I love hip hop. Itâs basically poetry with a beat. I'm always thinking of literature in terms of rhythm and delivery. Creatively, my inspirations come from lyricists. I look at poets the same way. They accomplish wonderful feats with words. From years of listening to classic albums, I can feel the aliveness of a good verse. Itâs also an element I try to tap into as a fiction writer. I'm a recipient of the 2023 Whiting Award and was also named an Emerging Writer Fellow at the Center for Fiction in 2018. My work has appeared in the Sewanee Review and Granta. He is the author of Stories from the Tenants Downstairs.
God bless Neruda, old school favorite of all time. Everybody knows his love poems, but this dude's other poems were equally off the wall.
I guess the social activists would love âEl Puebloâ which describes one working man and every working man all the same, how they are invisible but steadfast with their hammers on the coal, laboring day to day making the world go round. Itâs the most wonderful memorial.
I also love his odes â âOde to Criticismâ the first one which is like, critics suck and then the second version which is like, well, maybe critics have some worth. Thereâs âOde to the Dictionaryâ, too. We need to resurrect this man, for real.
The Poetry of Pablo Neruda offers the most comprehensive English-language collection ever by "the greatest poet of the twentieth century--in any language" (Gabriel GarcĂa MĂĄrquez).
"In his work a continent awakens to consciousness." So wrote the Swedish Academy in awarding the Nobel Prize to Pablo Neruda, the author of more than thirty-five books of poetry and one of Latin America's most revered writers, lionized during his lifetime as "the people's poet."
This selection of Neruda's poetry, the most comprehensive single volume available in English, presents nearly six hundred poems, scores of them in new and sometimes multiple translations, and manyâŚ
Hello. My name is Mike Russell. I write books (novels, short story collections and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction⌠but I just like to call them Strange Books.
Discovering the art of Alejandro Jodorowsky helped me to remove limitations from my own art. It was a joy to discover his work and it was a further joy to discover that his life has been just as uncompromising, surreal, and magical as his art. He has hung out with circus people, shamans, great artists (Marcel Marceau, Leonora Carrington, Jean Giraud⌠the list goes on). His novels, autobiographies, comic books, movies, and pictures are all fantastic.
Not a traditional autobiography composed of a chronological recounting of memories, Dance of Realityrepaints events from Jodorowsky's life from the perspective of an unleashed imagination. Like the psychomagic and metagenealogy therapies he created, this autobiography exposes the mythic models and family templates upon which the events of everyday life are founded. It reveals the development of Jodorowsky's realization that all problems are rooted in the family tree and explains, through vivid examples from his own life, particularly interactions with his father and mother, how the individual's road to true fulfilment means casting off the phantoms projected by parents on theirâŚ
Iâve always been fascinated by the political aesthetics and political ferment of the 1960s. As someone born in the 1960s but not of the 1960âs generation, this has allowed for a certain âcritical distanceâ in the ways I approach this period. I'm especially fascinated by the global circulation of cultural protest forms from the 1960s, what the historian Jeremy Suri called a âlanguage of dissent.â The term Global Sixties is now used to explore this evident simultaneity of âlike responses across disparate contexts,â such as finding jipis in Chile. In our book,The Walls of Santiago, we locate various examples of what we term the âafterlivesâ of Global Sixties protest signage.
Vibrant countercultural scenes grounded in local rock movements transpired across virtually every country in Latin America during the 1960s-70s. There are now several important books that examine various facets of these countercultural movements, and Barr-Melejâs is one of the best in that respect. Focusing on the brief period of Socialist President Salvador Allende (1970-73), his discussion of Chilean jipis and the political battles waged by the Left to contain this so-called foreign import is fascinating. The book falls short in providing an earlier context to the rise of Chileâs countercultural movement and ends abruptly with the rise of dictatorshipâa period that transformed rock music into a site of active political protest. But its merits outweigh its shortcomings, especially the lively narration about the Piedra Roja rock festival, Chileâs equivalent of Woodstock.
Iâve known Barr-Melej for many years and eagerly awaited the publication of this book, which was one of onlyâŚ
Patrick Barr-Melej here illuminates modern Chilean history with an unprecedented chronicle and reassessment of the sixties and seventies. During a period of tremendous political and social strife that saw the election of a Marxist president followed by the terror of a military coup in 1973, a youth-driven, transnationally connected counterculture smashed onto the scene. Contributing to a surging historiography of the era's Latin American counterculture, Barr-Melej draws on media and firsthand interviews in documenting the intertwining of youth and counterculture with discourses rooted in class and party politics. Focusing on ""hippismo"" and an esoteric movement called Poder Joven, Barr-Melej challengesâŚ
Iâve been putting my passport to good use for the last thirty years or so. Few things make me happier than showing up in an unfamiliar place â whether a village in Ecuador, a town in Ireland, or a city in Ghana â and trying to become familiar with the people, the customs, the food, all of it. But I suppose what I love most is a good story. During those three decades, Iâve also become a Professor of English at Arizona State University, where my research has increasingly focused on how artists and ideas move across geographical and cultural boundaries. In my latest book, License to Travel, these various interests come together.
