Radu Jude’s Scarred Hearts among titles; In Focus strand also revealed.
Sarajevo Film Festival (Aug 12-20) has unveiled its competition and in focus titles ahead of the launch of its 22nd edition next month.
The eight features in competition include two world premieres: Ivan Marinović’s debut The Black Pin; and Lukas Valenta Rinner’s A Decent Woman.
The Black Pin, from Montenegro director Marinovic, centres on a priest who finds himself at odds with the other inhabitants of his small, rural parish when he opposes a large property sale. Serbian Vladimir Vasiljević is co-producing.
Austrian filmmaker Rinner, whose Parabellum won the special jury prize at Jeonju and was up for Rotterdam’s Tiger Award in 2015, returns with A Decent Woman, the story of a housemaid working in an exclusive gated community on the outskirts of Buenos Aires who embarks on a journey of sexual liberation at a nudist swingers club.
After winning...
Sarajevo Film Festival (Aug 12-20) has unveiled its competition and in focus titles ahead of the launch of its 22nd edition next month.
The eight features in competition include two world premieres: Ivan Marinović’s debut The Black Pin; and Lukas Valenta Rinner’s A Decent Woman.
The Black Pin, from Montenegro director Marinovic, centres on a priest who finds himself at odds with the other inhabitants of his small, rural parish when he opposes a large property sale. Serbian Vladimir Vasiljević is co-producing.
Austrian filmmaker Rinner, whose Parabellum won the special jury prize at Jeonju and was up for Rotterdam’s Tiger Award in 2015, returns with A Decent Woman, the story of a housemaid working in an exclusive gated community on the outskirts of Buenos Aires who embarks on a journey of sexual liberation at a nudist swingers club.
After winning...
- 7/20/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Australian director Stephen Page has won an Asia Pacific Screen Award .Special Mention for feature film Spear at a ceremony in Brisbane.
Spear tells a contemporary Indigenous story through movement and Dance..
The film follows young Indigenous man, Djali, as learns the ancient tradtions of becoming a man in a modern world.
Cemetery of Splendour, from Thai auteur Apichatpong Weerasethakul, won Best Feature Film.
Films from Thailand, Russian Federation, Turkey, People.s Republic of China, Japan, Palestine, Korea, Taiwan, Japan and Australia received accolades at the event.
The awards recognise and promote cinematic excellence and cultural diversity of the world.s fastest-growing film region: comprising 70 countries and areas, 4.5 billion people, and responsible for half of the world.s film output. In 2015, 39 films from 22 Asia Pacific countries and areas received Apsa nominations.
The Apsa Unesco Award for outstanding contribution to the promotion and preservation of cultural diversity through film was awarded...
Spear tells a contemporary Indigenous story through movement and Dance..
The film follows young Indigenous man, Djali, as learns the ancient tradtions of becoming a man in a modern world.
Cemetery of Splendour, from Thai auteur Apichatpong Weerasethakul, won Best Feature Film.
Films from Thailand, Russian Federation, Turkey, People.s Republic of China, Japan, Palestine, Korea, Taiwan, Japan and Australia received accolades at the event.
The awards recognise and promote cinematic excellence and cultural diversity of the world.s fastest-growing film region: comprising 70 countries and areas, 4.5 billion people, and responsible for half of the world.s film output. In 2015, 39 films from 22 Asia Pacific countries and areas received Apsa nominations.
The Apsa Unesco Award for outstanding contribution to the promotion and preservation of cultural diversity through film was awarded...
- 11/26/2015
- by Inside Film Correspondent
- IF.com.au
Asia Pacific prizes also awarded to Hany Abu-Assad for The Idol, Alexey German Jr for Under Electric Clouds and cinematographer Mark Lee Ping-bing for The Assassin.Scroll down for full list of winners
Cemetery of Splendour, by Thai auteur Apichatpong Weerasethakul, has won best feature film at the 9th Asia Pacific Screen Awards (Apsa) in Australia.
The Thai-language drama, which debuted at Cannes, centres on a middle-aged woman who experiences strange visions while tending a soldier with sleeping sickness.
The awards, announced at a ceremony at Brisbane’s City Hall, saw films honoured from Thailand, Russia, Turkey, China, Japan, Palestine, Korea, Taiwan, Japan and Australia.
The Apsa Unesco Award for outstanding contribution to the promotion and preservation of cultural diversity through film was awarded to Palestinian director Hany Abu-Assad for The Idol, which debuted at Toronto.
Speaking from the set of his latest production, the director said of the award: “Thank you dear jury for this great...
