I have always been a fan of Young Adult fiction, even into my late thirties. This is why when I decided to write my first novel, I wrote it for that genre. My biggest draw to this type of book is the emotional connection and hope you get from younger characters. Like most of us, we lose hope as we get older, so reading a book about a young character full of hope in a chaotic world gives me a little of that hope back. Young people feel things much stronger than we do when weâre older. It feels good to reconnect to that and remember what itâs like.
When I read this book, I was very glad I came to it late. I never had to wait to get the next book in the series. While I am recommending this book in particular because it is the first, the whole trilogy is needed to get the full effect of the story.
Following 16-year-old Adam through this story was fun and exciting. The emotions ranging from scared as hell to hopeful throughout kept me engaged. The main feeling I kept was the hope that he and his family would stay safe in the community stronghold that they had built. I also hoped that even though society had fallen fast, maybe it could eventually be healed.
One shocking afternoon, computers around the globe shut down in a viral catastrophe. At sixteen-year-old Adam Daley's high school, the problem first seems to be a typical electrical outage, until students discover that cell phones are down, municipal utilities are failing, and a few computer-free cars like Adam's are the only vehicles that function. Driving home, Adam encounters a storm tide of anger and fear as the region becomes paralyzed. Soon-as resources dwindle, crises mount, and chaos descends-he will see his suburban neighbourhood band together for protection. And Adam will understand that having a police captain for a mother andâŚ
Iâve always loved the darker side of fantasy. While heroes, knights, and handsome kings can occasionally be enjoyable, I want to know the other characters who have suffered, hurt, lost, grieved, and been hardened by grim circumstances and cruel fate. Those characters demonstrate the resilience of human nature and how goodness truly can exist even in the harshest environment. I love using this darkness in my own novels to show that even the tiniest spark can shine immensely brightâa true testament to the indefatigability of our spirits.
Where so many other fantasy novels focus primarily on young characters discovering their abilities, this book introduced me to Durzo Blint, an assassin at the peak of his powers with a legendary reputation and a leave-no-one-alive attitude.
I loved seeing his humanity through his interactions with his apprentice (Azoth/Kylar), but what made this series one of my all-time favorites is knowing that anytime Durzo goes against an enemy, he goes hard and doesnât stop until heâs the last man left standing. It has insane action, a beautifully dark flavor, and a truly epic story.
From NYT bestselling author Brent Weeks comes the first novel in his breakout fantasy trilogy in which a young boy trains under the city's most legendary and feared assassin, Durzo Blint.
For Durzo Blint, assassination is an art -- and he is the city's most accomplished artist.
For Azoth, survival is precarious. Something you never take for granted. As a guild rat, he's grown up in the slums, and learned to judge people quickly -- and to take risks. Risks like apprenticing himself to Durzo Blint.
But to be accepted, Azoth must turn his back on his old life andâŚ
Iâve been a newspaperman for 40 years, the last 25 at The New York Times, and crime is the meat and potatoes of the business. My mother came from an Irish American clan in the Pennsylvania township where the Molly Maguires were born â my great-uncle died at 13 in the mine where the Mollies made one of their first recorded appearances. So Iâve been fascinated by Irish American true crime ever since the Sean Connery film The Mollies Maguires came out in 1970. Iâve spent most of my adult life researching the subject, and have given lectures on it all over the country.
This work came out in the Roaring Twenties, but the gangsters of that decade had nothing on the 19th-century outfits like the Dead Rabbits and the Gas House Gang.
When the dive bars have names like the Tub of Blood and theyâre kept in business by the likes of Razor Riley, One-Lung Curran, and Stumpy Malarkey, you canât go wrong. But to me the most compelling part was Asburyâs account of New Yorkâs horrendous Civil War draft riots.
The Molly Maguires of Pennsylvania were born in opposition to that same draft, after a Protestant Republican allied with the coal industry used conscription to try to rid the coal fields of Irish Catholic Democrats and mine labor activists before a crucial election.
First published in 1928, Herbert Asbury's whirlwind tour through the low-life ofnineteenth-century New York has become an indispensible classic of urban history.
Focusing on the saloon halls, gambling dens, and winding alleys of the Bowery and the notorious Five Points district, The Gangs of New York dramatically evokes the destitution and shocking violence of a turbulent era, when colorfully named criminals like Dandy John Dolan, Bill the Butcher, and Hell-Cat Maggie lurked in the shadows, and infamous gangs like the Plug Uglies, the Dead Rabbits, and the Bowery Boys ruled the streets. A rogues gallery of prostitutes, pimps, poisoners, pickpockets,âŚ
I have been writing formally since I started my first book in high school. Even then, I was writing with dual POVs. Having multiple perspectives throughout my stories has been essential to all my books. I believe it adds so much more than a single POV can, and I love the process of it. You must decide what each of the charactersâ motivations, and defining characteristics are and relate them back to the story. My most recent novel, below, has four POVs, each of which is as important as the others.
