Here are 100 books that The Crazy Man fans have personally recommended if you like
The Crazy Man.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
Growing up, my mother often shared stories of her evacuation to a small Wiltshire village during World War Two. Far from a warm welcome, the local children viewed the newcomers with suspicion, and they were made to feel unwanted. My mother did, however, form one lifelong friendship that was very important to her. Her tales inspired me to write a novel about an evacueeās experience for my Creative Writing MA. Living in Dorset at the time, I set my story there. The research was fascinating, allowing me to weave together historical insights with my own memories and experiences of todayās rural life.
The thought of walking around an occupied town in France during WWII terrifies me. The prospect of running into Nazis, looking for any excuse to arrest me, is the thing of nightmares.
But my fears shrink to nothing compared to the experience of blind sixteen-year-old Marie-Laure attempting to navigate war-torn Saint-Malo from the memory of a handmade tabletop model. The strength of courage she shows in this story has never left me.
WINNER OF THE 2015 PULITZER PRIZE FOR FICTION NATIONAL BOOK AWARD FINALIST NEW YORK TIMES BESTSELLER WINNER OF THE CARNEGIE MEDAL FOR FICTION
A beautiful, stunningly ambitious novel about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II
Open your eyes and see what you can with them before they close forever.'
For Marie-Laure, blind since the age of six, the world is full of mazes. The miniature of a Paris neighbourhood, made by her father to teach her the way home. The microscopicā¦
I learned to read at four and have been telling stories ever since. Books were my escape from unhappiness into a new and endless world. Left to myself, Iād read ten or so weekly, and my mind was packed with characters, dialogue, jokes, prose, and poetry like an over-brimming literary reservoir. Words are my thing, and I am an avid collector of them. I was reading David Copperfield at eight and specialised in 18th and 19th-century literature at university. Iāve written five books and am working on the sixth. I love writing humour but have also authored Jane Austen Fan Fiction and poetry. Without books, my world is nothing.
I simply love this book and read it at least once a year. Itās in the YA genre, and I am more like an MAA (middle-aged adult) but the main character, Auggie Pullman, and his friends and family are so enticing that Iām drawn in every time.
Auggie has an incredibly rare facial deformity and when we first meet him, heās off to school for the first time. The book is written with a light touch and from many different voices, something the author pulls off with aplomb. Itās notoriously difficult to get away with multiple narrators, but this really works.
I root for Auggie every time, and the sheer humanity of the book, along with great humour and characterisation means that I come back to it again and again.
9
authors picked
Wonder
as one of their favorite books, and they share
why you should read it.
This book is for kids age
9,
10, and
11.
What is this book about?
'Has the power to move hearts and change minds' Guardian
'Tremendously uplifting and a novel of all-too-rare power' Sunday Express
'An amazing book . . . I absolutely loved it. I cried my eyes out' Tom Fletcher
Read the award-winning, multi-million copy bestselling phenomenon that is WONDER in this new tenth anniversary edition.
'My name is August. I won't describe what I look like. Whatever you're thinking, it's probably worse.'
Auggie wants to be an ordinary ten-year-old. He does ordinary things - eating ice cream, playing on his Xbox. He feels ordinary - inside. But ordinary kids don't make otherā¦
I am fascinated by first-person points of view. In writing plays and screenplays, I couldnāt write the inner thoughts of my characters. Now, in novels and short stories, I do that almost exclusively, even if the stories contain multiple narrators. I love the Unreliable Narratorāwhether it is someone too young to understand what they are witnessing, someone who is in denial, or mentally ill, or a non-human experiencing the world in an odd wayāthe discrepancy between their view and mine delights me. I love discovering all those inner thoughts, fears, anxieties, and desires. These first-person stories let me into anotherās experience and allow me to empathize with a whole new perspective.
This stunning book puts me in the head of a young boy with a neurodivergent way of seeing the world. I picked up this book before a cross-country flight and couldnāt stand that we landed, and I would have to stop reading for the drive home.
It immersed me in Christopherās dilemma of trying to make sense of people. The most trivial things become massive. I was hurtled along with him for a harrowing, incredible journey. Profoundly moving!
'Mark Haddon's portrayal of an emotionally dissociated mind is a superb achievement... Wise and bleakly funny' Ian McEwan
The Curious Incident of the Dog in the Night-Time is a murder mystery novel like no other. The detective, and narrator, is Christopher Boone. Christopher is fifteen and has Asperger's Syndrome. He knows a very great deal about maths and very little about human beings. He loves lists, patterns and the truth. He hates the colours yellow and brown and being touched. He has never gone further than theā¦
I grew up during the civil rights movement in the US, and my ancestorsāthe lucky onesāescaped pogroms in eastern Europe at the turn of the 20th century and made it to North America. (The unlucky ones were slaughtered in the Holocaust.) So I suppose it is natural that I would be drawn to write stories about the struggle to overcome persecution, racism, and injustice. I love creating characters who, at the beginning of the story, donāt know that they have what it takes to fight for justice, but then slowly build the confidence and courage to make a difference. And writing about these triumphs is fun, too!