Cemetery of Splendour, by Thai auteur Apichatpong Weerasethakul, has won best feature film at the 9th Asia Pacific Screen Awards (Apsa) in Australia.
The Thai-language drama, which debuted at Cannes, centres on a middle-aged woman who experiences strange visions while tending a soldier with sleeping sickness.
The awards, announced at a ceremony at Brisbane’s City Hall, saw films honoured from Thailand, Russia, Turkey, China, Japan, Palestine, Korea, Taiwan, Japan and Australia.
The Apsa Unesco Award for outstanding contribution to the promotion and preservation of cultural diversity through film was awarded to Palestinian director Hany Abu-Assad for The Idol, which debuted at Toronto.
Speaking from the set of his latest production, the director said of the award: “Thank you dear jury for this great...
- 11/26/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
The Assassin will compete for best feature at this year’s Asia Pacific Screen Awards on Nov 26.Scroll down for the full list
Hou Hsiao-Hsien’s festival hit The Assassin, which won him best director at Cannes this year, has been nominated for three prizes at this year’s Asia Pacific Screen Awards.
The film will compete for best feature, achievement in directing for Hou Hsiao-Hsien and achievement in cinematography for Mark Lee Ping-Bing.
Other nominees in the best feature category include multi-territory co-production Cementery Of Splendour, Korean feature End Of Winter and Japanese/French drama Journey To The Shore.
Elsewhere, France’s foreign language Oscar submission Mustang received a best youth feature film nod, while Joshua Oppenheimer’s The Look Of Silence will compete for best documentary.
A total of 39 films from 22 countries have received nominations.
The awards ceremony takes place on Thursday 26 November at City Hall, Brisbane.
Full...
Hou Hsiao-Hsien’s festival hit The Assassin, which won him best director at Cannes this year, has been nominated for three prizes at this year’s Asia Pacific Screen Awards.
The film will compete for best feature, achievement in directing for Hou Hsiao-Hsien and achievement in cinematography for Mark Lee Ping-Bing.
Other nominees in the best feature category include multi-territory co-production Cementery Of Splendour, Korean feature End Of Winter and Japanese/French drama Journey To The Shore.
Elsewhere, France’s foreign language Oscar submission Mustang received a best youth feature film nod, while Joshua Oppenheimer’s The Look Of Silence will compete for best documentary.
A total of 39 films from 22 countries have received nominations.
The awards ceremony takes place on Thursday 26 November at City Hall, Brisbane.
Full...
- 10/22/2015
- ScreenDaily
The Assassin will compete for best feature at this year’s Asia Pacific Screen Awards on Nov 26.Scroll down for the full list
Hou Hsiao-Hsien’s festival hit The Assassin, which won him best director at Cannes this year, has been nominated for three prizes at this year’s Asia Pacific Screen Awards.
The film will compete for best feature, achievement in directing for Hou Hsiao-Hsien and achievement in cinematography for Mark Lee Ping-Bing.
Other nominees in the best feature category include multi-territory co-production Cementery Of Splendour, Korean feature End Of Winter and Japanese/French drama Journey To The Shore.
Elsewhere, France’s foreign language Oscar submission Mustang received a best youth feature film nod, while Joshua Oppenheimer’s The Look Of Silence will compete for best documentary.
A total of 39 films from 22 countries have received nominations.
The awards ceremony takes place on Thursday 26 November at City Hall, Brisbane.
Full...
Hou Hsiao-Hsien’s festival hit The Assassin, which won him best director at Cannes this year, has been nominated for three prizes at this year’s Asia Pacific Screen Awards.
The film will compete for best feature, achievement in directing for Hou Hsiao-Hsien and achievement in cinematography for Mark Lee Ping-Bing.
Other nominees in the best feature category include multi-territory co-production Cementery Of Splendour, Korean feature End Of Winter and Japanese/French drama Journey To The Shore.
Elsewhere, France’s foreign language Oscar submission Mustang received a best youth feature film nod, while Joshua Oppenheimer’s The Look Of Silence will compete for best documentary.
A total of 39 films from 22 countries have received nominations.
The awards ceremony takes place on Thursday 26 November at City Hall, Brisbane.
Full...
- 10/22/2015
- ScreenDaily
Anomalisa wins Grand Jury Prize; Robert Pattinson-starrer The Childhood Of A Leader wins best debut.Scroll down for full list of winners
From Afar (Desde Alla), the first Venezuelan production to appear in Competition at the Venice Film Festival, has won the Golden Lion for Best Film.