Allende loves her Chilean homeland with a longing, a tenderness, an exasperation derived from the countryâs turbulent history and her long experience of exile and emigration in Venezuela and the United States.
This book made me fall in love all over again with the country, which I first visited a quarter century ago â and it will make you fall in love with it too, whether or not youâve ever visited Chile.
With a novelistâs imaginative flare, Allende travels through time and across borders, searching her memory to tell the story of her lonely childhood, her remarkable family, the tumults that forced her abroad (including the death of her fatherâs cousin, President Salvador Allende), and a long life lived at a distance from the place she still calls home, regardless of decades of displacement.
"A stunningly intimate memoir. . . . Allende is that rare writer whose understanding of story matches her mastery of language."-Entertainment Weekly
The revered New York Times bestselling author of House of the Spirits and A Long Petal of the Sea ponders the elements that led to her becoming a writer, including the homeland she lost and the one she found, and the family spirits, both living and dead, who haunt her life and work.
In this wondrous and intimate book, Isabel Allende explores the role of memory and nostalgia in shaping her life, her books, and that most intimateâŚ
Iâm a bestselling author of historical fictionâsome readers might recognize my pen name, Olivia Hawker, under which I wrote One for the Blackbird, One for the Crow, along with several other novels. My greatest passion is literary fiction, especially when it intersects with historical fiction. Along with my books, I continue to explore new modes of storytelling and new uses for story in my podcast,Future Saint of a New Era.
I was first intrigued by Jodorowskyâs bizarre, unforgettable films. I only discovered his fiction later, but Iâm glad I did. Where the Bird Sings Best is a semi-fictional account of the authorâs family history, incorporating the magical-realism tradition of Latin American literature with factual details of one familyâs immigration and resettlement half a world away from their original homeland.As in Jodorowskyâs filmmaking, the images within his novel are haunting, weird, and leave the reader with the impression that she has only grasped one-tenth of the real meaning.
The magnum opus from Alejandro Jodorowskyâdirector of The Holy Mountain, star of Jodorowskyâs Dune, spiritual guru behind Psychomagic and The Way of Tarot, innovator behind classic comics The Incal and Metabarons, and legend of Latin American literature.
There has never been an artist like the polymathic Chilean director, author, and mystic Alejandro Jodorowsky. For eight decades, he has blazed new trails across a dazzling variety of creative fields. While his psychedelic, visionary films have been celebrated by the likes of John Lennon, Marina Abramovic, and Kanye West, his novelsâpraised throughout Latin America in the same breath as those of GabrielâŚ
I am a historian of twentieth-century Argentina and a professor of modern Latin American history currently teaching at the University of Houston. Born and raised in Argentina, I completed my undergraduate studies at the National University of Rosario and moved to the United States in 2000 to continue my education. I received my M.A. in history from New York University and my Ph.D. in history from Indiana University, Bloomington. I have written extensively about gender, working-class history, consumer culture, and sexuality in Argentina. I am the author of Workers Go Shopping in Argentina: The Rise of Popular Consumer Culture and Destape! Sex, Democracy, and Freedom in Postdictatorial Argentina.
Using a truly interdisciplinary approach anchored in queer studies and affect theory, Frazier subverts the common approach to sex as privatized and located in individual subjectivity by looking at desire as a central component of political culture and power. The book explores a variety of Chilean political projects and actors throughout the twentieth century including feminists, the revolutionary left, and the military dictatorship to understand the ways in which both sexual and non-sexual practices and ideologies were intrinsically connected to emotions and ideas of pleasure and to sexualized and gendered discourses and experiences.
Desired States challenges the notion that in some cultures, sex and sexuality have become privatized and located in individual subjectivity rather than in public political practices and institutions. Instead, the book contends that desire is a central aspect of political culture. Based on fieldwork and archival research, Frazier explores the gendered and sexualized dynamics of political culture in Chile, an imperialist context, asking how people connect with and become mobilized in political projects in some cases or, in others, become disaffected or are excluded to varying degrees. The book situates the state in a rich and changing context of transnationalâŚ
Iâm an author and a college writing professor with an MFA in Creative Writing. Additionally, I am involved in and teach other art forms and the humanities including music, film, and literature. I enjoy researching and writing about literary figures, musicians, and other creatives, all of which have been a focus in my childrenâs books.
Monica Brownâs picture book biography of Pablo Neruda is a wonderfully written account of his life and the creation of his beautiful writing and poems that sing, even under the weight of tremendous struggles. The lyrical text soars on the page while Julie Paschkisâ colorful illustrations capture the heart and soul of the poet of the people. This is a must-read!