From our comfortable perch in North America, itās almost impossible to imagine how childrenāgirls, especiallyāsurvive in Afghanistan under Taliban rule. The Breadwinner made it real to me, with all the oppression that the main character, eleven-year-old Parvana, experiences and all the courage she demonstrates. This book showed me the common humanity we share with people whose lives are so different from our own. And it forced me to ask myself: Could I have been as brave and resourceful as Parvana?
Afghanistan: Parvana's father is arrested and taken away by Taliban soldiers. Under Taliban law, women and girls are not allowed to leave the house on their own.
Parvana, her mother, and sisters are prisoners in their own home. With no man to go out to buy food, they face starvation.
So Parvana must pretend to be a boy to save her family. It is a dangerous plan, but their only chance. In fear, she goes out - and witnesses the horror of landmines, the brutality of the Taliban, and the desperation of a country trying to survive. But even inā¦
I like to think Iām the smart female protagonist of my own life. Each of the women Iāve described in this book calls out to me in some way. Theyāre misunderstood or devalued by the people around them. They know more than theyāre given credit for. I think most women feel that to some degree. I think its understood now that representation matters. We all want to see ourselves in the media we take in. I saw myself in these protagonists, or I saw a need that these books would fill in my life if I lived in their worlds.
I am not the target audience for this book. But it had gotten some buzz, and it seemed interesting, so I read it. And it just blew me away. Iāve read so many articles that say that the more fiction you read, especially books about people and cultures unlike your own, the more empathetic you become. This book does this so well you can practically see it happen. Iāve seen this book on a lot of banned book lists, and for the life of me, I donāt understand why.
When I first read it, my thought was, āEveryone should read this book. I understand so much better now.ā Itās about 16-year-old Starr Carter, who is smart and wise beyond her years. She witnesses a police officer shoot her childhood best friend, Khalil. This puts her in the middle of a maelstrom of opinion and gives her inside information on aā¦
Now a major motion picture, starring Amandla Stenberg
No. 1 New York Times bestseller
Winner of the Waterstones Children's Book Prize * Goodreads Choice Awards Best of the Best * National Book Award Longlist * British Book Awards Children's Book of the Year * Teen Vogue Best YA Book of the Year
Sixteen-year-old Starr lives in two worlds: the poor neighborhood where she was born and raised and her posh high school in the suburbs. The uneasy balance between them is shattered when Starr is the only witness to the fatal shooting of her unarmed best friend, Khalil, by aā¦
I grew up during the civil rights movement in the US, and my ancestorsāthe lucky onesāescaped pogroms in eastern Europe at the turn of the 20th century and made it to North America. (The unlucky ones were slaughtered in the Holocaust.) So I suppose it is natural that I would be drawn to write stories about the struggle to overcome persecution, racism, and injustice. I love creating characters who, at the beginning of the story, donāt know that they have what it takes to fight for justice, but then slowly build the confidence and courage to make a difference. And writing about these triumphs is fun, too!
Before I read this book, in the 1990s, I had never heard of Canadaās residential school system for Indigenous children. I was horrified, and also ashamed to have been so ignorant. Over the years, I have heard many Indigenous authors speak and have read many books on the subject, and have come to realize that the residential school tragedy is parallel to the Holocaust for Jewsāmy familyās story. This is the book that opened my eyes.
Her name was Seepeetza when she was at home with her family. But now that she's living at the Indian residential school her name is Martha Stone, and everything else about her life has changed as well. Told in the honest voice of a sixth grader, this is the story of a young Native girl forced to live in a world governed by strict nuns, arbitrary rules, and a policy against talking in her own dialect, even with her family. Seepeetza finds bright spots, but most of all she looks forward to summers and holidays at home.
I grew up during the civil rights movement in the US, and my ancestorsāthe lucky onesāescaped pogroms in eastern Europe at the turn of the 20th century and made it to North America. (The unlucky ones were slaughtered in the Holocaust.) So I suppose it is natural that I would be drawn to write stories about the struggle to overcome persecution, racism, and injustice. I love creating characters who, at the beginning of the story, donāt know that they have what it takes to fight for justice, but then slowly build the confidence and courage to make a difference. And writing about these triumphs is fun, too!
As both a reader and a writer, I seem to be drawn to books about characters experiencing oppression and persecution, and drawing on inner reserves of courage and compassion to combat it. This book fits that description perfectly. I was on the edge of my seat following Hanneke as she works for the Dutch Resistance during World War II. I was left wondering: How do you find the bravery and determination to risk your own life in order to save someone elseās?
The bestselling, "gripping" (Entertainment Weekly), "powerful" (Hypable), "utterly thrilling" (Paste.com) winner of the Edgar Award for Best Young Adult Mystery, perfect for readers of Kristin Hannah and Ruta Sepetys
Amsterdam, 1943. Hanneke spends her days procuring and delivering sought-after black market goods to paying customers, her nights hiding the true nature of her work from her concerned parents, and every waking moment mourning her boyfriend, who was killed on the Dutch front lines when the Germans invaded. She likes to think of her illegal work as a small act of rebellion.