The directorial debut of Lorenzo Vigas concerns a middle-aged man (Alfredo Castro) who pays young boys to spend time with him. One day he befriends an 18-year-old delinquent (Luis Silva), a development that affects both profoundly.
The film, sold by Celluloid Dreams, is produced by Oscar-nominated screenwriter Guillermo Arriaga, who co-wrote the script.
The Silver Lion for Best Director went to Argentinian film-maker Pablo Trapero for kidnap drama The Clan (El Clan).
Trapero has a good relationship with Venice, having won two prizes for his 1999 debut, Crane World, returning in 2004 with Rolling Family and sitting on the Golden Lion jury in 2012.
The Clan is based on the real-life exploits...
From Afar (Desde Alla), the first Venezuelan production to appear in Competition at the Venice Film Festival, has won the Golden Lion for Best Film.
The directorial debut of Lorenzo Vigas concerns a middle-aged man (Alfredo Castro) who pays young boys to spend time with him. One day he befriends an 18-year-old delinquent (Luis Silva), a development that affects both profoundly.
The film, sold by Celluloid Dreams, is produced by Oscar-nominated screenwriter Guillermo Arriaga, who co-wrote the script.
The Silver Lion for Best Director went to Argentinian film-maker Pablo Trapero for kidnap drama The Clan (El Clan).
Trapero has a good relationship with Venice, having won two prizes for his 1999 debut, Crane World, returning in 2004 with Rolling Family and sitting on the Golden Lion jury in 2012.
The Clan is based on the real-life exploits...
- 9/12/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Films set to show at the 40th Toronto International Film Festival (Tiff), updated as announcements are made in the run up to the event.
Tiff will open on September 10 with Jean-Marc Vallée’s Demolition starring Jake Gyllenhaal and Naomi Watts.
Tiff 40
Key: Wp = world premiere; Nap = North American premiere; IP = international premiere; Cp = Canadian premiere.
GALASBeeba Boys (Canada), Deepa Mehta, WPDemolition, Jean-Marc Vallée WPDisorder (Maryland) (France-Belgium), Alice Winocour NAPThe Dressmaker (Aus), Jocelyn Moorhouse, WPEye In The Sky (UK), Gavin Hood WPForsaken (Canada), Jon Cassar, WPFreeheld (Us), Peter Sollett, WPHyena Road (Canada), Paul Gross, WPLolo (France), Julie Delpy, NAPLegend (UK), Brian Helgeland, IPMan Down (Us), Dito Montiel NAPThe Man Who Knew Infinity (UK), Matt Brown, WPThe Martian (Us), Ridley Scott, WPMiss You Already (UK), Catherine Hardwicke WPMississippi Grind (Us), Ryan Fleck, Anna Boden CPMr. Right (Us), Paco Cabezas WPThe Program (UK), Stephen Frears, WPRemember (Canada), Atom Egoyan, NAPSeptembers Of Shiraz (Us), Wayne Blair, WPStonewall ([link...
Tiff will open on September 10 with Jean-Marc Vallée’s Demolition starring Jake Gyllenhaal and Naomi Watts.
Tiff 40
Key: Wp = world premiere; Nap = North American premiere; IP = international premiere; Cp = Canadian premiere.
GALASBeeba Boys (Canada), Deepa Mehta, WPDemolition, Jean-Marc Vallée WPDisorder (Maryland) (France-Belgium), Alice Winocour NAPThe Dressmaker (Aus), Jocelyn Moorhouse, WPEye In The Sky (UK), Gavin Hood WPForsaken (Canada), Jon Cassar, WPFreeheld (Us), Peter Sollett, WPHyena Road (Canada), Paul Gross, WPLolo (France), Julie Delpy, NAPLegend (UK), Brian Helgeland, IPMan Down (Us), Dito Montiel NAPThe Man Who Knew Infinity (UK), Matt Brown, WPThe Martian (Us), Ridley Scott, WPMiss You Already (UK), Catherine Hardwicke WPMississippi Grind (Us), Ryan Fleck, Anna Boden CPMr. Right (Us), Paco Cabezas WPThe Program (UK), Stephen Frears, WPRemember (Canada), Atom Egoyan, NAPSeptembers Of Shiraz (Us), Wayne Blair, WPStonewall ([link...
