I'm a Frenchman with a great interest in the history of the Second World War, specializing in the correspondence of Allied soldiers. Almost 20 years of collecting WWII letters led to the publication of my first book Till Victory which was an award-winning bestseller in France, before it was released in English worldwide in 2021. I also host a podcast (Till Victory: a podcast about WWII and Peace), where I interview British and American veterans, and have made documentaries such as Red Beret & Dark Chocolate or The Missing Highlander. It's all about trying to understand what the young men who fought and died to liberate my country went through when they were my age.
Alright, this is not technically a book about WWII letters, but it’s very close, and my favorite historical accounts’ book ever. Just like with wartime correspondence, Ernie Pyle wrote from the battlefield about the daily routine of the regular GI while experiencing it himself. Just like in a personal military letter, you get to know a tired civilian in uniform rather than a multi-medal bearing superhero with a thirst for action. With his exceptional writing, Pyle painted touching and realistic portraits, not of the Generals we've already read all about, but of the simple soldier who simply did his job and won the war with his sweat and blood.
Europe was in the throes of World War II, and when America joined the fighting, Ernie Pyle went along. Long before television beamed daily images of combat into our living rooms, Pyle's on-the-spot reporting gave the American public a firsthand view of what war was like for the boys on the front. Pyle followed the soldiers into the trenches, battlefields, field hospitals, and beleaguered cities of Europe. What he witnessed he described with a clarity, sympathy, and grit that gave the public back home an immediate sense of the foot soldier's experience. There were really two wars, John Steinbeck wrote…
I’ve been reading and making comics since I was a young kid. I’m very interested in the history of comics, and I love to see new combinations of content and form. My own graphic novels, such as Constitution Illustrated and Masterpiece Comics, use parody and pastiche to comment on and reinterpret historical and contemporary texts. I’m charmed by the earnest retelling of literature in old comic book series like Classics Illustrated, but I’m much more excited to see graphic novels that dig deep into texts and reinvent them in idiosyncratic ways.
This satiric, beautifully drawn update of Gustave Flaubert’s novel Madame Bovary brings the story to the 1990s. Simmonds’ writing is witty and well-observed, with blocks of prose interspersed among the flowing panel sequences. It’s a rich, layered reading experience, deeper than those graphic novels which only emphasize the visuals. Simmonds writes as elegantly as she draws, with subtlety and style.
Gemma is the bored, pretty second wife of Charlie Bovery, the reluctant stepmother of his children and the bete-noire of his ex-wife. Gemma's sudden windfall and distaste for London take them across the Channel to Normandy, where the charms of French country living soon wear off. Is it a coincidence that Gemma Bovery has a name rather like Flaubert's notorious heroine? Is it by chance that, like Madame Bovary, Gemma is bored, adulterous, and a bad credit risk? is she inevitably doomed? These questions consume Gemma's neighbour, the intellectual baker, Joubert. Denying voyeurism, but nevertheless noting every change in the…
I have always loved reading and feel a natural attraction to history and the lessons it can give us. I want to learn something new whenever I pick up a book but also enjoy the story and characters as well. Since 2010, I have authored six historical novels of my own and am working on my seventh. I carefully weave years of extensive research into a fast-paced, exciting story that pushes all the right buttons! Intrigue, love, fear, and hope are integral parts of my novels, and I hope along the way, my readers will gain a new insight into a different culture or era they never knew before.
James Patterson is one of my favorite authors and his historical novelThe Jester is a masterpiece, blending an intriguing story of treachery, deceit, and love against the backdrop of Medieval Britain. Patterson brings the characters into living color, especially the poor peasants who toil within the cold, stone walls. While the plot is fantastic in its own right, the author does something unique that sets him apart – his chapters are always short and easy to read. Cliffhangers dangle at the end of most of the pages, keeping the reader on the edge of his seat. The combination makes this book hard to put down and you’ll be finished in no time. It's clear he understands what the reader wants, and he delivers!
Freedom - in eleventh-century France, it is a luxury enjoyed by only the King and nobility. For the serf, it is surely worth fighting for. But is it worth dying for?
Arriving home disillusioned from the Crusades, Hugh DeLuc discovers that his village has been ransacked and his wife abducted. The dark riders came in the dead of night, like devils, wearing no colours but black crosses on their chests, leaving no clue as to who they are. Knights they may be, but honour and chivalry are not part of their code. They search for a relic, one worth more…
I am a winegrower, farmer, writer, photographer, and pop-upeuse. I fell in love with food and wine while living and working in Italy, then returned stateside to create an homage to the people and place that embraced us and taught us so much. That endeavor--the restaurant osteria pane e salute opened with my chef husband Caleb Barber—was where I curated the wine program and became passionate about wines farmed artfully. I began working as a winegrower in 2007, a personal landscape experiment that led me down the rabbit hole of growing and making wine from hybrid varieties focused on regenerative viticulture and low intervention winemaking.
