Camellia Quotes

“Her delight in the smallest things was like that of a child. There were days when she ran in the garden, like a child of ten, after a butterfly or a dragon-fly. This courtesan who had cost more money in bouquets than would have kept a whole family in comfort, would sometimes sit on the grass for an hour, examining the simple flower whose name she bore.”
― Alexandre Dumas-fils, La Dame aux Camélias

“The old woman paid no attention to the camellia until that morning, when a fleck of pink caught her eye. The single saucer-size blossom was more magnificent than she could ever have imagined. More beautiful than any rose she'd ever seen, it swayed in the morning breeze with such an air of royalty, the old woman felt the urge to curtsey in its presence.”
― Sarah Jio, The Last Camellia

“Janie ran to my side, where she tugged at the book eagerly as though she'd seen it before. "Flower book," she said, pointing to the cover.
"Where did you find Mummy's book?" Katherine asked, hovering near me.
Cautiously, I revealed the book as I sat on the sofa. "Would you like to look at it with me?" I said, avoiding the question.
Katherine nodded and the boys gathered round as I cracked the spine and thumbed through page after page of beautiful camellias, pressed and glued onto each page, with handwritten notes next to each. On the page that featured the 'Camellia reticulata,' a large, salmon-colored flower, she had written: 'Edward had this one brought in from China. It's fragile. I've given it the garden's best shade.' On the next page, near the 'Camellia sasanqua,' she wrote: 'A christmas gift from Edward and the children. This one will need extra love. It hardly survived the passage from Japan. I will spend the spring nursing it back to health.'
On each page, there were meticulous notes about the care and feeding of the camellias- when she planted them, how often they were watered, fertilized, and pruned. In the right-hand corner of some pages, I noticed an unusual series of numbers.
"What does that mean?" I asked the children.
Nicholas shrugged. "This one was Mummy's favorite," he said, flipping to the last page in the book. I marveled at the pink-tipped white blossoms as my heart began to beat faster. The Middlebury Pink.”
― Sarah Jio, The Last Camellia

“Past their normal blooming season, the trees had shed many of their blossoms, but the ones that remained were vibrant and showy, like the finale of a fireworks show. Up close, the trees did not disappoint. I stared up in awe at a yellow blossom, touching its petals lightly and breathing in the balmy, lemony scent.”
― Sarah Jio, The Last Camellia

“I placed the tubes of paint on the palette and selected a small canvas. I prepared the palette with an assortment of colors, then closed my eyes, remembering the way the moors had looked when I rode into town with Lord Livingston. He'd been so different on that drive into the village before he left for London. Had that been the side of him that Lady Anna had fallen in love with? I dipped my brush into the black paint and then mixed in some white until I'd created the right shade of gray, then touched the brush to the canvas. I loved the feeling of the paintbrush in my hand. He'd been kind to buy me the art supplies, but I remembered how he'd behaved in the dining room and at other times before that. 'How could he be so cruel, so unfeeling?'
Once I'd painted the clouds, I moved on to the hills, mixing a sage green color for the grass and then dotting the foreground with a bit of lavender to simulate the heather. I stepped back from the canvas and frowned. It needed something else. But what? I looked out the window to the orchard.
The Middlebury Pink. 'Who took the page from Lady Anna's book? Lord Livingston?' I dabbed my brush into the brown paint and created the structure of the tree. Next I dotted the branches with its heart-shaped leaves and large, white, saucer-size blossoms with pink tips.”
― Sarah Jio, The Last Camellia

“My eyes blinked like a camera shutter clicking through the frames of my life, except the images were mismatched and haphazard: a ragged-looking doll with a rose-colored dress; crocheted white baby mittens, slightly unraveled; a row of tulips, vibrant red; Rex's smile; a rusty weather vane whirling in the wind.
My eyelids fluttered, fighting to remain open, but when they closed, the welcoming image that waited beckoned me to stay, promising to give me the comfort, the peace I longed for.
The camellias.
I could see them, seemingly endless rows of big, bushy green trees with waxy leaves and showy flowers the size of saucers. Pinks, reds- bursting into bloom, as if they'd been painted by the Queen of Hearts.”
― Sarah Jio, The Last Camellia

“You are worth all my camellias and peonies–all my longing and all my love”
― Gauri Sharma, Of Vengeance and Ashes