- 8/25/2015
- ScreenDaily
Anne Sewitsky‘s Sundance preemed Homesick, Cannes preemed Romanian imports from Radu Muntean‘s One Floor Below and Corneliu Porumboiu‘s The Treasure along with Athina Rachel Tsangari‘s Locarno shown Chevalier are just four of the film titles in the just announced Contemporary World Cinema programme for Tiff. Among the other noteworthy titles in what is mostly a mix of world preems and North American premieres we find Grímur Hákonarson‘s Rams (just picked up by Cohen Media), Alex van Warmerdam well-received Locarno comedy Schneider vs. Bax , the world preem for Sion Sono’s The Whispering Star, and the Oscilloscope Laboratories picked up Ciro Guerra‘s Embrace Of The Serpent. Here are today’s selections that were added to the already announced Canadian items.
25 April (New Zealand), Leanne Pooley Wp
3000 Nights (Palestine-France-Jordan-Lebanon-uae-Qatar), Mai Masri Wp
An (Japan-France-Germany), Naomi Kawase Nap
The Apostate (Spain-France-Uruguay), Federico Veiroj Wp
As I Open...
25 April (New Zealand), Leanne Pooley Wp
3000 Nights (Palestine-France-Jordan-Lebanon-uae-Qatar), Mai Masri Wp
An (Japan-France-Germany), Naomi Kawase Nap
The Apostate (Spain-France-Uruguay), Federico Veiroj Wp
As I Open...
- 8/18/2015
- by Eric Lavallee
- IONCINEMA.com
Potential awards season contenders Truth from James Vanderbilt and Marc Abraham’s I Saw The Light starring Tom Hiddleston as Hank Williams land world premiere slots, while Paco Cabezas’s Mr. Right will close the festival.
London is the subject of the seventh annual City To City programme that features world premieres of Tom Geens’ Couple In A Hole starring Paul Higgins and Kate Dickie and Michael Caton-Jones’ Urban Hymn with Letitia Wright and Shirley Henderson. Elaine Constantine’s Northern Soul gets a North American premiere.
The world premiere of Catherine Hardwicke’s Miss You Already is among five additions to the galas alongside Mr. Right, an action comedy starring Sam Rockwell and Anna Kendrick.
Matthew Cullen’s Martin Amis adaptation London Fields and David Gordon Green’s Our Brand Is Crisis get first public screenings in the Special Presentations roster with I Saw The Light.
Tiff top brass also unveiled the Contemporary World Cinema section, featuring...
London is the subject of the seventh annual City To City programme that features world premieres of Tom Geens’ Couple In A Hole starring Paul Higgins and Kate Dickie and Michael Caton-Jones’ Urban Hymn with Letitia Wright and Shirley Henderson. Elaine Constantine’s Northern Soul gets a North American premiere.
The world premiere of Catherine Hardwicke’s Miss You Already is among five additions to the galas alongside Mr. Right, an action comedy starring Sam Rockwell and Anna Kendrick.
Matthew Cullen’s Martin Amis adaptation London Fields and David Gordon Green’s Our Brand Is Crisis get first public screenings in the Special Presentations roster with I Saw The Light.
Tiff top brass also unveiled the Contemporary World Cinema section, featuring...
- 8/18/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Writer-director Sue Brooks' Looking for Grace will be the first film by a female Australian director to screen in competition at the Venice Film Festival since Clara Law's The Goddess Of 1967 in 2000.
Australia will have an unprecedented profile at the festival with Michael Rowe.s Early Winter and Simon Stone.s The Daughter selected for the Venice Days sidebar and Bentley Dean and Martin Butler.s Tanna screening in Venice Critics. Week.
This is the first time Australian films will be represented in all three Venice categories. That adds to the prestige of The Daughter having its North American premiere in the Special Presentations section of the 40th Toronto International Film Festival, where Jocelyn Moorhouse.s The Dressmaker will have its world premiere in the Gala Presentations section.
Wayne Blair's Us thriler Septembers Of Shiraz, which stars Salma Hayek, Adrien Brody and Shohreh Aghdashloo, will also screen in Gala Presentations.
Australia will have an unprecedented profile at the festival with Michael Rowe.s Early Winter and Simon Stone.s The Daughter selected for the Venice Days sidebar and Bentley Dean and Martin Butler.s Tanna screening in Venice Critics. Week.
This is the first time Australian films will be represented in all three Venice categories. That adds to the prestige of The Daughter having its North American premiere in the Special Presentations section of the 40th Toronto International Film Festival, where Jocelyn Moorhouse.s The Dressmaker will have its world premiere in the Gala Presentations section.
Wayne Blair's Us thriler Septembers Of Shiraz, which stars Salma Hayek, Adrien Brody and Shohreh Aghdashloo, will also screen in Gala Presentations.
- 7/29/2015
- by Don Groves
- IF.com.au
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.