I’ve been a reader and writer of historical fiction for as long as I remember. As a writer, my goal is to bring these figures from the past alive again. These were real people and I want my readers to see that they are not just photos or stories in a history book.
Juliet Gray brought Marie Antoinette to life in this book. We got to understand her from such a young girl who had so much pressure put on her. We see her as kind and childlike but we also see how Marie does mature into a woman who strives to have a loving marriage with her husband while they rule France.
This enthralling confection of a novel, the first in a new trilogy, follows the transformation of a coddled Austrian archduchess into the reckless, powerful, beautiful queen Marie Antoinette.
Why must it be me? I wondered. When I am so clearly inadequate to my destiny?
Raised alongside her numerous brothers and sisters by the formidable empress of Austria, ten-year-old Maria Antonia knew that her idyllic existence would one day be sacrificed to her mother’s political ambitions. What she never anticipated was that the day in question would come so soon.
Before she can journey from sunlit picnics with her sisters in…
Martin Walker studied history at Oxford, international relations and economics at Harvard, and spent 28 years as journalist and foreign correspondent for Britain's The Guardian newspaper. He divides his time between the USA, Britain and the Perigord region of France, where he produces his own Bergerac red wine, 'Cuvee Bruno'. Martin writes a monthly wine column and is a Grand Consul de la Vinee de Bergerac, a body founded in the year 1254 AD and dedicated to the support of the region’s wines.
This may not be the most scholarly book on this extraordinary woman; but it is by far the most readable on the only woman who married both a King of France and King of England, went on Crusade to Jerusalem, and civilized feudalism by sponsoring poets and minstrels and creating the idea of romantic love.
"Marion Meade has told the story of Eleanor, wild, devious, from a thoroughly historical but different point of view: a woman's point of view." Allene Talmey, Vogue.
I was utterly uninspired by history at school—couldn’t see the point of it at all—but then I discovered Jean Plaidy’s books and realised history was about people, real people. Dorothy Dunnett propelled me headlong into a fascination with sixteenth-century Europe, a period full of larger-than-life characters and an unusually high number of strong women. Mary Queen of Scots, Elizabeth I, Catherine de Medici, Mary of Guise, Hurrem Sultan (wife of Suleiman the Magnificent): they wielded real power. And Mary Queen of Scots was so young—it makes her the perfect starting point to interest young readers in history. I hope I’ve done her story justice.
I read this book many years ago, but I went back to it as my first port of call when I began to research my own book on Mary. It’s a fantastically readable, detailed, and sympathetic portrait of Mary. And the sympathetic bit was important to me. It’s almost impossible not to take sides when reading or writing about Mary, and she did make some disastrous decisions, but I keep coming back to how young she was, and that’s well illustrated here.
“A book that will leave few readers unmoved.”–San Francisco Chronicle
She was the quintessential queen: statuesque, regal, dazzlingly beautiful. Her royal birth gave her claim to the thrones of two nations; her marriage to the young French dauphin promised to place a third glorious crown on her noble head.
Instead, Mary Stuart became the victim of her own impulsive heart, scandalizing her world with a foolish passion that would lead to abduction, rape and even murder. Betrayed by those she most trusted, she would be lured into a deadly game of power, only to lose to her envious and unforgiving…
As a historian of early modern France and a professor at Southern Methodist University, I have taken students to Paris on a study abroad program for more than twenty summers. Students were invariably intrigued by the relationship of Henry II, Catherine de Medici, and Diane de Poitiers. The young prince married Catherine de Medici at the age of fourteen but the thirty-six-year-old Diane de Poitiers became his mistress when he was sixteen and remained so for the rest of his life. The complexities of that relationship and the significance of both women led me to conclude that the history of the Renaissance could be told through the lives of the queens and mistresses.
This collection of articles offers an intriguing approach to the topic of women, power, and sex by focusing on the many uses of Marie Antoinette. The essays, by prominent historians, art historians, and literary scholars, examine Marie Antoinette as a “site of history” where political and cultural contests occurred. The authors analyze pamphlets, archival materials, portraits, French Revolutionary pornography, and modern films to consider the central questions Marie Antoinette raised about her identity as a foreign queen, woman, wife, mother, and political figure.
She embodied the contradictions in old regime politics, culture, and gender identity and has been used subsequently to address political and gender issues to the present. Each essay offers a distinct, intriguing perspective on the reciprocal influence of this queen and the history of France. The collection reveals the wealth of purposes this queen served and the rich variety of interpretations she provoked.
Marie-Antoinette is one of the most fascinating and controversial figures in all of French history. This volume explores the many struggles by various individuals and groups to put right Marie's identity, and it simultaneously links these struggles to larger destabilizations in social, political and gender systems in France.
