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Richard Wright (1) (1908–1960)

Author of Native Son

For other authors named Richard Wright, see the disambiguation page.

54+ Works 17,614 Members 216 Reviews 32 Favorited

About the Author

Richard Wright was generally thought of as one of the most gifted contemporary African American writers until the rise of James Baldwin. "With Wright, the pain of being a Negro is basically economic---its sight is mainly in the pocket. With Baldwin, the pain suffuses the whole man. . . . If show more Baldwin's sights are higher than Wright's, it is in part because Wright helped to raise them" (Time). Wright was born on a plantation near Natchez, Mississippi, the son of a sharecropper. At the age of 15, he started to work in Memphis, then in Chicago, then "bummed all over the country," supporting himself by various odd jobs. His early writing was in the smaller magazines---first poetry, then prose. He won Story Story's $500 prize---for the best story written by a worker on the Writer's Project---with "Uncle Tom's Children" in 1938, his first important publication. He wrote Native Son (1940) in eight months, and it made his reputation. Based in part on the actual case of a young black murderer of a white woman, it was one of the first of the African American protest novels, violent and shocking in its scenes of cruelty, hunger, rape, murder, flight, and prison. Black Boy (1945) is the simple, vivid, and poignant story of Wright's early years in the South. It appeared at the beginning of a new postwar awareness of the evils of racial prejudice and did much to call attention to the plight of the African American. The Outsider (1953) is a novel based on Wright's own experience as a member of the Communist party, an affiliation he terminated in 1944. He remained politically inactive thereafter and from 1946 until his death made his principal residence in Paris. His nonfiction writings on problems of his race include Black Power: A Record of Reactions in a Land of Pathos (1954), about a visit to the Gold Coast, White Man, Listen (1957), and Twelve Million Black Voices: A Folk History of the Negro in the United States. (Bowker Author Biography) Richard Wright was born on a plantation near Natchez, Mississippi. His father left the family when Wright was only five years old, and he was raised first by his mother and then by a series of relatives. What little schooling he had ended with his graduation from ninth grade in Memphis, Tennessee. At age 15, he started to work in Memphis, and later worked in Chicago before traveling across the country supporting himself with odd jobs. When Wright finally returned to Chicago, he got a job with the federal Writer's Project, a government-supported arts program. He was quite successful, winning a $500 prize from a magazine for the best fiction written by a participant in that program. In Chicago, he was also introduced to leftist politics and became a member of the Communist Party. In 1937, Wright left Chicago for New York, where he became Harlem editor for the Communist national newspaper, The Daily Worker, and where he met future novelist, Ralph Ellison. Wright became a celebrated author with the publication of Native Son (1940), a novel he wrote in only eight months. Based on the actual case of a young black murderer of a white woman, it was one of the first of the modern black protest novels, violent and shocking in its sense of cruelty, hunger, rape, murder, flight, and prison. This novel brought Wright both fame and financial security. He followed it with his autobiography, Black Boy (1945), which was also successful. In 1942, Wright and his wife broke with the Communist Party, and in 1947, they moved to France, where Wright lived the rest of his life. His novel The Outsider (1953) is based on his experiences as a member of the Communist Party. Wright is regarded as a major modern American writer, one of the first black writers to reach a large white audience, and thereby raise the level of national awareness of the continuing problem of racism in America. In many respects Wright paved the way for all black writers who followed him. (Bowker Author Biography) show less
Image credit: Richard Wright (1908-1960)
Photograph by Gordon Parks, May 1943
(Farm Security Administration-
Office of War Information Photograph Collection,
Library of Congress)