A stunning picture book biography from Monica Brown and illustrator Julie Paschkis about one of the world's most enduring and popular poets, Pablo Neruda
Once there was a little boy named NeftalĂ who loved wild things wildly and quiet things quietly. From the moment he could talk, he surrounded himself with words. NeftalĂ discovered the magic between the pages of books. When he was sixteen, he began publishing his poems as Pablo Neruda.
Pablo wrote poems about the things he lovedâthings made by his friends in the cafĂŠ, things found at the marketplace, and things he saw in nature. HeâŚ
I am a New Englander, born and bred, 5th generation chicken keeper, and lifelong gardener. I currently live on a small farm in Maine where I raise chickens, ducks, and geese and grow all kinds of vegetables, herbs, and edible flowers. I love cooking and baking with fresh produce from my garden and fresh eggs from my chicken coop. Eggs, in particular, are a favorite ingredient of mine because they are so plentiful, versatile, delicious, and nutritious. Breakfast for dinner is obviously a favorite at our house.
Maybe youâre not in the mood for eggs this morning. Then this is the cookbook for you. First, learn to make homemade bagels, then discover all kinds of toppings, salads, and spreads to serve them with. Even those not confident in their baking skills will be able to create authentic NY bagels at home. James Beard Award nominee Cathy Barrow has written the cookbook that immediately inspired me to master homemade bagel baking.
Bagel lovers rejoice! This thorough-yet-accessible cookbook demystifies bagel-making with just 5 base ingredients and straightforward techniques for making the dough, shaping the bagels, proofing, boiling, baking, storing, and more. Recipes include two dozen variations on the New York bagel, with classic and innovative flavors ranging from Sesame to Blueberry and Hatch Chile Jack, as well as homemade spreads, schmears, pickles, and other deli favorites, like home-smoked Nova and Smoked Whitefish Salad, for maximum grazing. Home bakers of all levels will delight in these reliable recipes and share them as a hostess, housewarming, or Yom Kippur gift. With suggested menus forâŚ
I've been interested in U.S.-Latin American relations ever since my junior year in college when I studied abroad in Chile, a country that had only two years prior been run by dictator Augusto Pinochet. Often referred to as Americaâs âbackyard,â Latin America has often been on the receiving end of U.S. machinations and expansions. In terms of the history of American foreign policy, it's never a dull moment in U.S. involvement in its own hemisphere. I have now had the privilege to work inside the executive branch of the U.S. government on Latin America policy, stints which have forced me to reconsider some of what I had assumed about U.S. abilities and outcomes.
So much ink has been spent on the Nixon administrationâs early 1970s plotting and policies during the regime of democratic socialist president Salvador Allende. This exquisite book is a sharp reminder that, while far less studied, the Reagan administration was deeply involved in a Chile run by the very political actor who ousted Allende: General Augusto Pinochet. Yet, contrary to what we often assumed, the Reagan team eventually embraced a policy aimed to get Washingtonâs erstwhile ally out of power.
This book is the first comprehensive study of the Reagan administration's policy toward the military dictatorship of General Augusto Pinochet in Chile. Based on new primary and archival materials, as well as on original interviews with former US and Chilean officials, it traces the evolution of Reagan policy from an initial 'close embrace' of the junta to a re-evaluation of whether Pinochet was a risk to long-term US interests in Chile and, finally, to an acceptance in Washington of the need to push for a return to democracy. It provides fresh insights into the bureaucratic conflicts that were a keyâŚ
I've been a researcher, educator, and practitioner of domestic violence services for over 15 years, and am extremely passionate about this topic. After having worked in the domestic violence field, I then pursued my PhD to study this problem, which I now continue to research and teach about as an Assistant Professor of Anthropology at Moravian University. In our ever-globalizing world, I believe it's especially important for us to consider domestic violence from a cross-cultural perspective, and having studied this issue in Latin America and among Latina women in the U.S., I hope to spread that knowledge even further. More than ever, it is important for everyone to gain knowledge on this worldwide problem.
For a global perspective on domestic violence, Parson provides a comprehensive look at issues around domestic violence in Chile. She specifically follows the stories of several women and how they navigate through services and systems, facing further violence through the relentless barriers they find themselves up against.
Parson and I both graduated from the Rutgers Anthropology doctoral program and worked under the same advisorsâalbeit many years apartâand I am grateful to have had her excellent scholarship as a reference for my own.
The end of the Pinochet regime in Chile saw the emergence of an organised feminist movement that influenced legal and social responses to gender-based violence, and with it new laws and avenues for reporting violence that never before existed. What emerged were grassroots women's rights organisations, challenging and engaging the government and NGOs to confront long-ignored problems in responding to marginalised victims.
In Traumatic States, anthropologist Nia Parson explores the development of methods of care and recovery from domestic violence. She interviews and contextualises the lives of numerous individuals who have confronted these acts, as victims, authorities, and activists. Ultimately,âŚ
