I grew up in the Soviet Union, where being Jewish had no intellectual or religious substance. My discovery of Judaism and Jewish history happened after my emigration, when I was already an adult. This helps me to relate to audiences and readers who are not Jewish. For example, a Japanese translation of my book on Jewish opposition to Zionism earned a place on a bestseller list in Japan, where hardly any Jews live. In the course of my university career, I have explained events in Israel in electronic and printed media on the five continents where I also have taught as a visiting professor.
It always intrigued me how Zionism as a political movement and Israel as its embodiment can claim to act on behalf of the Jewish people. Sand brilliantly explains that the specific conditions of Jews in Eastern and Central Europe, particularly discrimination and violent outbursts (pogroms), produced a sense of nationhood.
As a historian, I am fascinated by Sandâs account of Zionist ideologues from that part of the world manufacturing powerful myths, which have buttressed the new Israeli identity even among Jews transplanted to Israel from Asia and Africa, where this kind of Jewish nationalism had been virtually unknown.
A historical tour de force, The Invention of the Jewish People offers a groundbreaking account of Jewish and Israeli history. Exploding the myth that there was a forced Jewish exile in the first century at the hands of the Romans, Israeli historian Shlomo Sand argues that most modern Jews descend from converts, whose native lands were scattered across the Middle East and Eastern Europe. In this iconoclastic work, which spent nineteen weeks on the Israeli bestseller list and won the coveted Aujourd'hui Award in France, Sand provides the intellectual foundations for a new vision of Israel's future.
Hello! Iâm a picture book author and former educator and bookseller. I also spent over a decade as a professor of Childrenâs Literature. More importantly, Iâve spent hundreds of hours of enjoying picture books with kiddos on my lap or circled up for storytime. (Is there a greater joy?) I was also a queer kid at a time when acknowledging LGBTQIAP2+ kids exist was unthinkable. But that is changing! Especially every time we buy, check out, and share diverse picture books with kids. Or treasure them for ourselves. I do!
Iâll never forget reading this tale of a blue crayon in a red wrapper, struggling to draw red. I stood in the childrenâs book shop, a grown lesbian, feeling the hair on my arms rise, my eyes fill. This story is full of humor as fellow crayons and art supplies offer advice: âhe wasnât warm enoughâ âHeâs got to press harder.â But his struggle also breaks our hearts: âI think heâs lazy,â one crayon says. âThe masking tape thought he was broken inside.â The dread of feeling that you canât be what everyone wants is visceral. Clearly a perfect allegory for gender identity, this story also rang through me. Then, Red tries to draw an ocean. And âIt was easy!â Soon he was âreally reaching for the sky.â
1
author picked
Red
as one of their favorite books, and they share
why you should read it.
This book is for kids age
4,
5,
6, and
7.
What is this book about?
A blue crayon mistakenly labeled as "red" suffers an identity crisis in this picture book by the New York Times-bestselling creator of My Heart Is Like a Zoo and It's an Orange Aardvark! Funny, insightful, and colorful, Red: A Crayon's Story, by Michael Hall, is about being true to your inner self and following your own path despite obstacles that may come your way. Red will appeal to fans of Lois Ehlert, Eric Carle, and The Day the Crayons Quit, and makes a great gift for readers of any age! Red has a bright red label, but he is, inâŚ
When I was a queer teen in the early 2000s, I didnât have sapphic books or media available to me aside from anime, and even then, the dubbed versions on TV were scrubbed of queerness (Iâm looking at you, Sailor Moon and Cardcaptor Sakura). I did have Revolutionary Girl Utena, and it was everything to me: fantasy, ballgowns, and girls dancing together. I wrote my book for that me who craved to see herself in beautiful, fantastical stories, and itâs why I love the fact that we have so many more out there right now that I can recommend to all of you!
Fairy-tale retellings are my favorite subgenre, and this book hit every right note for me. I loved the incorporation of stories, known and unknown to me, with art so beautiful there are days I pick this book up just to marvel at it.
The last one brought tears to my eyes, a feat that doesnât happen often, superseded only by the end of the novel. I cannot recommend it enough.
Tiáşżn loves his family and his friendsâŚbut Tiáşżn has a secret he's been keeping from them, and it might change everything. An amazing YA graphic novel that deals with the complexity of family and how stories can bring us together.
Real life isn't a fairytale.
But Tiáşżn still enjoys reading his favorite stories with his parents from the books he borrows from the local library. It's hard enough trying to communicate with your parents as a kid, but for Tiáşżn, he doesn't even have the right words because his parents are struggling with their English. Is there a Vietnamese wordâŚ
I was drawn to this book because, like me, the author was born and raised
in Hawaii. Iâm not a big reader of short story collections, but this one pulled
me in from story one.
