Since this was my second time reading, I skipped Snorri's final section detailing verse-forms, as I was more interested in the mythology than the art of ancient poetry.

Snorri created this collection of stories and poetry how-to in part to save a dying art. He himself was Christian but he wished to ensure that traditional Norse poetic composition was not lost. He has an interesting theory on the origin of Aesir worship, linking them with Trojan mythology.

Reading this composition, I couldn't help but be sad that this is one of the few sources we still have for Norse mythology, and what we get here is often tantalising fragments. Snorri often quotes other compositions, which have been lost to the ages save the few lines he includes. Just what was Heimdall's poem, what would it have told us about the enigmatic watchman of the gods, and would it have told us why the head is called "Heimdall's sword"?

This is certainly a must for anyone wishing to dig down into Norse mythology. This is one of the main sources that collections of the myths draw from, and you can judge for yourself how well they have interpreted the fragmentary source material. One of the surprises is how numerous the gods were, yet these days we only really pay any attention to Odin, Thor and Loki, seeing as the surviving myths concern mainly these three and give them such lively personalities. But what of Loki and Odin's companion Hoenir? What of Gefjon who ploughed up a whole island? We may never know.

One thing I can say with fair certainty: our modern interpretation of Odin seems to be completely wrong. Sure he was "All Father", but he was also "Corpse Father" and "Dread". I feel that rather than being a kindly old man, he must have been terrifying. ( )

prior to reading notes in this vol I hadn't realized that some of the "mythical" material reflects actual people/events with independent attestations (Atli=Attila etc)
utterly fascinating ( )

The Prose Edda is a collection of Norse legends and writings compiled by Snorri Sturluson (and at least some definitely written by him) in the 1200s. I don't know a ton about Norse mythology so did find this interesting - it was nice to finally "really" figure out how all of the pieces that I've heard about at various times, from Valhalla to Thor's hammer to Ragnarok to Yggdrasil, all fit together. As one would expect from what is essentially a compilation of myths (also featuring all of the different names of the different gods), it's not the most compelling read, and I found it hard to keep track of which giant did what in which story, but I definitely came out of this knowing more about Norse myths than I did when I started it.

It would have been useful for me to know in advance that the translation/edition that you pick to read may have huge repercussions for your enjoyment of the book, since there are some sections of the Prose Edda (the really dry ones on the composition of poetry) that aren't included in all editions. I first tried to read a non-abridged edition and found it to be a total slog, but eventually I switched to the Penguin edition (the Jesse Byock translation) and found it much more enjoyable. ( )

For all that I know about mythology, the more I read of the original collections the more I realize that I don’t know! The Prose Edda is considered the seminal collection of Icelandic Norse mythology, even though it’s a surprisingly small book - and seemingly very slim in terms of actual story. Obviously modern scholars are working with very old manuscript copies of the work, so for all we know large portions of it are missing entirely, but the style of the book is also meant to be very concise. Unlike the Poetic Edda (which I have yet to read) the Prose Edda presents the stories of the Norse gods and the formation of the world in short, digestible form and generally presents them as an oral story being told to a character within the book itself. Kind of a strange format for modern readers, but it was a very common literary device used in the time period to make the stories carry more weight (as if they are coming to readers/listeners by divine intervention). What I found most interesting throughout the book was that the author inserted various quotes from poems that presumably existed concurrently - therefore trying to justify his recording of the stories and give them even more importance as some of the quotes come from prophecies, oral culture, and established myths and legends. I’ll have to read the Poetic Edda pretty soon, so that I can compare the two. ( )

This review is very much overdue, but nevertheless: This book is mandatory reading material when undertaking a quest into Norse mythology, the Vikings, .... It's a perfect book to start with, at least in my opinion, as you get introduced to and backing information on the subject, the culture, the battles of the gods, the skalds (poets) and more, and all in a very readable and accessible translation. In addition, the book isn't thick at all.

I chose this one, because poetry is not my cup of tea at all. If it is yours, then you're probably better off with The Poetic (or Elder) Edda.

And from here you can explore the (other) works of e.g. [a:Hilda Ellis Davidson|4913993|Hilda Ellis Davidson|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png], [a:Else Roesdahl|327707|Else Roesdahl|https://s.gr-assets.com/assets/nophoto/user/f_50x66-6a03a5c12233c941481992b82eea8d23.png], [a:Jesse L. Byock|198937|Jesse L. Byock|https://d.gr-assets.com/authors/1225040157p2/198937.jpg], and so on.



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The Norse mythology that has come down to us, is primarily thanks to one Icelandic scholar and politician. The Prose Edda is Snorri Sturluson’s attempt to compile the myths of the Northern world and save the knowledge of how skaldic poetry is composed.