On a routine delivery, a client asks Hanneke forā¦
I grew up in the 60s and 70s, when people were often uncomfortable with anyone who had a disability. My sister had Down syndrome and this drew a lot of negative attention. I struggled with being overprotective of her and often angry at those who treated her differently. When I grew up I became an advocate, not only for my sister, but for others who struggled with being accepted because of physical or developmental disabilities. Early on I worked in a pretty awful institution. What I learned there inspired my novel, Free as a Bird. Like my sister, I moved on to do other things, including archaeology, journalism, and teaching for 27 years.
Thirteen-year-old Alice moves to a new town where no one knows she has Aspergerās syndrome. When she behaves in a way her teachers feel is inappropriate she gets sent to detention. Itās there she meets Megan, a hard-core ābad girlā who becomes the only person to make a meaningful connection with Alice.
Alice likes rules, Megan likes to break rules. Yet somehow the two girls manage to become good friends. Meganās home life is bad and she decides to run away. Despite the angst and the inner voice telling her not to, Alice goes with Megan to protect her.
Quote: āIs a hero average in type, appearance, achievement, function, and development?ā Alice asks.
This book stands out for me because it shows that we all can āgo fartherā than any perceived limitation, be it developmental, physical, or emotional.
Alice doesnāt like noise, smells or strangers. She does like rules. Lots of rules.
Nobody at her new school knows she is autistic, and soon Alice finds herself in trouble because the rules here are different. When she meets Megan in detention, she doesnāt know what to make of her. Megan doesnāt smell, sheās not terribly noisy, and sheās not exactly a stranger. But is she a friend? Megan seems fearless to Alice; but also angry or maybe sad. Alice isnāt sure which. When Megan decides to run away, Alice decides that Megan is her friend and that she needsā¦
My first true prairie encounter was during a class trip to Waubun Prairie in northern Minnesota. Such a wide sweep of verdant grassland splashed with beautiful colorāI was instantly smitten! After years as a professional anthropologist and educator, I wrote Under Prairie Skies to celebrate the prairie and share the regionās early ethnobotanical history. I was pleased that several reviewers called the book āa love story.ā My list of recommendations includes some which inspired me on that journey. It is an honor to highlight such superb communicators who share my love for the prairie.
This book is full of information, but it is the personality of Buffalo Bird Woman (aka Waheenee, ca 1839-1932) that makes the reading so delightful. Americaās best-known Native gardener was launched to fame by the Presbyterian minister and anthropology student Gilbert Wilson (1868-1930), whose extensive interviews of her and her family were incorporated into his dissertation, published as Agriculture of the Hidatsa: An Indian Interpretation.
Renamed and published in book form for posterity, this complete and detailed story of Hidatsa agriculture is historically instructive, and Buffalo Bird Womanās occasional commentary on the social relations of the Hidatsa people adds to its warmth.
Buffalo Bird Woman, a Hidatsa Indian born about 1839, was an expert gardener. Following centuries-old methods, she and the women of her family raised huge crops of corn, squash, beans, and sunflowers on the rich bottomlands of the Missouri River in what is now North Dakota. When she was young, her fields were near Like-a-fishhook, the earth-lodge village that the Hidatsa shared with the Mandan and Arikara. When she grew older, the families of the three tribes moved to individual allotments on the Fort Berthold Indian Reservation.
In Buffalo Bird Woman's Garden, first published in 1917, anthropologist Gilbert L. Wilsonā¦
After a life of teaching and writing, I have been reading widely in the literature on the Civil War North to set the stage for my next project, a book on the life and times of my great-grandfather, who has loomed over my imagination since I was a boy during the years of the Civil War Bicentennial. Both a soldier and politician, he emerged as one the most militant of the Radical Republicans in the early years of Reconstruction. What follows is my personal list of very important, very readable, recent books on the Northern experience of the war that I will have by my side as I start writing.
A number of years ago, when I was reading through a folder of antislavery petitions at the National Archives, I found a misfiled petition asking for federal funding for an agricultural college in Iowa. Ariel Ron demonstrates how this misfiling illustrates a larger story that runs from agriculture in the early republic to the post-Civil War federal bureaucracy, through the priorities of northern farmers: improvement and justice.
Rather than an industrial behemoth, the pre-Civil War North was dominated by farmers who wanted to modernize their production and who moved from a diffuse program of reform to a campaign for federal funding for state agricultural colleges. Already hostile to slavery, they resented the power of southern planters in Congress who consistently blocked their petitions.
Thus, one of the results of the outbreak of war would be the triumph of a long campaign, deeply entwined with antislavery opinion, that resulted in theā¦
How a massive agricultural reform movement led by northern farmers before the Civil War recast Americans' relationships to market forces and the state.
Recipient of The Center for Civil War Research's 2021 Wiley-Silver Book Prize, Winner of the Theodore Saloutos Memorial Award by the Agricultural History Society
In this sweeping look at rural society from the American Revolution to the Civil War, Ariel Ron argues that agricultural history is central to understanding the nation's formative period. Upending the myth that the Civil War pitted an industrial North against an agrarian South, Grassroots Leviathan traces the rise of a powerful agriculturalā¦
