IMDb RATING
7.5/10
2.2K
YOUR RATING
A professional clown and a self-indulgent count learn to help each other with their problems, but then become romantic rivals.A professional clown and a self-indulgent count learn to help each other with their problems, but then become romantic rivals.A professional clown and a self-indulgent count learn to help each other with their problems, but then become romantic rivals.
- Awards
- 4 wins & 2 nominations
Cissy Fitzgerald
- Giancinta
- (as Cissy Fitz-Gerald)
Robert Brower
- Stage Manager
- (uncredited)
Julie DeValora
- Nurse
- (uncredited)
Helena Dime
- Lady at Luigi's Party
- (uncredited)
Leo Feodoroff
- Minor Role
- (uncredited)
Frankie Genardi
- Little Boy at Tito's Death
- (uncredited)
Lilliana Genardi
- Little Girl at Tito's Death
- (uncredited)
Betsy Ann Hisle
- Little Girl at Tito's Death
- (uncredited)
Emmett King
- Doctor
- (uncredited)
Carl M. Leviness
- Party Guest
- (uncredited)
Mickey McBan
- Oldest Boy at Tito's Death
- (uncredited)
Storyline
Did you know
- TriviaHerbert Brenon reportedly loved to pick on and ridicule a 14-year-old Loretta Young (Note: Young turned 15 on day 18 of the 45-day shoot.) in her first big role, but was civil with her whenever Lon Chaney was present on the set. Chaney noticed this and never left her side, even if his character wasn't needed for shooting that day. He directed her throughout the shoot and became her surrogate father on the project. "I shall be beholden to that sensitive, sweet man until I die", said Young of Chaney.
- Quotes
Simon, aka Flok: Laugh, clown, laugh... even though your heart is breaking!
- Alternate versionsAn alternate "happier" ending was shot and was available to theaters who did not like the original. Unfortunately this no longer exists.
- ConnectionsFeatured in Lon Chaney: A Thousand Faces (2000)
Featured review
Classic Chaney Love Story!
"Laugh, Clown Laugh" is another masterpiece from Lon Chaney. Although I didn't like it as much as some of his other work, it is nevertheless considered as one of his best films.
Tito (Chaney) and Simon (Bernard Siegel) are traveling clowns moving from town to town in Italy. One day Tito stumbles upon an abandoned little girl and rescues her. Despite protests from his partner, he names her Simonetta (to appease Simon) and raises her as his own. The grown up Simonetta (Loretta Young) blossoms into a beautiful young lady. Tito and Simon meanwhile, have become successful and now headline the grandest theaters in the land.
One day Simonetta, while out for a walk becomes entangled in a barb wire fence. She is rescued by Count Luigi Ravelli (Nils Aster) and taken to his home. There she learns that he is a womanizer and escapes. Tito suddenly discovers that he is in love with Simonetta when she appears before him in a stylish new dress.
Three Years later, Tito and Luigi meet while being treated by a doctor (Emmett King) for emotional problems. While in the office, Simonetta meets up again with Luigi and after some reservations begin to see each other ultimately becoming engaged. Tito is devastated and becomes distraught. In his sorrow he must continue to make people laugh as the show must go on even though he is being torn apart inside. Finally Simonetta discovers that Tito is also in love with her. Now she must choose.
Chaney returned to the eternal triangle theme time and time again in his films. He usually played the rejected lover and expressed such pathos that one could hardly help but feel pity for him. This film is no exception. The scenes where he must mask his sorrow and continue to play the clown, are classic Chaney.
Loretta Young, who would go on to a successful career spanning many decades was but a sweet sixteen when this film was made. The vast difference between her age and Chaney's made Chaney's character all the more pitiful.
Tito (Chaney) and Simon (Bernard Siegel) are traveling clowns moving from town to town in Italy. One day Tito stumbles upon an abandoned little girl and rescues her. Despite protests from his partner, he names her Simonetta (to appease Simon) and raises her as his own. The grown up Simonetta (Loretta Young) blossoms into a beautiful young lady. Tito and Simon meanwhile, have become successful and now headline the grandest theaters in the land.
One day Simonetta, while out for a walk becomes entangled in a barb wire fence. She is rescued by Count Luigi Ravelli (Nils Aster) and taken to his home. There she learns that he is a womanizer and escapes. Tito suddenly discovers that he is in love with Simonetta when she appears before him in a stylish new dress.
Three Years later, Tito and Luigi meet while being treated by a doctor (Emmett King) for emotional problems. While in the office, Simonetta meets up again with Luigi and after some reservations begin to see each other ultimately becoming engaged. Tito is devastated and becomes distraught. In his sorrow he must continue to make people laugh as the show must go on even though he is being torn apart inside. Finally Simonetta discovers that Tito is also in love with her. Now she must choose.
Chaney returned to the eternal triangle theme time and time again in his films. He usually played the rejected lover and expressed such pathos that one could hardly help but feel pity for him. This film is no exception. The scenes where he must mask his sorrow and continue to play the clown, are classic Chaney.
Loretta Young, who would go on to a successful career spanning many decades was but a sweet sixteen when this film was made. The vast difference between her age and Chaney's made Chaney's character all the more pitiful.
- bsmith5552
- Nov 11, 2003
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Details
Box office
- Budget
- $293,000 (estimated)
- Runtime1 hour 13 minutes
- Sound mix
- Aspect ratio
- 1.33 : 1
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