The book is essentially divided into two parts, the first is strictly concerned with mythology and the second is a mix of mythology and learning the rules of skaldic poetry. While Snorri follows the examples of Virgil and Geoffrey of Monmouth of connecting the Norse gods to originally being refugees of Troy that uncivilized tribes were awed by and made into gods, his prose retelling of the Norse myths seen in The Poetic Edda is not only exceptionally good but was most well-known versions for centuries. In fact, Snorri includes more myths than what appears in The Prose Edda including more that relate to Loki and Sif and others. The second half which features Snorri telling the rules of skaldic poetry by using mythic and saga verses is an easy, quick read that those not really interested will not find daunting in finishing the book but adds to the overall knowledge of skaldic tradition if one reads The Poetic Edda after Snorri’s book.

Unlike The Poetic Edda in which readers are not really sure how much Christianization has leaked into the versions written in, the reader knows from the beginning that Snorri is threading the edge of being a Christian and attempting to preserve his cultures pagan heritage. Brodeur’s translation not only reads well with occasional footnotes when giving meanings to words, but the spellings that the 21st Century reader knows of the various god’s names are the same.

The Prose Edda is the primary source of the vast majority of what we know today of Norse mythology and that alone recommends this book to those interested in mythology of any type. ( )

Lovely, though I suspect the original compiler of some of these stories had a bit too much mead to drink when he told the stories. ( )

I had just finished reading the "Poetic Edda", so I decided to read the other one. Wasn't disappointed. It was a good deal shorter than I had expected, and kept the Volsung material to a minimum. ( )

Norse sagas written in Iceland around 1210 by Snorri Sturluson (I couldn't possibly have made up that name!). It records histories and traditions of the Norse people. Some material is gruesome, but then we're dealing with a people who hoped to die in battle! ( )

I was initially surprised that I knew all of the stories in The Prose Edda, but then I realised that I've been reading adaptations of them since I was aged 10, so not all that surprising really.

It was good to read the stories in their original (English translated) versions. They were very approachable and immediate: I felt as I was reading them that they were being spoken to me directly. Possibly this was because I'm English and they form part of a tradition of story-telling that is part of my cultural heritage. I think I'll read the Popol Vuh next and see how that compares. ( )

Six-word review: Authentic medieval masterwork exhausts reader's attention.

Extended review:

The book called "the prose Edda," by Snorri Sturluson, is a (or some might say the) seminal work of Western culture. Its author's story is told in Song of the Vikings: Snorri and the Making of Norse Myths, by Nancy Marie Brown (reviewed here). Brown recommends this 1987 Everyman edition, translated from Old Icelandic by Anthony Faulkes, as her preferred version, so that's the one I chose.

Following a prologue, the text is divided into three parts: "Gylfaginning" (the tricking of Gylfi), "Skalskaparmal" (the language of poetry), and "Hattatal" (list of verse-forms). The first of the three contains the bulk of the stories that we know as the Norse myths. The other two are encyclopedic discourses on the art and craft of versification, compiled and composed by a virtuoso of Icelandic poetry; as Brown herself says in her account, "('The Tally of Verse-Forms' is) a flamboyant display that frankly is no fun to read."

After completing the first part, the main narrative portion of the work, I read some way into the inventory of kennings (called periphrasis in literature courses), a blend of metaphor and riddle (for example, calling the sea "ship's road" or "island-fetter" and battle a "clashing metal-shower") as far as I could stand to, and eventually ground to a halt. I skimmed from there, turning all the pages and noting that a goodly portion of the third section is rendered in Old Icelandic verse with prose translation. As Brown says, there's not much point in trying to recreate the musical and rhetorical effects of the original; it can't be done.

This book is a work for students and scholars and not for the lay reader. In the end I settled for reading the helpful text summaries at the back and gave myself credit for reading the book halfway through.

The annotated index is not only extensive and detailed but in some respects unorthodox, in that it contains new information not found in the text. It was here that I found an etymological expansion of the term "Ragnarok," as well as numerous other names and expressions. The index alone makes this work a useful resource for anyone who is going to give the ancient texts and their derivatives more than a casual look, but I would recommend turning elsewhere if you just want to read the stories.