This book will always stick with me because of the amazing thought put behind one of the main characterâs plotting. Kaz easily has one of the best minds in any book Iâve ever read. Along with Kaz, though, there are multiple other POVs which are equally as important to the story.
It had more POVs than any book I had read previously, but the way Bardugo wrote them had me wanting more of them all and unable to pick a favorite. Each character has a unique voice and story that perfectly complements the overarching plot.
Even when I wasnât sure how something would fit into the main thread of the story, it wove back in at the right moment and made perfect sense.
*See the Grishaverse come to life on screen with Shadow and Bone, now a Netflix original series.*
Nominated for the CILIP Carnegie Medal 2017, this fantasy epic from the No. 1 NEW YORK TIMES bestselling author of the Grisha trilogy is gripping, sweeping and memorable - perfect for fans of George R. R. Martin, Laini Taylor and Kristin Cashore.
Criminal prodigy Kaz Brekker is offered a chance at a deadly heist that could make him rich beyond his wildest dreams - but he can't pull it off alone.
A convict with a thirst for revenge. A sharpshooter who can't walkâŚ
Long before I was an author of romantic fantasies, I was an avid reader of all things romance. Genre romance. Fantasy Romance. Romantic Fantasy. Romantic suspense. An adventure where the characters smile at each other for a heartbeat longer than usual. Give me even a hint of attraction between two characters, and Iâm hooked. Give me life-or-death stakes and a first kiss that takes hundreds of pages, and Iâm addicted. As a psychologist, helping young adults sort through real-life romance dilemmas is one of my favorite parts of the job. Now that I get to write these stories, Iâve made it my mission to devour all the best high-stakes YA romances I can findâor write.
This is one of the most unique Romeo & Juliet retellings Iâve ever read. Set in 1920s Shanghai, the heir and heiress of two rival criminal families were childhood friends, once, before they realized the otherâs identity. Now they despise each otherâand several times, try to kill each otherâwhile also trying very hard to ignore their growing attraction. Spanning two books and with a found family that tugs at all your heartstrings, the daggers are as shiny as the diamonds in this glittering, high-stakes tale.
I began my career as a journalist, including working as a reporter on an international newspaper. I left full-time journalism to write fiction where I can combine an interest in international affairs with stories of characters and issues of the heart which drive individuals and often shape events. Over the years Iâve worked and traveled with international organizations, serving as Vice President of PEN International, and on the boards and in other roles focusing on human rights, education, and refugees. Iâve been able to travel widely and witness events up close, walking along the edge of worlds and discovering the bonds that keep us from falling off.
This book revealed a threat new to me and to many readers in a culture where mothers had to hide their daughters in shallow graves in Guerrero, Mexico, adjacent to the drug cartels in order to avoid their abduction. They often masqueraded their daughters as boys or tried to make them ugly by chopping off their hair and blackening their teeth.
I was riveted by the story of Ladydi and her friends as they sought a larger world and future they instinctively knew existed. They supported each other but were constantly at risk and challenged by the dangerous drug culture and misogynistic environment they were born into.
Prayers for the Stolen is filled with vignettes and images that stayed with me, written in Jenniferâs poetic proseâshe is also a poet. With imagination, narrative drive, and suspense, it explores the struggle and limited triumph of some of the women and reflectsâŚ
'Now we make you ugly,' my mother said. 'The best thing you can be in Mexico is an ugly girl.'
The Narcos only had to hear there was a pretty girl around and they'd sweep onto our lands in black SUVs and carry the girl off. Not one of the stolen girls had ever come back, except for Paula.
She came back a year after she'd been kidnapped. She held a baby bottle in one hand. She wore seven earrings that climbed the cupped edge of her left ear in a line of blue, yellow and green studs and aâŚ
I fell in love with Australian history on a school camp to Beechworth, which was also my first introduction to Ned Kelly. As I got older, after having already tried to establish a career trajectory as an English teacher, I realised my passion for writing and history could help me create the books and media that I wished I could access, as well as be a place to store all those decades of research sitting in my head. My fascination with psychology, true crime, and Australian colonial history naturally reached a meeting point with the Australian bushrangers: the bandits that terrorised Australia for over a hundred years, the most infamous of whom was Ned Kelly.
A controversial pick, but I believe this is the finest fictionalised version of Ned's life story written so far. Carey captures a very authentic sense of Nedâs voice and character by basing the book heavily on Ian Jonesâ work and the Jerilderie Letter that Ned wrote with gang member Joe Byrne. It retains enough of the truth to craft a realistic world for his creations to exist in, and blends so well with his inventions, that someone unaware that the book is fiction will have a hard time working out some of the fact from the fiction. It is lyrical, powerful, and helped turbo-boost interest in the Kelly legend at a time when it had begun to taper off somewhat.