The book contains some of the most finely crafted lines
Iâve read in years. For example: âSadie watches the spring of muscles flex and yield under her
step-unclesâ undershirts as they plunge their shovels into dirt. She watches
the burial of the carcass, then, eight hours later, its resurrection.â
After reading this line early in the first story, I started taking notes,
which I rarely do. I wasnât disappointed. The collection is filled with gems
like these. This is Kakimotoâs first book. Itâs the start of what might become
a brilliant literary career.
A HAUNTING COLLECTION OF STORIES THAT WEAVES HAWAIIAN MYTHOLOGY WITH A RICH SENSE OF PLACE
This wrenching and sensational debut story collection follows a cast of mixed native Hawaiian and Japanese women through a contemporary landscape thick with inherited wisdom and the ghosts of colonisation. This is a Hawai'i where unruly sexuality and generational memory overflow the postcard image of paradise and the boundaries of the real, where the superstitions born of the islands take on the weight of truth.
A childhood encounter with a wild pua'a (pig) on the haunted Pali highway portends one young woman's fraught relationship withâŚ
I am a multicultural published author from California. I attended different schools growing up, reading classic literature that I couldn't relate to, resulting in becoming a reluctant reader. I didn't live in historical time periods. My skin was a lighter shade of brown. In my world, I met kids from diverse backgrounds, who spoke slang and had personal hardships. Where were the books like that? That's why I wrote Graffiti Girl. To share a realistic, multicultural approach so the reluctant reader could have characters they could see themselves in. That's why I chose these books, in no specific order, that share contemporary, urban stories involving people of different cultures, who face unique hardships.
Half Mexican baseball athlete, Danny is trying to find his place between cultural identities. The writing is straight forward and the relationships and slang are real. This book deals with friendships, family, cultural identity, and dreams. An identifiable story for readers trying to find their place in a diverse world. I loved it!
Newbery Award-winning and New York Times bestselling author Matt de la PeĂąa's Mexican WhiteBoy is a story of friendship, acceptance, and the struggle to find your identity in a world of definitions.
Danny is tall and skinny. Even though heâs not built, his arms are long enough to give his pitch a power so fierce any college scout would sign him on the spot. Ninety-five mile an hour fastball, but the boyâs not even on a team. Every time he gets up on the mound, he loses it.
But at his private school, they donât expect much else from him.âŚ
In fifth grade, I chose to play the clarinet. After a lot of cracked reeds and squeaky notes, I switched to choir. I still love to sing! I love books that explore young peopleâs first experiences with music, whether itâs as a star or as a way to express oneâs true self. Music takes many forms, and for me, that includes the arrangement of sounds in a sentence. When I write for young people, I look for the musicality of words, how they flow, and how variety can make a story pop. Try reading aloud your own work or a favorite book and listen to the rhythm of language.
I am, and so is Apple Yengko, who wants desperately to learn to play the guitar but her mother says no. The family moved to Louisiana from the Philippines, after the death of Appleâs father, and everything about her mom embarrasses Apple.
Then, at the start of sixth grade, Apple realizes her one-time best friend cares only about social tiers and lists, including the so-called dog log. I love that Erin Entrada Kelly doesnât shy away from the meanness of middle school!
What saves Apple are two new friends, including one with a beautiful voice, and at last Apple is comfortable showing who she is: a naturally talented guitar player.
Future rock star or friendless misfit? That's no choice at all. In this acclaimed novel by Newbery Medalist Erin Entrada Kelly, twelve-year-old Apple grapples with being different; with friends and backstabbers; and with following her dreams.
Publishers Weekly called Blackbird Fly "a true triumph," and the Los Angeles Times Book Review said, "Apple soars like the eponymous blackbird of her favorite Beatles song."
Apple has always felt a little different from her classmates. She and her mother moved to Louisiana from the Philippines when she was little, and her mother still cooks Filipino foods and chastises Apple for becoming "tooâŚ
Iâve struggled with mental health for most of my life, as have family members and friends I love. Itâs extremely important to me that we normalize discussions of mental health so that we can find the best solutions. Anxiety and depression have been major themes in all of the young adult novels Iâve written; itâs my little way of furthering these conversations with the people who need them. I hope youâll find these suggestions relatable, enjoyable, and question-inducing!
Author Bill Konigsberg has always pulled me in with his entertaining, well-written, and deep stories. In The Music of What Happens, Max and Jordan bond over their effort to save a 1980s-era food truck to help Jordanâs family stay afloat. Jordanâs secret, though, is that his momâs mental health is spiraling out of control, and he carries the burden of being the only person able to hold everything togetherâfinancially and emotionally. I fell hard for Max and Jordanâs chemistry as well as for Jordanâs struggle of helping his mother through her mental health struggles.