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My rating of five stars has no meaning. This work is in a class with the Bible and the Mahabharata; and how might I rate them? I am in no way qualified to judge it. Either five stars or an abstention is the only thing that makes any sense. Please note that in my ranking system, stars reflect an attempt to evaluate the goodness or worth of a work and don't necessarily signify whether I liked it. ( )

A must-read for anyone interested in Asatru or Heathenry. ( )

The Edda is a collection of Norse myths, written in the 13th century by a dude named Snorri. It's where we got most of our knowledge of Norse mythology today, and it's wicked awesome. I learned, for instance, that your legs may hump each other and produce a child while you're asleep, which is something I'm going to be more careful about from now on. And that mead started as god spit, then turned into blood, and ended up being farted out of Odin's ass, which is, by a train of logic that actually kinda makes sense when you read it, why it's called the drink of poets. These are important things to know.

I also learned that much of what I learned from reading Thor comics when I was 13 isn't totally accurate. There's no mention at all of him being in the Avengers. Captain America doesn't even make a cameo.

And I was interested in the Norse poetic style of "kenning," where you kinda overcomplicate your language; so for instance, "spurner of the bonfires of the sea," where "bonfires of the sea" (as in the sun's reflection off it) means gold, so a spurner of it would be a generous man. That's exactly what rappers do! Here's an example from the mighty Dres of Black Sheep:

I try to stay aware of the drama, it’s crazy
Plus, see I got to tell your mama that I’m Swayze

Here, Swayze refers to his movie Ghost, and ghost means he's gone; so Dres is saying that he's leaving your mama. Which must be sad for her.

I'm not saying that rappers were influenced by Vikings. That would be an awesome thing to say, but not a reasonable one. I'm just saying there's sortof a kinship there.

It's not every day that you get to learn about the spiritual connection between hip-hop and Vikings. This is a cool book, man. ( )

I've been told that most editions of The Edda of Snorri Sturluson (say it out loud, you'll love it) do not contain the 'Skaldskaparmal'. I thought this was the best part, and recommend that you find a copy with it included. It's basically a glossary of poetic terms and forms, breaking down the formal riddle-language into easily comprehensible parts. If you've ever found yourself overwhelmed by the kennings in an Icelandic epic (and who hasn't?), this book will straighten you right out.

Seriously, amazingly helpful for any study of the northern myths and epics. Very readable, as well. ( )

Then Gangleri asked: 'Why is there such a difference between hot summer and cool winter?'
High One said: 'A well-informed man would not ask this. Everyone knows why. However, if you are the only person so ill-informed as never to have heard, I'll admit that it is better for you to ask once in your foolishness than to go on any longer in ignorance of what you ought to know.

A translation of the narrative sections of The Prose Edda, which contain various stories about the Norse gods and heroes. In "The Deluding of Gylfi", the Swedish King Gylfi (disguised as a traveller called Gangleri) talks with three beings calling themselves High, Just-as-High and Third, all three of which names are included in the list of Odin's names given by him to King Geirrod. In the second part "Selections from Poetic Diction", a man called Aegir visits the Aesir in Asgard. During dinner he sits with Bragi the god of poetry, who tells him stories about the doings of the gods. ( )

The Edda is essentially a 13th century crash course in Norse mythology. At the time it was written Iceland was already Christian and the book's author penned an unintentionally humorous disclaimer in the prologue making sure everyone knew that he didn't believe any of this, that he was sophisticated enough to know the truth of Christianity, and he was just concerned about preserving these quaint beliefs for the their cultural and literary value. His sincerity made me giggle a little. I don't know, maybe the disclaimer was necessary back then, it's just so bizarre in a modern context.

Any who the intent of the book seems to be some what instructional. It collects various stories of godly hijinks, heroes and the monsters they face as well as shorter bits explaining little details of the world according to Norse mythology and the proper way to name things according to the traditions of skaldic poetry. That's why I call it instructional. Most of early Nordic literature is poetic and has very specific rules and symbolism. It can be tricky to understand the kennings and stories without a fair amount of background information so the Prose Edda is essentially intended to give people the background they need to understand and appreciate the literary tradition of skaldic poetry.

That said it doesn't really matter if you're reading the Edda with the intent to dig into skaldic poetry or not. The Prose Edda is the primary source of Norse mythology available to us today and Norse mythology is crazy. Like other mythological systems the purpose is to explain the world and give the history of the gods, but the Norse take just seems a little crazier and bloodier. I can't really go into the actual mythology without either going on way too long or short changing the stories, but suffice it to say that at one point Loki ties his testicles to a goat and engages in a tug of war with said goat.

On a side note, reading Norse mythology totally put me in the mood to revisit my neglected metal collection. Norse mythology is pretty metal. ( )

KB 136

Read online: http://www.heimskringla.no/dansk/tlarsen/snorre/index.php

The Prose Edda: Norse Mythology (Penguin Classics) (Penguin Classics) by Snorri Sturluson (2006) ( )