and arts, studied piano and singing, and performed amateur plays at home with his elder brother and two sisters. He studied business and languages at Lasarevsky Institute, the most prestigious private school in Moscow. He did not graduate, instead he continued self-education while traveling in several European countries and studying at libraries and museums. Eventually Stanislavski joined his father's company, became a successful businessman, and the head of his father's business, the Alekseev's factory and other assets. During the 1880s Stanislavski made a fortune in international business and trade, he was awarded the Gold Medal at the World's Fair in Paris. At the same time, he was an active patron of arts and theatre in Russia. In 1885 he studied acting and directing at the Maly Theatre in Moscow, and took a stage name Stanislavski. In 1888 he founded the "Society for Arts and Literature" in Moscow.
In 1898 Stanislavski together with his partner, Vladimir Nemirovich-Danchenko, founded the Moscow Art Theatre, which made a profound influence on theatrical art all over the world. They opened with staging of "Tsar Feodor" a play by Aleksei Tolstoy, then staged "The Seagull" written by Anton Chekhov specially for the Moscow Art Theatre. In 1900 Stanislavski brought the Moscow Art Theatre on tour in Sebastopol and Yalta in Crimea, where he invited then ailing Anton Chekhov to see several plays. Chekhov admired the company's stage production of his plays, and respected the theatrical achievements of Stanislavski and Vladimir Nemirovich-Danchenko. Chekhov's legendary collaboration with the Moscow Art Theatre was fruitful for both sides: it resulted in creation of such classics as 'The Seagull', 'Uncle Vanya', 'The Three Sisters', and 'The Cherry Orchard', the four big plays which remained in the repertoire ever since.
Stanislavski's system was developed through his own cross-cultural experience as actor, director, and businessman. He constantly updated his method through inter-disciplinary studies, absorbing from a range of sources and influences, such as the modernist developments, yoga and Pavlovian behaviorist psychology. He introduced group rehearsals and relaxation techniques to achieve better spiritual connections between actors. Pavlovian approach worked well by conditioning actors through discipline in longer, organized rehearsals, and using a thorough analysis of characters. Stanislavski himself was involved in a long and arduous practice making every actor better prepared for stage performance and eventually producing a less rigid acting style. In his own words, Stanislavski described his early approach as "Spiritual Realism." His actors worked hard to deliver perfectly believable performances, as none of his actors wanted to hear his famous verdict, "I don't believe."
As an actor, Stanislavski starred in several classical plays. His most notable stage performances, such as Othello in the Shakespeare's 'Othello', and as Gayev in Chekhov's 'The Cherry Orchard', were acclaimed by critics and loved by public. His own students said that Stanislavski was a very comfortable partner on stage, due to his highly professional and truthful acting. At the same time, he could be very demanding off stage, because of his high standards, especially during his lengthy and rigorous rehearsals, requiring nothing less but the full devotion from each actor of his company, the Moscow Art Theatre.
After the Russian Revolution of 1917, his factory and all other business property was nationalized by the Soviet Communists, but he was allowed to own his mansion in Moscow. Stanislavski wisely let go of all his wealth and possessions and expressed himself in writing and directing. He remained the principal director of Moscow Art Theatre for the rest of his life. During the turbulent years before and after the Russian Revolution, and later in the 1920s and 30s, he witnessed bitter rivalry among his former students. Some actors emigrated from Russia, others fought for their share of success, and the Moscow Art Theatre was eventually divided into several companies.
In 1928 Stanislavski suffered from a heart attack. He then distanced himself from disputes and competition between his former students Michael Chekhov and Aleksei Dikij, whose individual ambitions resulted in further fragmentation of the original Moscow Art Theatre company. At the same time, his younger apprentice, Nikolay Khmelyov, remained loyal to the teacher, and eventually later filled the position held by Stanislavski at Moscow Art Theatre. However, his other students, such as Vsevolod Meyerhold and Yevgeni Vakhtangov founded their own theatre companies and continued using their versions of the Stanislavski's system. In the 1930s, Stanislavski together with Vladimir Nemirovich-Danchenko formed one more theatrical company in Moscow, the Musical Theatre of Stanislavski and Nemirovich-Danchenko.