Works by Richard Wright

Native Son (1940) 7,906 copies, 101 reviews
Black Boy (1945) 5,337 copies, 68 reviews
Uncle Tom's Children (1938) 768 copies, 3 reviews
The Outsider (1953) 403 copies, 6 reviews
The Man Who Lived Underground (2021) 277 copies, 13 reviews
Eight Men: Short Stories (1961) 271 copies, 1 review
Native Son (Abridged) (1940) 232 copies, 1 review
Rite of passage (1994) 189 copies
American Hunger (1977) 186 copies, 1 review
12 Million Black Voices (1988) 159 copies, 2 reviews
Haiku: This Other World (1998) 138 copies, 4 reviews
Pagan Spain (1957) 121 copies
A Father's Law (2008) 102 copies
Lawd Today! (1963) 100 copies, 3 reviews
The Long Dream (1958) 97 copies
White Man, Listen! (1978) 83 copies
Savage Holiday (1975) 63 copies, 1 review
Richard Wright Reader (1978) 39 copies
Native Son / Black Boy (1998) 37 copies
The Man Who Lived Underground {story} (2021) 22 copies, 3 reviews
Thy Fearful Symmetry (2012) 16 copies, 1 review
Almos' a Man (2000) 9 copies
Injustice: Vintage Minis (2018) 8 copies
Bright and Morning Star (1939) 8 copies
Richard Wright (2002) 3 copies
Neli meest : [novellid] (1963) 3 copies
Black Boy [Easy Reader] (1971) 2 copies
Callaloo Vol. 9 No. 3 (1986) 1 copy
Der schwarze Traum (1971) 1 copy
Długi sen 1 copy
Sangre negra 1 copy

Associated Works

The Best American Short Stories of the Century (2000) — Contributor — 1,585 copies, 10 reviews
Winter Poems (1994) — Contributor — 1,257 copies, 10 reviews
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 947 copies, 7 reviews
The Best American Essays of the Century (2000) — Contributor — 794 copies, 4 reviews
The Oxford Book of American Short Stories (1992) — Contributor — 766 copies, 3 reviews
Race, Class, and Gender in the United States: An Integrated Study (1992) — Contributor, some editions — 517 copies
The God That Failed (1944) — Contributor — 443 copies, 3 reviews
The Portable Harlem Renaissance Reader (1994) — Contributor — 412 copies, 3 reviews
Against Forgetting: Twentieth-Century Poetry of Witness (1993) — Contributor — 341 copies, 2 reviews
A Treasury of Short Stories (1947) — Contributor — 300 copies
Modern American Memoirs (1995) — Contributor — 192 copies, 3 reviews
This Is My Best (1942) — Contributor — 190 copies
African American Poetry: 250 Years of Struggle and Song (2020) — Contributor — 190 copies, 4 reviews
The Best Short Stories by Black Writers, 1899-1967: The Classic Anthology (1967) — Contributor — 181 copies, 1 review
Black Metropolis: A Study of Negro Life in a Northern City (1993) — Introduction, some editions — 164 copies, 3 reviews
Blues Fell This Morning: Meaning in the Blues (1980) — Foreword — 156 copies
The Mark Twain Anthology: Great Writers on His Life and Work (2010) — Contributor — 145 copies, 1 review
Growing Up in the South: An Anthology of Modern Southern Literature (1991) — Contributor — 144 copies, 1 review
An American Album: One Hundred and Fifty Years of Harper's Magazine (2000) — Contributor — 137 copies, 1 review
The Signet Classic Book of Southern Short Stories (1991) — Contributor — 125 copies, 1 review
Black on White: Black Writers on What It Means to Be White (1998) — Contributor — 123 copies, 2 reviews
Voices from the Harlem Renaissance (1976) — Contributor — 110 copies
The Literature of the American South: A Norton Anthology (1997) — Contributor — 100 copies
The 100 Best African American Poems (2010) — Contributor — 98 copies, 5 reviews
American Short Stories (1976) — Contributor, some editions — 97 copies
Brotherman: The Odyssey of Black Men in America (1995) — Contributor — 92 copies
200 Years of Great American Short Stories (1975) — Contributor — 73 copies, 1 review
The Heath Anthology of American Literature, Concise Edition (2003) — Contributor — 68 copies, 1 review
D.C. Noir 2: The Classics (2008) — Contributor — 65 copies
American Negro Short Stories (1966) — Contributor — 63 copies
Racism and Sexism: An Integrated Study (1988) — Contributor — 62 copies, 1 review
Trouble the Water: 250 Years of African American Poetry (1997) — Contributor — 59 copies
Chicago Noir: The Classics (2015) — Contributor — 52 copies, 14 reviews
Eleven Modern Short Novels (1970) — Contributor — 50 copies, 1 review
Soulscript: Afro-American Poetry (1970) — Contributor — 42 copies, 1 review
Years of Protest: A Collection of American Writings of the 1930's (1967) — Contributor — 40 copies, 1 review
Southern Dogs and Their People (2000) — Contributor — 40 copies
New Masses; An Anthology of the Rebel Thirties, (1980) — Contributor — 38 copies, 1 review
Fifty Best American Short Stories 1915-1965 (1965) — Contributor — 36 copies, 1 review
50 Best American Short Stories 1915-1939 (2013) — Contributor — 28 copies
America on Stage : Ten Great Plays of American History (1976) — Contributor — 22 copies
Modern American Short Stories (1945) — Contributor — 16 copies
Mississippi Writers: An Anthology (1991) — Contributor — 14 copies
Black Metropolis: A Study of Negro Life in a Northern City, Volume I (1962) — Introduction, some editions — 10 copies, 1 review
Quintet: 5 of the World's Greatest Short Novels (1956) — Contributor — 6 copies
The Best American Short Stories 1958 (1958) — Contributor — 6 copies
Native Son [1951 film] (2003) — Actor / Original book — 5 copies
O. Henry Memorial Award Prize Stories of 1938 (1938) — Contributor — 4 copies
Twelve short novels (1976) — Contributor — 3 copies
Let Us Be Men (1969) — Contributor — 3 copies
Strange Barriers (1955) — Contributor — 2 copies
Introduction to Fiction (1974) — Contributor — 1 copy