Looking at how Marie was represented in politics, art, literature and journalism, the contributors to this volume reveal how crucial political and cultural contexts were enacted "on the body of the queen" and on the complex identity of Marie. Taken together, these essays suggest that it is precisely because she came to…
Queens and queenship is a topic that has fascinated me since childhood when I first read about women like Cleopatra and Eleanor of Aquitaine. They ignited a passion to learn about the lives of royal women which led me from the ancient Mediterranean to medieval Europe, on into the early modern era, and has now gone truly global. I am particularly passionate to draw out the hidden histories of all the women who aren’t as well-known as their more famous counterparts and push for a fully global outlook in both queenship and royal studies in the works I write and the journal and two book series that I edit.
Early modern Europe is a ‘hot spot’ for queenship studies and there are countless individual biographies, works on groups of royal women and collections on key themes which I could have recommended. I’ve chosen this work as, like Earenfight, it is a great place to begin exploring what it meant to be a queen in this period. Unlike Earenfight, this book is divided up by key themes instead of working chronologically, exploring various facets such as royal weddings and ceremonial, motherhood and political agency. Kosior also brings together plenty of European examples to illustrate these themes and a distinctive feature is that she includes Polish royal women who are often missing in studies of queenship, which gives this book a unique and interesting angle.
Queens of Poland are conspicuously absent from the study of European queenship-an absence which, together with early modern Poland's marginal place in the historiography, results in a picture of European royal culture that can only be lopsided and incomplete. Katarzyna Kosior cuts through persistent stereotypes of an East-West dichotomy and a culturally isolated early modern Poland to offer a groundbreaking comparative study of royal ceremony in Poland and France. The ceremonies of becoming a Jagiellonian or Valois queen, analysed in their larger European context, illuminate the connections that bound together monarchical Europe. These ceremonies are a gateway to a fuller…
Patrick Geary is Professor of History Emeritus at the Institute for Advanced Study in Princeton, and Distinguished Professor of History Emeritus at UCLA. He is the author of some fifteen books and many articles and edited volumes on a broad range of topics including barbarian migrations, religious history, ethnicity, nationalism, genetic history, and the modern misuse of ancient and medieval history in the nineteenth through twenty-first centuries. Currently he co-directs an international, interdisciplinary project funded by an ERC Synergy Grant that uses genomic, historical, and archaeological data to understand population structures during the so-called Migration period at the end of the Roman Empire in the West.
And now for something completely different: my other recommendations are dense, scholarly volumes, well written but demanding for a general audience.
It is often hard to imagine the people who appear in their pages, based as they are on the scarce and laconic chronicles of the early Middle Ages, as flesh and blood humans.
In this novel, Puhak breathes life into two of the most remarkable women of the period, the Visigothic princess Brunhild, married off to the Frankish King Sigebert, and her sister-in-law Fredegund, who began as a Frankish slave and rose to become a rival queen to Brunhild.
Their story of rivalry, assassination, murder, seduction, but also of governance and diplomacy as two isolated women wielded unheard-of power across the decades, makes the world of seventh-century Gaul come alive.
The ways that the memory of these two women were twisted and manipulated by both contemporary and subsequent male…
“A well-researched and well-told epic history. The Dark Queens brings these courageous, flawed, and ruthless rulers and their distant times back to life.”--Margot Lee Shetterly, New York Times-bestselling author of Hidden Figures
The remarkable, little-known story of two trailblazing women in the Early Middle Ages who wielded immense power, only to be vilified for daring to rule.
Brunhild was a foreign princess, raised to be married off for the sake of alliance-building. Her sister-in-law Fredegund started out as a lowly palace slave. And yet-in sixth-century Merovingian France, where women were excluded from noble succession and royal politics was a blood…
I’ve always been captivated by stories about powerful women. After a corporate career as one of the first female executives in the international world of Wall Street, while raising two children as a single working parent, I returned to academia. I am a magna cum laude graduate of Smith College, hold a doctorate in modern European history, with academic distinction, from New York University. I wanted to ascertain whether the mostly male writers of history were correct in attributing the success of exceptional women to the bedroom. Meticulous research yielded a different narrative, one I delight in sharing.
A concise, compelling, and beautifully told story by one of pre-World War II Europe’s finest writers. Largely based on correspondence between Marie-Antoinette and her mother, Austrian Empress Maria-Theresa, then with the love of her life, Swedish diplomat Count Axel von Fersen, Zweig’s account clarifies the queen’s character development with grace and understanding, and paints a well-rounded, nuanced picture of Marie-Antoinette from her personal pleasures as a mother and lover, to her suffering and courage during the Revolution.
Bringing to life one of the most complex characters in European history
Stefan Zweig based his biography of Marie Antoinette, who became the Queen of France at the age of fifteen, on the correspondence between her and her mother, and her great love the Count Axel von Fersen. Zweig analyzes the chemistry of a woman's soul from her intimate pleasures to her public suffering as a Queen under the weight of misfortune and history. Zweig describes Marie Antoinette in the King's bedroom, in the enchanted and extravagant world of the Trianon, and with her children. And in his account of…
As a historian of early modern France and a professor at Southern Methodist University, I have taken students to Paris on a study abroad program for more than twenty summers. Students were invariably intrigued by the relationship of Henry II, Catherine de Medici, and Diane de Poitiers. The young prince married Catherine de Medici at the age of fourteen but the thirty-six-year-old Diane de Poitiers became his mistress when he was sixteen and remained so for the rest of his life. The complexities of that relationship and the significance of both women led me to conclude that the history of the Renaissance could be told through the lives of the queens and mistresses.