THE BOOK THAT INSPIRED THE MAJOR MOTION PICTURE, TO BE RELEASED IN CINEMAS 28TH FEBRUARY 2020
'Extraordinary . . . So mesmerising and moving.' Mail on Sunday
'Vastly entertaining.' New York Times
To the authorities in pursuit of him, Ned Kelly is a horse thief, bank robber and police-killer. But to his fellow Australians, Kelly is their own Robin Hood. In a dazzling act of ventriloquism, Peter Carey's Booker Prize-winning novel of adventure and heroism brings the famous bushranger wildly and passionately to life.
Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic âChina 2.0â we know it today. My occupation, like many expats, was small-town English teacher. I later departed for a two-year backpacking sojourn across the country. I took a bunch of snapshots along the way with a little point-and-shoot camera. 800 of those images became my first book. Photography â be it travel, documentary, street or reportage â is my passion. The following are but five of five hundred books Iâd love to recommend.
Iâll bookend this list with what I consider to be a sort of updated take on Larry Clarkâs Tulsa. Serbian photog Boogie has published similarly solemn collections on Moscow and war-torn Belgrade. With Itâs All Good, he arrived in New Yorkâs most violent neighborhoods circa 2010 to document the hard and often tragic lives of urban youth. Gangsters pointing their guns into the lens or jabbing their veins with needles might not make the most appealing coffee table book, but the photos themselves are even more sublime than anything shot by Clark, making this book a worthy successor.
âA whole lot of initiations happen every day. You hear about them on the news, but you donât know it was an initiation. You hear about somebody getting shot somewhere in New York, and nobody knows why that person got shot; nine times out of ten it was a gang initiation. I am a three-star general in the Bloods, so I know whatâs going on. The majority of crime in New York City is âcause of gangs; drugs, killings, stabbings, robberies, even the bullshit car theft, the fucking pettiest crimes and misdemeanors are all âcause of gangs.â âKasino, from hisâŚ
Iâm a Jamaican and Korean American author of young adult romance, and when crafting my stories, I love to create characters who go against the expectations thrust upon them, whether theyâre based on race, ethnicity, sex, gender, sexuality, ability, etc. As a woman, as someone with multiple ethnic identities, as someone who isnât neurotypical, and someone who doesnât subscribe to the norms of gender and sexuality, navigating intersectionality has been a large part of my life and, therefore, my work. Rules should be broken when they're the ones telling us we canât do something based on who we are.
This book is full of rule-breakers, but not in the way youâd think. Rhea and her friends try to combat gentrification in their South L.A. neighborhood in the most unconventional way imaginable by inventing a fake gang; however, they are soon blamed for a very real murder.
I lived in West Baltimore for a time and saw the effects of gentrification taking over my neighborhood even in the short two years that I was there, so this book really resonated with me on a personal level. The premise reminded me of those memes of people claiming to shoot out the windows every few months to keep the rent low. While itâs a joke, there is a very real fear behind it, and this is a complex issue that Adia tackles with such a fresh voice and nuanced approach.
Winner of the 2024 Coretta Scott King John Steptoe New Talent Award
A raised fist against the destructive forces of gentrification and a love letter to communities of color everywhere, Jade Adia's unforgettable debut tells the darkly hilarious story of three best friends willing to do whatever it takes to stay together.
The gang is fake, but the fear is real.
Rheaâs neighborhood is fading awayâthe mom-and-pop shops of her childhood forced out to make space for an artisanal kombucha brewery here, a hot yoga studio there. And everywhere, the feeling that this place is no longer meant for her.âŚ
My earliest filmgoing memory is of a bad guy getting pushed down the stairs in Alfred Hitchcock's The Man Who Knew Too Much. That shocking scene has stayed with me, leading me into a lifetime of exploring the dark visions of crime stories. It was only natural that my love of rock music, and in its interaction with other media would draw me to mystery writers whose books were fueled by their love of rock, blues and pop. "If not for music and movies, I wouldn't be a novelist," George Pelecanos once told me. "They have influenced me more than any author. I want to shout about it." Me too.
A lot of people know George Pelecanos from his work as a TV writer, but long before he contributed to The Wire and The Deuce, he was turning out great mysteries, most of them set in his hometown of Washington, D.C. These are smart, sociological thrillers that teach you a lot about life on the city's mean streets. What sets books like King Suckerman apart for me is how much they teach you about the way popular musicâheard from car radios, boom boxes, and record store systemsâdefines people's lives. For me, one of the book's many highlights is a fierce exchange between a guy who, based on Jimi Hendrix's funky playing in Band of Gypsys thinks the guitarist should be filed under soul rather than rock because that was the direction he was going and a friend who responds, "What you think you are, man, the Amazing Kreskin... gonnaâŚ
While out looking to buy drugs, small-time dealer Dimitri Karras and his friend, record-store owner Marcus Clay, stumble into a big deal gone bad, acquire some cash that is not theirs, and become players in a savage game of cross and double-cross.
