I’ve been a part of the LGBTQ+ community my whole life and have always been passionate about advocating for the people who identify as such. Furthermore, I have always had a fascination with emotional stories and the combination of a lack of many LGBTQ+ books with an abundance of romance and emotional thrillers out there makes it a ripe topic for stories. As a lesbian myself, it is very hard to write stories that don’t have those kinds of couples, so I tend to stick to that genre and I’m absolutely addicted to lesbian books.
While reading this book, I was impressed by the skillful ability of the author to make me sympathize with the characters and begin rooting for them.
Their masterful execution of character development and the way I wanted to jump into the story to help make it one of the most amazing I have ever read and I would highly recommend it to those who are struggling to find a way to overcome sadness.
"Schulze's depiction of the Victorian era is atmospheric and intense in conveying the persecution gay people faced." - Kirkus Review
England, 1881. Being gay is both a sin and a crime. Parents disowning their children is considered honourable. Consensual sex risks life in prison. Sodomy scandals ruin careers and reputations. Homosexuals have to choose between safety and happiness.
After an unspeakable incident gets him exiled from his idyllic Irish hometown, twenty-four-year-old Jack Branson rebuilds his life in fog-and-mould London as a house call prostitute for closeted members of the British aristocracy. His dangerous, lucrative profession makes him dependent on the…
This book is full of murky, frustrating romantic relationships, but the central
love story is an abiding friendship. Rachel and James are just beginning their
adult lives, working together at a university bookstore, when they fall in
love.
If it weren’t for James’s emphatic homosexuality and Rachel’s obsessive
crush on her married, Liam Neeson-esque English professor,
they might have ridden off into the sunset together. Instead, they become best
friends, roommates, and partners in crime on the Cork, Ireland, club circuit.
Things get complicated when James starts sleeping with said English professor.
I laughed so much reading this book that I mailed it to my own lifelong best friend the day I finished
it.
The Rachel Incident is an all-consuming love story. But it's not the one you expected...
*2023's MOST ANTICIPATED SUMMER READ*
'Funny, nostalgic, sexy ... it's everything I want in a summer book' MONICA HEISEY 'Funny, LOVELY, romantic, DRENCHED in nostalgia' MARIAN KEYES 'You will love The Rachel Incident' GABRIELLE ZEVIN, author of Tomorrow and Tomorrow and Tomorrow
The Rachel Incident is an all-consuming love story. But it's not the one you're expecting. It's unconventional and messy. It's young and foolish. It's about losing and finding yourself. But it is always about love.
This
extraordinary novel purports to be a literary biography of a writer who died at
age eleven, written by his best friend. The absurdity of the central conceit in
no way lessens its impact as a meticulously crafted, gorgeously realized evocation of mid-century childhood in America.
Though I’m a generation younger,
I was immediately transported back in time to re-visit the adventurous feeling
of daring to travel outside one’s own neighborhood, the heartsore drama of a
devastating first crush, and all the other minute particulars encountered in
the serious business of growing up.
Funny, tragic, and sometimes just plain
weird, Edwin Mullhouse in an artful,
uncategorizable book well worth reading.
A parody of a literary biography starring a 10-year-old novelist who is mysteriously dead at 11—from the Pulitzer Prize-winning author of Martin Dressler.
As a memorial, Edwin Mullhouse's best friend, Jeffrey Cartwright, decides that the life of this great American writer must be told. He follows Edwin's development from his preverbal first noises through his love for comic books to the fulfillment of his literary genius in the remarkable novel, Cartoons.
As a retired family therapist, I find that writing and reading stories about emotional journeys no matter our sexual identity, ethnicity, or class has the potential to transform us. A protagonist under threat of persecution who finds healing in the power of love, of family, of community can help us fix ourselves where we are broken. I believe stories can help us sever unhealthy ties to the patterns of past generations. My mother was a closeted lesbian with no family who died when I was nine. Writing how I wished her life could have been helped me heal from childhood trauma. Our ancestors passed the talking stick. We have books.
I chose this book for its honest look at the fragility of love when the push and pull of church doctrine clashes in a family with twins.
One twin at 17 knows she is lesbian, and the other is a member of BOCK (Brides of Christ’s Kingdom). The story weaves lessons about the effects of homophobia and heartbreak with loss and love, forgiveness and acceptance in a small bible-belt town in Minnesota. It’s a serious subject told with wit, humor, and honesty.