From her arrival as a fourteen-year-old bride to her death as queen mother fifty-five years later, Catherine de Medici was praised as a devoted wife and mother and able ruler but also condemned as a foreigner, a poisoner, and murderer of Protestants. This rare collection of primary sources translated into English allows readers to become familiar with the sources of such positive and negative assessments of this controversial queen. The letters included here, selected from her many volumes of correspondence, reveal her concerns as a mother and as a political figure.
Excerpts from Venetian ambassadors' gossipy reports bring to light principal figures of the French court--their character, their motives, and political interests. Other sources in the collection extravagantly praise the character and actions of the queen. The several polemical sources included in the collection offer a sharp contrast. The vehement charges leveled against Catherine allow readers to recognize and understand…
Catherine de Medicis was portrayed in her day as foreign usurper, loving queen and queen mother, patron of the arts, and Machiavellian murderer of Protestants. Leah L. Chang and Katherine Kong assemble a diverse array of scathing polemic and lofty praise, diplomatic reports, and Catherine's own letters, which together show how one extraordinary woman's rule intersected with early modern conceptions of gender, maternity, and power.
Mihoko and Anne first met at the University of Miami, where Mihoko was a specialist in early modern England and Anne, in early modern Spain. Sharing their interests in gender studies, literature, and history, and combining their expertise, they team-taught a popular course on early modern women writers. Anne’s publications range from studies of women in Cervantes’ Don Quixote, female rogues, and religious women to early modern Habsburg queens. Mihoko has published on the figure of Helen of Troy in classical and Renaissance epic; and women and politics in early modern Europe, especially in the context of the many civil wars that upended the political and social order of the period.
Catherine de Medici has been reviled as an evil and power-hungry queen mother of three French kings, and as the architect of the St. Bartholomew’s Day’s Massacre—the most infamous episode in the decades-long French Wars of Religion. She was even slanderously accused of murdering another queen by sending her poisoned gloves, in keeping with her “Machiavellian” Italian extraction. Leonie Frieda’s biography corrects the “Black Legend” of Catherine and provides a vivid portrait of the complex woman who wielded unprecedented power as queen regent in France, where Salic Law prohibited women from exercising sovereignty in their own right, as did her contemporary Elizabeth I. She shows that from her husband Henri II’s unexpected death in a gruesome accident through the reigns of her sons, who unfortunately did not inherit their mother’s ability, Catherine displayed “intelligence, courage, and an indefatigable spirit” in exercising political power and acting as an exceptional patron of…
Catherine de Medici was half French, half Italian. Orphaned in infancy, she was the sole legitimate heiress to the Medici family fortune. Married at fourteen to the future Henri II of France, she was constantly humiliated by his influential mistress Diane de Poitiers. When her husband died as a result of a duelling accident in Paris - Leonie Frieda's magnificient, throat-grabbing opening chapter - Catherine was made queen regent during the short reign of her eldest son (married to Mary Queen of Scots and, like many of her children, he died young). When her second son became king she was…
When I lived in France as a youngster, museum portraits became friends. I could hear courtiers scheming in Versailles and gladiators clashing in coliseums. Naturally, decades later, when I learned Napoleon Bonaparte tried to write a novel of love and betrayal, I vowed to finish it for him. But to ghostwrite for Napoleon, I had to know him as personally as his great love Josephine did. I dove into research, translated his writing to capture his cadence, and became secretary of the Napoleonic Historical Society. Finally, on remote St. Helena Island in the ramshackle rooms where Napoleon died in exile, I found the intimate connection I demand from historical fiction.
May I suggest historical fiction fans of the English Tudors try the French royalty for a change? For me, Tudor intrigue pales in comparison to France’s 16th-century queen and regent, Catherine de Medici. This lush, biographical novel from C.W. Gortner follows Catherine from traumatic childhood to poignant death, revealing the necessity behind her ruthlessness. Since the era’s religious conflicts echo today’s cultural divides, the history feels surprisingly fresh. I can’t help thinking that this strong woman who stopped at nothing to protect France, her children, and her power would be more admired if she had been a man.
“The Confessions of Catherine de Medici is a dramatic, epic novel of an all-too-human woman whose strength and passion propelled her into the center of grand events. Meticulously-researched, this engrossing novel offers a fresh portrait of a queen who has too often been portrayed as a villain. Bravo Mr. Gortner!”—Sandra Gulland, author of The Josephine B Trilogy and Mistress of the Sun
The truth is, not one of us is innocent. We all have sins to confess. So reveals Catherine de Medici, the last legitimate descendant of her family’s illustrious line. Expelled from her native Florence, Catherine is betrothed to…