Tagged

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Common Knowledge

Members

Reviews

This book articulates the pain of being black in America like nothing else I've ever read. It's difficult to read in places, but it's a necessary difficulty.
 
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Library_Guard | 2 other reviews | Jun 17, 2024 |
This was a difficult but important book to read. The essay at the end, entitled “How Bigger was Born,” is equal parts an exploration of Wright’s creative process and a klaxon sounding against white ignorance of the black experience. When Wright began this essay talking about the overused trumped-up charge of r*pe levied against black men in the Jim Crow era, I couldn’t help but think of the reaction of many conservative whites to #MeToo, to the effect that they were worried that their sons’ or their own lives would be ruined by false accusations of sexual misconduct. Wright would surely say something to the effect of “Now, you understand something of what we’ve been going through.” I don’t recall if there were any black commentators who made this point, but it wouldn’t surprise me. A key difference, of course, is that the vast majority of mostly powerful whites who were accused were likely guilty, whereas the vast majority of kostly powerless blacks were likely innocent.

I also recognized some parallels to Winston Smith in George Orwell’s 1984: a strong desire to rebel against an oppressive system, couched even in terms of violence, but ultimately the same fate and failure.
… (more)
 
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mmodine | 100 other reviews | May 2, 2024 |
 
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deborahee | 100 other reviews | Feb 23, 2024 |
This actually consists of a novella-length story, plus a nonfiction essay. The short story is the one of the title. It’s set in the 1940s(?) (that’s when it was originally written, anyway), and a black man, Fred, leaving work, just having been paid in cash, is “arrested” by the police and “questioned”/tortured. Initially not knowing even what they police were talking about, it turns out the neighbours of the people Fred worked for had been murdered in their home earlier in the day. Fred manages to escape and moves underground via the sewers from building to building for a few days.

The essay talked about how the author grew up with his very religious Grandmother and how some things from that experience related to this story.

Overall, I’m rating it ok. The essay got pretty philosophical, so wasn’t all that interesting to me. The story itself was better, but also a little bit odd while Fred was underground. I definitely did not see the end coming (but maybe I should have?).
… (more)
 
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LibraryCin | 12 other reviews | Feb 11, 2024 |

Lists

1940s (1)
AP Lit (2)

Awards

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Associated Authors

Roger Waters Screenwriter
Edwin Rosskam Photo-Direction
Arnold Rampersad Notes, Introduction, Editor, , Afterword
Bob Ezrin Songwriter, Composer
Michael Kamen Orchestral arrangement, Composer
Malcolm Wright Afterword
Ray Mort Actor
Peter Biziou Cinematographer
Alan Marshall Producer
Nina Crews Introduction
Stephen Hawking Contributor
John Reilly Afterword
David Diaz Cover artist, Illustrator
Caryl Phillips Introduction
Peter Cade Cover artist
Mary Schuck Cover designer
Camillo Pellizzi Translator
Gösta Olzon Translator
Bruno Fonzi Translator
Julia Wright Contributor
Jerry W. Ward, Jr. Introduction
Richard Yarborough Introduction
Ethan Herisse Narrator
Gerald Scarfe Cover designer
Stephanie Rosenfeld Book and cover designer
Keneth Kinnamon Contributor
Cornel West Introduction
John Williams Foreword

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