A baby born helps to heal family rifts, but it’s the pull of loss and the power of love from everyone that brings a homophobic mother to acceptance that allows a young woman to follow her heart.
Lorraine Tyler is the only queer person in Bend, Minnesota. Or at least that’s what it feels like when the local church preaches so sternly against homosexuality. Which is why she’s fighting so hard to win the McGerber scholarship—her ticket out of Bend—even though her biggest competition is her twin sister, Becky. And even though she’s got no real hope—not with the scholarship’s morality clause and that one time she kissed the preacher’s daughter.
Everything changes when a new girl comes to town. Charity is mysterious, passionate, and—to Lorraine’s delighted surprise—queer too. Now Lorraine may have a chance at freedom…
I am a French novelist, the author of fifteen novels, many of which are memoirs, so I am considered a specialist of "autofiction" in France, of fiction written about oneself. But I also love writing about others, as you can see in my novel on David Hockney. Beauvoir, Sarraute and Ernaux were my models, Laurens and Appanah are my colleagues. Three of the books I picked would be called memoirs in the States, and the other two novels. In France, they are in the same category. All these women write beautifully about childhood and womanhood. I love their writing because it is both intimate and universal, full of emotion, but in a very sober and precise style.
Abandonment and the end of love terrify me. In The Woman Destroyed, the happy diary of a fifty-year-old woman turns into a descent into hell when Beauvoir's narrator finds out that her husband is having an affair and is actually leaving her. Beauvoir wrote it in order to send a feminist message to women in the fifties, to convince them to get a job and define their identity outside their family life. I wonder, however, whether the intensity of the grief we feel in that novella wasn't experienced by Beauvoir herself the summer when her American lover, the novelist Nelson Algren, broke up their transcontinental passion of four years.
First published in 1967, this book consists of three short novellas on the theme of women's vulnerability - in the first, to the process of ageing, in the second to loneliness, and, in the third, to the growing indifference of a loved one.
THE WOMAN DESTROYED is a collection of three stories, each an exquisite and passionate study of a woman trapped by circumstances, trying to rebuild her life.
In the first story, 'The Age of Discretion', a successful scholar fast approaching middle age faces a double shock - her son's abandonment of the career she has chosen for him…
I’m an author and a college writing professor with an MFA in Creative Writing. Additionally, I am involved in and teach other art forms and the humanities including music, film, and literature. I enjoy researching and writing about literary figures, musicians, and other creatives, all of which have been a focus in my children’s books.
Monica Brown’s picture book biography of Pablo Neruda is a wonderfully written account of his life and the creation of his beautiful writing and poems that sing, even under the weight of tremendous struggles. The lyrical text soars on the page while Julie Paschkis’ colorful illustrations capture the heart and soul of the poet of the people. This is a must-read!
A stunning picture book biography from Monica Brown and illustrator Julie Paschkis about one of the world's most enduring and popular poets, Pablo Neruda
Once there was a little boy named Neftalí who loved wild things wildly and quiet things quietly. From the moment he could talk, he surrounded himself with words. Neftalí discovered the magic between the pages of books. When he was sixteen, he began publishing his poems as Pablo Neruda.
Pablo wrote poems about the things he loved―things made by his friends in the café, things found at the marketplace, and things he saw in nature. He…
In the small Greek village I grew up in, my father read poetry to me when I was too young to understand any of it, and likely because of this I was pulled to the sound of the words and to reading anything that came my way. In high school, I fell in love with Plato’s writings, and later, as an undergraduate, philosophy saved me from my official major: economics. I continued in my Psychology Master’s, with Paul Kline’s “exceptional abilities” course, a philosophy class about consciousness. I read tons of books and I am enticed by writers who search for life’s questions and self-awareness.
What's Left of the Night gives an imagined account of the young Cavafy's three-day visit to Paris in 1897. This trip proved to be an important journey for the then-unknown Greek poet who was in search of his poetic voice among other things.
The book is about the artist, as well as any ordinary human being, who yearns to reach his/her own higher potential or to live for something higher and for a moment he/she does. This literary work of genius is a hymn to the irremediable desire of the humble soul that reaches for the stars, despite the fact that in the majority, or almost all, of its life lives in the gutter.
