Ken Saro-Wiwa (1941–1995)
Author of Sozaboy
About the Author
Series
Works by Ken Saro-Wiwa
il bambino soldato 1 copy
Associated Works
The Art of the Story: An International Anthology of Contemporary Short Stories (1999) — Contributor — 357 copies, 6 reviews
African Rhapsody: Short Stories of the Contemporary African Experience (1994) — Contributor — 18 copies
Tagged
Common Knowledge
- Canonical name
- Saro-Wiwa, Ken
- Legal name
- Kenule Beeson Saro-Wiwa
- Birthdate
- 1941-10-10
- Date of death
- 1995-11-10
- Gender
- male
- Nationality
- Nigeria
- Birthplace
- Bori, Nigeria
- Cause of death
- execution (by Nigerian army)
- Education
- University of Ibadan
- Occupations
- author
television producer
environmental activist
Vice President of the Unrepresented Nations and Peoples Organization, 1993-1995 - Relationships
- Wiwa, Ken (son)
Saro-Wiwa, Noo (daughter) - Organizations
- Movement for the Survival of the Ogoni People
Unrepresented Nations and Peoples Organization - Awards and honors
- Right Livelihood Award (1994)
Nobel Peace Prize (Nominee, 1996)
Members
Reviews
Lists
Awards
You May Also Like
Associated Authors
Statistics
- Works
- 26
- Also by
- 6
- Members
- 449
- Popularity
- #54,622
- Rating
- 3.8
- Reviews
- 9
- ISBNs
- 60
- Languages
- 6
- Favorited
- 2
In Sozaboy, we aren't given a lot of background information as readers so it's confusing to how some characters get to be the way they are. We also don't get too much explanation of locations and war sides, the word "enemy" seems to be used interchangeably. Perhaps this is on purpose? And the main character chooses to omit things that he doesn't understand or think is significant which also adds to the confusion.
I had a hard time reading this. One of the reasons was the use of "rotten English"/vernacular that used in the book (even though it provides the glossary in the back). I have read many books with a vernacular/dialect, but none were as difficult as this! It was definitely a challenge. I also didn't connect with the book very well because the text prevents the reader from placing themselves in the story.
… (more)