Stanislavski was a proponent of democratic ideas, such as equal opportunity and equal value of every human being on the planet. At that time Stanislavski's nephew was arrested for political reasons, and died in the Gulag prison-camp. Stanislavsky was also under permanent surveillance, because his Moscow Art Theatre was frequently attended by Joseph Stalin and other Soviet strongmen. However, at that time Moscow Art Theatre became especially popular, because Russian intellectuals needed a cultural oasis to escape from the grim Soviet reality. Under Stanislavski the Moscow Art Theatre produced several brilliant plays by Mikhail A. Bulgakov, and also continued running such classics as 'The Seagull', 'The Cherry Orchard', 'The Lower Bottom' and other original productions of plays by Anton Chekhov and Maxim Gorky.
In his later years, Stanislavsky wrote a book titled "An Actor Prepares" which, in Charley Chaplin's words, ".. helps all people to reach out for big dramatic art. It tells what an actor needs to rouse the inspiration he requires for expressing profound emotions." Stanislavsky explained how actors may use his System, "Create your own method. Don't depend slavishly on mine. Make up something that will work for you! But keep braking traditions, I beg you!" And that was exactly what the best of his followers did. Stanislavski's ideas were used by many acting teachers, such as Michael Chekhov, Stella Adler, and Lee Strasberg, among others across the world.
During the 1930s Konstantin Stanislavski directed the original productions of several classic Russian plays, such as "Na Dne" (aka.. The Lower Depths) by Maxim Gorky, "Tsar Fedor Ioannovich" by A.K. Tolstoy, and other plays at the Moscow Art Theatre. After Stanislavski's death his original theatrical productions were adapted to black and white films, where Stanislavsky is credited as the original theatrical director. He died of a heart failure on August 7, 1938, in Moscow and was laid to rest in Novodevichy Cemetery in Moscow, Russia.
Stanislavski's mansion in central Moscow is now a public museum and research center displaying a collection of original stage sets and theatrical costumes. Stanislavski's personal library is also part of his museum. It has rare books that he collected in his numerous travels, as well as original manuscripts and letters by Stanislavski.- Aleksandr Sergeevich Demyanenko was born on May 30, 1937, in Ekaterinburg (Sverdlovsk), Russia. His father, named Sergei Demyanenko, was an actor in Moscow, but moved to live in Sverdlovsk in the 1930's. Young Aleksandr Demyanenko was spending much time with his father at his acting class. From the age of 9 to15 he went to Sverdlovsk Music School and studied singing and piano. He failed his entry exams at the Moscow Art Theatre in 1954, and became a student at the Law School of the Sverdlovsk University. From there Demyanenko escaped in less than a year.
In 1955, Demyanenko successfully passed all acting tests and became a student at the Moscow Thatre Institute, GITIS. There he was cast for his first film work, a supporting role in 'Veter' (1958), a film by directors Aleksandr Alov and Vladimir Naumov. Demyanenko graduated from the Moscow Theatre Institute (GITIS) in 1959, and worked as an actor at the Moscow Theatre of Mayakovsky under the directorship of Andrei Goncharov. He still did not have a place to live in Moscow, and was unsettled.
At that time Demyanenko played more roles in the films produced at the Lenfilm Studion in St. Petersburg (then Leningrad). There he was invited to have a permanent job as an actor with the Lenfilm Studio. The offer included an apartment. In 1961, Demyanenko moved to Leningrad, settled in a nice apartment and eventually built his 'Dacha' at the resort of Sosnovo, near Finland. He later married an assistant director from the Lenfilm Studios. He had no interest in going back to Moscow, and actually turned down many offers from the Moscow theatres and film studios.
Demyanenko shot to fame after he played the leading role of 'Shurik' in 'Operatsiya Y i drugie priklyucheniya Shurika' (1965), a popular comedy by director Leonid Gaidai. His next work with Leonid Gaidai in the comedy 'Kavkazskaya Plennitsa' (1966) was even more popular. It became a huge Soviet blockbuster. Gaidai made a well-crafted film where everything works just right. Natalya Varley with the team of four men - Demyanenko as 'Shurik', and his brilliant partners Yuriy Nikulin, Georgiy Vitsin, and Evgeniy Morgunov, created a memorable acting ensemble.