From the award-winning author of Openly Straight, a story about two teens falling in love over a summer that throws everything possible to keep them apart.
* "Konigsberg demonstrates once again why he is one of the major voices in LGBTQ literature." -- Booklist, starred reviewMax: Chill. Sports. Video games. Gay and not a big deal, not to him, not to his mom, not to his buddies. And a secret: An encounter with an older kid that makes it hard to breathe, one that he doesn't want to think about, ever.Jordan: The opposite of chill. Poetry. His "wives" and theâŚ
Iâm passionate about young adult sapphic romance books because this is something I wished I would have read in high school. If I had novels similar to these when I was growing up I might have realized that I identify as queer sooner and it could have helped me understand more about myself. Because of this, Iâve been an avid reader, and writer, of sapphic young adult romances. If itâs sapphic, send it my way. I hope you enjoy these sapphic novels as much as I have!
You Should See Me in a Crown is such a cute sapphic romance story, set around the fact that both the main character, Liz, and her love interest/new girl, Mack, are both running for homecoming queen to win a scholarship.
This book was a breath of fresh air because there were also real problems and insecurities brought up that sometimes are overlooked, making it the characters seem so real.
Liz Lighty has always believed she's too black, too poor, too awkward to shine in her small, rich, prom-obsessed mid-western town. But it's okay-Liz has a plan that will get her out of Campbell, Indiana, forever: attend the uber-elite Pennington College, play in their world-famous orchestra, and become a doctor.But when the financial aid she was counting on unexpectedly falls through, Liz's plans come crashing down... until she's reminded of her school's scholarship for prom King and Queen. There's nothing Liz wants to do less than endure a gauntlet of social media trolls, catty competitors, and humiliating public events, butâŚ
I am a historian of twentieth-century Argentina and a professor of modern Latin American history currently teaching at the University of Houston. Born and raised in Argentina, I completed my undergraduate studies at the National University of Rosario and moved to the United States in 2000 to continue my education. I received my M.A. in history from New York University and my Ph.D. in history from Indiana University, Bloomington. I have written extensively about gender, working-class history, consumer culture, and sexuality in Argentina. I am the author of Workers Go Shopping in Argentina: The Rise of Popular Consumer Culture and Destape! Sex, Democracy, and Freedom in Postdictatorial Argentina.
This is a solid edited volume that has contributions from leading scholars of Mexican history exploring straight and gay sexualities from the nineteenth to the mid-twentieth century in different parts of the country. The chapters examine a wide range of interesting topics including cinema and movie going, public bathhouses, prostitution, elopement, and mariachi culture to untangle how masculinities are historically constructed and to interrogate the concepts of macho and machismo.
In Masculinity and Sexuality in Modern Mexico, historians and anthropologists explain how evolving notions of the meaning and practice of manhood have shaped Mexican history. In essays that range from Texas to Oaxaca and from the 1880s to the present, contributors write about file clerks and movie stars, wealthy world travelers and ordinary people whose adventures were confined to a bar in the middle of town. The Mexicans we meet in these essays lived out their identities through extraordinary events--committing terrible crimes, writing world-famous songs, and ruling the nation--but also in everyday activities like falling in love, raising families, gettingâŚ
Itâs no surprise to hear Iâm drawn to stories featuring outsiders, people who donât / wonât conform and are fed up trying to force themselves into the narrow roles society offers. Folk who slide under the radar, and never make it into history books (which is all of us, right?). This springs from being an outsider myself, the weird kid who didnât fit. Iâve chosen novels where the LGBTQ+ characters strive and struggle but do not die tragically. Put simply, they are real people, complete with flaws and strengths. These books are your very own Time Machines: wonderful stories to transport you into the past.
Set in 19th century England, this novel is aimed at Young Adult readers and is a reminder that a good read is simply good, whatever age bracket itâs aimed at. It resonated with my own teenage struggles to break free of restrictive expectations â even though mine were trifling compared to what the heroine Louisa has to go through! She resists the restrictions of Victorian society and the limited choices available to women, and is locked up in an asylum. It prompted me to read more about the era and discovered the shocking truth of how this really happened to women who stepped out of lineâŚ
Seventeen-year-old Louisa Cosgrove has never enjoyed the life of the pampered, protected life girls of wealth were expected to follow in nineteenth century England. It was too confining. She would have much rather been like her older brother, allowed to play marbles, go to school, become a doctor. But little does she know how far her family would go to kill her dreams and desires. Until one day she finds herself locked away in an insane asylum and everyone--the doctors and nurses--insist on calling her Lucy Childs, not Louisa Cosgrove. Surely this is a mistake. Surely her family will rescueâŚ