Wine writer, and now friend, Alice Feiring has often been controversial, but she has always been a champion of the kinds of wines I love, natural wines that are allowed to tell the story of where they are grown and the people who steward them. Her book Naked Wine came out in 2011, just a year after my first very small vintage of natural wines. In her own tale of making wine in Oregon and her journey tracing the roots of modern natural wine in France, Spain, and America rang so clearly for me from her stories of a wine made in a fixer-upper farmhouse in France replete with scorpions to a vineyard cum garden of Eden scented with mint and thyme in Spain, I realized I not only loved wines that told stories, but writers who tell the stories of wine and place.
Naked wine is wine stripped down to its basics,wine as it was meant to be: wholesome, exciting, provocative, living, sensual, and pure. Naked, or natural, wine is the opposite of most New World wines today Alice Feiring calls them overripe, over-manipulated, and overblown" and makes her case that good (and possibly great) wine can still be made, if only winemakers would listen more to nature and less to marketers, and stop using additives and chemicals. But letting wine make itself is harder than it seems. Three years ago, Feiring answered a dare to try her hand at natural winemaking. In…
I was drawn to Haiti for two reasons; the Haitian Revolution is the only one of the three 18th century upheavals to fulfill the declared ideology of the French and American Revolutions by extending basic human rights to all people, not just white people. Secondly, or maybe I should put it first, the practice of Vodou makes Haiti one of the few places where one can meet divinity in the flesh, an experience I coveted, although (as it is written) it is a fearful thing to fall into the hands of the Living God.
Lyonel Trouillot is one of the most powerful novelists of our time, extremely well known in the Francophone world, though less so in the US, in part because of the difficulty of translating his intensely lyrical prose. He has a rare ability to make artistically sound texts based on very immediate reportage on the various Haitian crises. This particular novel is especially valuable in the way it relates the desperation of Haitian life today to the country’s heroic past.
Deux enfants courent, fuyant la misère du bidonville, le destin, le corps d'un père alcoolique et violent qu'ils viennent de tuer. Tableau d'une population désorientée et meurtrie, privée d'échappatoire, ce récit est un bouleversant cri d'alarme au coeur de l'indifférence.
After writing the Dilemma, I was struck by how many readers’ feedback posed this question, What would I have done?In the process of writing the book, whilst I created the story around this one particular big fat problem, I little realised how it would resonate with so many, and also have such divided – and deeply personal responses. I’ve since become increasingly fascinated by the many ‘sliding door’ moments we experience in our lives requiring split-second decisions which may (in retrospect) have been ill-considered but by then it’s too late to ‘wind back time.’ All we can do is learn to live with consequences, however damaging they may be.
Another novel set in WW2, this dark story delves into how far a man will go to secure his survival – and the guilt (and unhappiness) he must subsequently live with as a result of his arrogance in believing his money and status gives him certain privileges. Wealthy lawyer Chavel is a prisoner in occupied France. His Nazi gaolers decree three men are to be executed, at the prisoners’ discretion. The men draw lots and when Chavel’s name is drawn he offers his fortune to anyone who will take his place. A dying man agrees. What unravels after war’s end, and Chavel is released, offers him a chance for redemption for his cowardice.
From the author of the classics Brighton Rock and The Power and the Glory, a morally complex tale about a man at the mercy of deadly forces while being held in a German prison camp during World War II. Featuring an introduction by the author and two other story ideas from his archives.
When Jean-Louis Chauvel, a French lawyer incarcerated in a German prison camp, is informed by his captors that three prisoners must die, he devises a plan for survival. Offering everything he owns to a fellow prisoner if he will take Chauvel’s place, he manages to escape the…
I lived in Paris for six months when I researched and wrote my first Paris book, One Thousand Buildings of Paris, walking every quarter of Paris including some rather dicey areas. I discovered most Parisians don’t wander very far from their own neighborhoods, and casual tourists tend to stay in the center. The first time my boyfriend and I went to Paris together, I planned daily excursions to all the neighborhoods where he had never been. We became flaneurs (wanderers) at outdoor markets, small museums, parks, and we ventured into unknown spaces. There is always something fascinating to discover in Paris and new ways to gain a sense of history.
Despite a keen interest in Paris, its history and arts, reading straight history books isn’t my thing.
I prefer to learn by reading narrative nonfiction that draws on historical events as does McCullough’s. He focuses on the period in Paris (1830-1900) when the City of Light was the center of culture, the time when American artists, doctors, writers, musicians, and politicians among others ventured across the Atlantic to gain inspiration and knowledge from living in Paris.
McCullough highlights stories of the famous such as Mary Cassatt, Samuel Morse, Harriet Beecher Stowe, Mark Twain, Oliver Wendell Holmes, as well as lesser-known folks, interweaving their lives with historical events. One surprise was how American physicians benefited greatly from their Parisian colleagues. Other remarkable accounts await you.