Demyanenko made a nice work in one of the best comedies from Leonid Gaidai, 'Ivan Vasilievich: Back to the Future'. In this film Demyanenko's character 'Shurik' builds a working Time Machine that throws a pair of Soviet jerks into the 16-th century Moscow under the Czar Ivan the Terrible. At the same time the Czar Ivan the Terrible goes into the year 1973 in the Soviet time Moscow. 'Shurik', played by Demyaneko, became a special character, that connected three comedies, directed by Leonid Gaidai.
His tremendous popularity in the character of 'Shurik' came at a painful price. Demyanenko was called 'Shurik' everywhere. That image got stuck in the public perception of actor Demyanenko. He was avoided by most film directors, because of his extreme popularity in the image of 'Shurik'. At that time he suffered from alcohol dependency. He also had a heart attack, which was not treated properly at that time. He briefly worked on stage at the Akimov Theatre of Comedy. He also went back to Lenfilm Studios, where he made voice-overs in more than 100 Russian and foreign films.
During his last years, from 1995-1999, Aleksandr Demyanenko worked on stage at the St. Petersburg Theatre 'Priyut Komedianta'. He died on August 22, 1999, of a heart failure, in St. Petersburg, Russia. - Director
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Dziga Vertov was born on 2 January 1896 in Bialystok, Grodno Governorate, Russian Empire [now Podlaskie, Poland]. He was a director and writer, known for Man with a Movie Camera (1929), Three Songs About Lenin (1934) and The Sixth Part of the World (1926). He was married to Elizaveta Svilova. He died on 12 February 1954 in Moscow, RSFSR, USSR [now Russia].- Director
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Mikhail Kalatozov was born on 28 December 1903 in Tiflis, Russian Empire [now Tbilisi, Republic of Georgia]. He was a director and cinematographer, known for The Cranes Are Flying (1957), True Friends (1954) and Zagovor obrechyonnykh (1950). He died on 27 March 1973 in Moscow, RSFSR, USSR [now Russia].- Actor
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Innokenti Smoktunovsky (birth name Smoktunovich) was born in Siberian village of Tatianovka near Tomsk in 1925. There were some speculations that his ancestors were of Polish nobility or of Jewish ethnicity and that they were exiled to Siberia for participating in the January Uprising of 1863. But, according to Smoktunovsky's own words, his ancestors were Belarusian peasants who were sent to Siberia after his grand-grandfather - a guard in the Bialowieza Forest - shot a wisent without permission. His father was killed in WWII. Smoktunovsky was drafted in the Red Army during WWII and was seized by the Nazis as a POW. He was on the road to a concentration camp, but managed to escape from the Nazis. He joined the partisans and served until the end of WWII. After the war he was under suspicion as a former POW and his career was limited to Siberia.
He studied acting for one year at the drama-studio of the Krasnoyarsk Drama Theater (1946). He found employment at the Norilsk Zapolyarny Drama Theater, where his friend and partner was Georgi Zhzhyonov, among other exiled actors. Both friends later starred in 'Beregis avtomobilya (1966)', directed by Eldar Ryazanov. But his film career started with director Mikhail Romm in 'Ubiystvo na ulitse Dante (1956), and in 'Soldaty (1956)' with director 'Aleksandr Ivanov'.
Smoktunovsky was praised by Laurence Olivier for the leading role in 'Hamlet (1964)', a B&W screen version directed by Grigoriy Kozintsev. Leading roles in Tchaikovsky (1969), 'Uncle Vanya (1970)', were among the highlights in film career of this great Russian actor. He worked with Georgi Tovstonogov from 1957-72 on stage of the Bolshoi Drama Theater (BDT) in Leningrad. He later moved to Moscow, where he worked at the Maly Theater and at the Moscow Art Theater (MKHAT). Smoktunovsky wrote an autobiographical book titled "They left me alive", in which he described his survival in Siberia, in WWII, and back again in Siberia, where he started his brilliant acting career.