Svetlana Alexievich
Author of Voices from Chernobyl: The Oral History of a Nuclear Disaster
About the Author
Svetlana Alexievich was born in Stanislav, Ukraine, Soviet Union on May 31, 1948. She became a journalist and wrote narratives from interviews with witnesses to events such as World War II, the Soviet-Afghan war, the fall of the Soviet Union, and the Chernobyl disaster. Her books include Zinky show more Boys: Soviet Voices from the Afghanistan War and War's Unwomanly Face. She won the National Book Critics Circle Award in 2005 for Voices from Chernobyl: The Oral History of a Nuclear Disaster and the 2015 Nobel Prize in Literature. (Bowker Author Biography) show less
Works by Svetlana Alexievich
Associated Works
The Art of Fact: A Historical Anthology of Literary Journalism (1997) — Contributor — 216 copies, 1 review
Writing War: The Best Contemporary Journalism About Warfare and Conflict from Around the World (2003) — Contributor — 15 copies
Tagged
Common Knowledge
- Canonical name
- Alexievich, Svetlana
- Legal name
- Алексиевич, Светлана Александровна
Алексіевіч, Святлана Аляксандраўна
Alexievich, Svetlana Alexandrovna - Birthdate
- 1948-05-31
- Gender
- female
- Nationality
- Ukraine
Belarus - Country (for map)
- Belarus
- Birthplace
- Stanislaw, Ukraine, USSR (today: Ivano-Frankovsk, Ukraine)
- Places of residence
- Narovl, Gomel oblast, Byelorussian SSR, Soviet Union
Beresa, Brest oblast, Byelorussian SSR, Soviet Union
Minsk, Byelorussian SSR, Soviet Union
Paris, France
Gothenburg, Sweden
Berlin, Germany (show all 7)
Minsk, Belarus - Education
- Belarusian State University (journalism)
- Occupations
- investigative reporter
- Organizations
- Revue "Neuman" (Directeur du département d'essais et de journalisme (1976|1984)
Journal républicain " Selska Gazeta " (1973-1976)
Journal régional « Phare du communisme », Beroza (1972)
Journal régional « Pripyatskaya pravda », Narovlia (1966)
Ecole de sept ans Belazhevity du district de Mazyrskyi (Professeur, Histoire et allemand, 19 66)
Centre PEN biélorusse (Membre, 19 89 | ) (show all 7)
Union des écrivains soviétiques (Membe, 19 83 | ) - Awards and honors
- Ryszard Kapuściński Award (2011 ∙ 2015)
Friedenspreis des deutschen Buchhandels (2013)
Officier dans l'Ordre des Arts et des Lettres de la République française (2014)
Nobel Prize in Literature (2015) - Agent
- Galina Dursthoff
- Short biography
- Elle a reçu de nombreux prix prestigieux pour son ouvrage La Supplication - Tchernobyl, chronique du monde après l'apocalypse (1997) (dont le Prix de la paix Erich-Maria-Remarque en 2001). Ce livre reste cependant toujours interdit en Biélorussie.
Elle est aussi l'auteure de La guerre n'aura pas un visage de femme (1985), ouvrage retraçant par des interviews le récit de femmes soldats de l'Armée rouge durant la Seconde Guerre mondiale, de Cercueils de zinc (1990, 1991 pour la version française), qui recueille des témoignages de soviétiques ayant participé à la guerre russo-afghane, de Ensorcelés par la mort, récits (1995), sur les suicides de citoyens russes après la chute du communisme et de Derniers témoins (2005), témoignages de femmes et d'hommes qui étaient enfants pendant la Seconde Guerre mondiale. En 2013, son livre La Fin de l’homme rouge ou Le Temps du désenchantement remporte le Prix Médicis essai.
Wikipedia
Members
Reviews
Lists
Oral Histories (1)
THE WAR ROOM (1)
Disaster Books (1)
1980s (1)
1990s (1)
Women in War (1)
Awards
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Associated Authors
Statistics
- Works
- 25
- Also by
- 6
- Members
- 6,755
- Popularity
- #3,627
- Rating
- 4.3
- Reviews
- 233
- ISBNs
- 339
- Languages
- 26
- Favorited
- 18
It is divided into interviews done 1991 to 2000 and 2001 to 2012. Each section starts with several pages that are statements and conversations recorded after asking a group to give their thoughts on the political change. This was difficult to follow because it was so disconnected.
The first 60% of the book many of the people told their story by going back and including their parents (and sometimes grandparents) stories. Even people who started their interview by saying they were not important and had an ordinary life ended up relating personal or parental horror stories. When they got to the demise of communism they were confused and angry and felt betrayed. A government that terrorized them for opposing communism in any way now terrorized communists. They lost their jobs in the collectives and were supposed to suddenly understand how to fit into a nascent capitalist society. Food and money were scarce, gangs roamed the streets. A secondary problem was that the disintegration of the USSR from one country where everyone was equal into many independent countries released much ethnic hatred and wars in several of them.
The second part covered interviews with younger people who became active in fighting and maintaining the freedom promised by perestroika. But the country was taking more and more of a turn to a restrictive government with secret police picking up dissenters and torturing them for information.
This was a difficult book to read. There didn't seem to be any one who was happy or content. Many were nostalgic for the communist way because they didn't have to decide what to do; they just did what they were told and were 'safe'.
The author won the Nobel Prize in Literature for this type of reportage, described as having "the quality of a documentary film on paper."… (more)