The most recommended Caribbean books

As an enthusiastic and eclectic reader, one of my great joys is recommending books to others. I was able to indulge this joy consistently while teaching at a university, introducing students to authors and books and topics they otherwise might never have encountered. I find this same excitement in my own writing, searching for ways to reveal to others the magnificent wealth I find in modern poetry and in the brilliant concepts of poetic thinking.

I’m an entrepreneur who was born literally within sight of the Intracoastal Waterway in South Florida. Got my first boat (a dinghy) when I was six. I used to drive an airboat on Lake Okeechobee and learned to fly back when I was a teenager. Since then, I’ve flown over a dozen different types of planes and even a helicopter. As a kid, I spent a lot of time in the Bahamas, Virgin Islands, and the Antilles. In my late teens I worked on various private sportfishing boats in Florida, Georgia, and the Bahamas. With this much time spent on, in, under, or around the water, I was destined to write coastal novels. 

When we are thinking of the origins or roots of contemporary movements like #BlackLivesMatter, the Haitian Revolution represents a foundational, inspirational moment but one of also wider world-historical impact and importance – ‘the only successful slave revolt in history’ – and so as the most outstanding leader to emerge during that revolutionary upheaval Toussaint Louverture will always retain relevance and iconic significance. I've had an interest in Toussaint and the Haitian Revolution ever since undertaking my doctorate on how the black Trinidadian revolutionary historian C.L.R. James came to write his classic history of the Haitian Revolution. I currently teach history, including the history of Atlantic slavery and abolition, in the School of Humanities and Social Science at the University of Brighton. 

I love reading history that is told in an experimental, interesting manner – history merged with travel, fiction, magical realism, etc. I began my writing career as a travel writer, bringing together history with travel but increasingly I have begun to experiment more. My book Walking with Nanak brings together 4 genres. One intellectual question that I have pursued through my writing is challenging modern notions of national, religious, and ethnic identities. I see my writing style as an extension of that pursuit, breaking away from the neat compartmentalization of genres. 

I am a historian of the early Americas, and while I often teach courses such as “The U.S. to 1865,” my real passion lies in the Caribbean. As the first site of encounter between the Indigenous inhabitants of the place we came to call the "Americas," Africans, and Europeans, this, to me, is where "American" history began, yet the history of the Caribbean—particularly in the era surrounding European arrival—remains relatively little known. As a Canadian teaching American history at a university in the U.S., I try to disrupt familiar historical narratives by showing my students that American history also unfolded beyond the borders of the modern nation-state.

I’m a human product of a Demerara sugar plantation, and spent most of my formative years in this environment. If you’ve added brown sugar to your coffee, tea, or baking, or indulged in chocolate or candy, you’ve probably come into contact with part of my heritage. It’s a heritage with a sweet and a bitter side. My novel The Wisdom of Rain follows Mariama, an enslaved girl struggling with life on a nineteenth century plantation. She could have been my ancestor. Canada has become my home and I’m a proud alumna of York University and the University of Toronto. Most days, I enjoy the diversity and promise of this country.

As an archaeologist, anthropologist, and historian who has worked on both the East Coast (Flowerdew Hundred and Jamestown, Virginia) and West Coast (San Diego, California) of the U.S. and dug sites from the 17th, 18th, 19th, and 20th centuries, I am passionate about how archaeology can serve to offer new insights for marginalized peoples in American history. I specialize in exposing how narrow thinking, revisionism, and myth-making warp local histories and turn them into fabrications of the present. 

During my 37 years of teaching philosophy to undergraduate students, most of whom had no prior exposure to it, my purpose was to promote self-examination of the sort practiced and encouraged by Socrates. Such self-examination is upsetting, unsettling. It leads one to insights and realizations one would prefer not to have. But by undermining one’s assumptions, these insights break one open to a whole universe of which one had been oblivious. Breakdowns make possible breakthroughs. My students didn’t realize that, just as I was trying to provoke this kind of spiritual transformation in them, their questions, criticisms, challenges, and insights provoked it in me. 

I am an Antiguan-Barbudan writer. When I was a teen, there weren’t a lot of books from my world. So, I was excited when the Burt Award for teen/young adult Caribbean literature was announced. While that prize ran its course after five years, it left a library of great books in this genre, including my own Musical Youth which placed second in the inaugural year of the prize. I have since served as a judge of the Caribbean prize and mentor for the Africa-leg. I love that this series of books tap into different genres and styles in demonstrating the dynamism of modern Caribbean literature. For more on me, my books, and my take on books, visit my website.

Hello! I am Jane Yolen, author of almost 450 books. I write picture books and novels, poetry, and graphic novels–mostly for children. I have published books about just about every subject imaginable. But I’ve always loved fantasy books especially. I grew up on the Alice in Wonderland books and the Arthurian legends. I, of course, carried that love into my writing life–having written about monsters, mermaids, and unicorns. I’m fascinated by fairies; they show up in a lot of what I write. Give me a real kid and a mythical creature of some sort, sprinkle in a bit of magic–I’m in!