The Greater Journey focuses on the period between 1830 and 1900, when hundreds of Americans--many of them future household names like Oliver Wendell Holmes, Mark Twain, Samuel Morse, John Singer Sargent and Harriet Beecher Stowe--migrated to Paris. McCullough shows first how the City of Light affected each of them in turn, and how they later moved back to America to help shape American art, medicine, writing, science, and politics in profound ways.The Greater Journey is filled with wonderful descriptions of the old Paris before it was re-made by Haussmann's grand boulevards, and of the city's great places, especially the Louvre,…
Founded in 1974, Bradt Guides is now the largest independently-owned guidebook publisher in both the US and UK. We have over 200 titles in print, with a particular focus on lesser-known places overlooked by other travel publishers. We also publish a series of Slow Travel guides to UK regions and a list of travel narratives. There are 15 people in the Bradt team, based (when Covid allows) in an office above a coffee shop in Chesham, Bucks. The following books are very different but all connected to travel in fun ways. The books were selected by Simon Willmore, Claire Strange, Iona Brokenshire, Deborah Gerrard, and Hugh Brune.
In A Year in the Merde, Stephen Clarke walks the line perfectly between berating the country he's in and making it clear he is, in truth, really enjoying himself. When I discovered the book, I (a Brit) was living in Grenoble in France so it was particularly relevant. At the time, I was desperately trying to complete my Masters - in engineering! - but Clarke's book opened my eyes to a world where you can earn a living by documenting your travel experiences.
Within six months, I had completed my Masters (by the skin of my teeth), turned my back on engineering, and enrolled in a post-graduate course in journalism. 11 years later, I've worked on books of my own, including guides to Malaysia, India, Spain, and France - returning to Grenoble, the place where it all began.
Paul West, a young Englishman arriving in Paris to start a new job, is about to find out. _________________
They do eat a lot of cheese, some of which smells like pigs' droppings.
They don't wash their armpits with garlic soap.
Going on strike really is the second national participation sport after petanque.
And, yes, they do use suppositories.
Less quaint than A Year in Provence, less chocolatey than Chocolat, A Year in the Merde will tell you how to get served by the grumpiest Parisian waiter; how to make perfect vinaigrette every time;…
I became fascinated with France and the French as a child, and over the past 40 years I have spent as much time as I can here. I’ve been fortunate to be able to combine my dual passions—for France and for literature—in creating a series of classes for CUNY study abroad programs and for the Politics & Prose bookstore. Through this work, over the past 20+ years I have spent much of my time reading and teaching works of literature that explore France and the French people in depth. I now live in France, and I continue to find the French endlessly fascinating. I think I always will.
The main reason I love this book is that Jeffrey Greene is a wonderful writer. The story of how he and his wife (and eventually his mother as well) made their home in an ancient, rundown presbytery in a village in Burgundy provides a vivid, real-life picture of life in a French village for a couple of Americans. Greene’s approach allows us to not only see the French as he sees them, but also how they must see him and his wife. His deep respect and affection for his wife, his mother, his neighbors, life in France, and the beauty of nature shine throughout, all rendered in beautiful prose. And the many funny little stories he tells make me laugh out loud every time I reread this book.
When Jeffrey Greene, a prizewinning American poet, and Mary, his wife-to-be, a molecular biologist at the Pasteur Institute in Paris, discover a moss-covered stone presbytery in a lovely village in the Puisaye region of Burgundy, they know they have to live there. With an unabashed joie de vivre, they begin the arduous process of procuring their slice of paradise amid the wild beauty of the French countryside -- a place of gentle farmlands and dense forests, of rivers and lakes, of stunning fields bursting with the color and heady scent of wildflowers.
I am a journalist with a background in performing arts and have spent much of my work life as a storyteller, fascinated by the process of knocking a narrative into shape, either for print or stage performance. My mother’s death prompted me to use those same skills to tell my own stories and the process has been the most satisfying of my professional life. As a memoirist of two books, my dreams have come true. My work has been shortlisted for awards, featured in national newspapers, special interest magazines, and by the BBC. I regularly speak to family history societies, book clubs, writer’s groups, and at literature festivals.
A beautifully written and meticulously researched family memoir that made me question what I would have done to survive the turbulence and brutality of the Nazi era. Themes of antisemitism and identity continue to haunt four siblings - Jehuda, Jacob, Sender, and Sala - as they leave Poland behind to establish new lives as Alex, Jacques, Henri, and Sara in Paris.
An irresistible and complex personal story that I would happily reread because I devoured this page turner too quickly! At the heart of it all is Sara, the author’s mysterious, glamorous, melancholy grandmother and a shoebox of her treasured possessions. The author, a skilled journalist, adds power to the narrative with examples of populist divisive politics and the rise of nationalism in current times.
'A near-perfect study of Jewish identity in the 20th century ... I don't hesitate to call it a masterpiece' Telegraph
After her grandmother died, Hadley Freeman travelled to her apartment to try and make sense of a woman she'd never really known. Sala Glass was a European expat in America - defiantly clinging to her French influences, famously reserved, fashionable to the end - yet to Hadley much of her life remained a mystery. Sala's experience of surviving one of the most tumultuous periods…