"A perfect book."―Edmund White, author of A Boy's Own Story and Genet: A Biography
WINNER OF THE 2019 NATIONAL TRANSLATION AWARD
In June 1897, the young Constantine Cavafy arrives in Paris on the last stop of a long European tour, a trip that will deeply shape his future and push him toward his poetic inclination. With this lyrical novel, tinged with a hallucinatory eroticism that unfolds over three unforgettable days, celebrated Greek author Ersi Sotiropoulos depicts Cavafy in the midst of a journey of self-discovery across a continent on the brink of massive change. He is by turns exhilarated and…
I grew up in Nepal, where politics was part and parcel of everyday life. During my childhood and teenage years, we lived under a monarchy, where the king was supreme. Yet there was always a simmering tension between what was a mildly authoritarian rule and what the people’s aspirations were. As I grew into adulthood, Nepal saw a massive uprising that ushered in a multiparty system, then later, after a bloody Maoist civil war, the overthrow of the crown. Yet, even amidst all these political upheavals, people do live quotidian lives, and the space between these two seemingly disparate things has always felt like a literary goldmine to me.
Ha Jin is a writer close to my heart. I find his spare prose and his trenchant images extremely effective in portraying the oppression of the Chinese regime. In The Bridegroom, Ha Jin uses twelve stories to show a China in transition from a society that’s just emerged from the cultural revolution to a more modern land where Western-style chicken restaurants, with their capitalist modes of operation, disrupt the accepted order of things. The Bridegroom has everything a good story collection is supposed to have: memorable characters, interesting situations, good doses of humor, and resonant images. It’s a book I have learned much from and one repeatedly taught in my classes.
From the remarkable Ha Jin, winner of the National Book Award for his celebrated novel Waiting, a collection of comical and deeply moving tales of contemporary China that are as warm and human as they are surprising, disturbing, and delightful.
In the title story, the head of security at a factory is shocked, first when the hansomest worker on the floor proposes marriage to his homely adopted daughter, and again when his new son-in-law is arrested for the "crime" of homosexuality. In "After Cowboy Chicken Came to Town," the workers at an American-style fast food franchise receive a hilarious crash…
When I was young and just figuring out the whole gay thing, I had to cross state lines to see the one gay movie and smuggle out the one library book I was too afraid to check out. In the 1970s and 80s I grew up knowing I was part of a group that was rarely talked about, aside from jokes. I've enjoyed so many stories that didn't represent me. If the struggle is real, I want to see, hear, and feel the whole messy bunch of it. I like the uncomfortable process of writing, and make promises that I later break: I can always tone this part down later…and then I never do.
Groundbreaking at the time, simply because it featured a happy ending between two women…what a concept! Seems like this should not have been a tall order, yet, in 1952, it was a revolutionary idea that a lesbian love story would not end with tragedy which was the recipe of the day if a writer dared to write about forbidden love.
If you are addicted to push/pull in romance stories where the stakes are high but the characters are willing to jump higher, you may fall in love with this book.
The novel was mesmerizing and lovingly translated into film. Hollywood learned that if you want a straight audience to easily imagine how a woman who had been living a straight life previously (though not authentically) could fall for another woman, simply cast Cate Blanchett in the film and, boom, everyone gets it.
Therese is just an ordinary sales assistant working in a New York department store when a beautiful, alluring woman in her thirties walks up to her counter. Standing there, Therese is wholly unprepared for the first shock of love. Therese is an awkward nineteen-year-old with a job she hates and a boyfriend she doesn't love; Carol is a sophisticated, bored suburban housewife in the throes of a divorce and a custody battle for her only daughter. As Therese becomes irresistibly drawn into Carol's world, she soon realizes how much they both stand to…
Long ago I lived in a world of blackouts and food rationing and German planes threatening overhead, children dying in epidemics of polio and TB, and food on the dinner table not always certain. In that world, homosexuality was a criminal and psychiatric term and queer men were objects of ridicule, tragic sissies it was normal to mock as sick monsters who could go to jail for their forbidden behavior. I’ve listed some of the books that trace part of the long journey queer men took until it felt reasonably safe to discuss queerness nonjudgmentally. Question: In how many American schools, even today, would a teacher be banned from assigning one of these books?
Important novels do not have to be very good novels. Quatrefoil, published in 1950, is billed as the first modern book to portray homosexuality in a positive way. Positive? The snobbish young hero (echoing the “expert” opinion of the time) describes himself as “beset with melancholia. emotional frigidity, or the homosexual symbolism he found in himself.” The novel is rife with unconscious class prejudice and ugly hostility towards women. But this story of a young naval officer and his older gay mentor is the sincere attempt of a gay author to imagine how a love relationship between two men could work in the context of family and the closeted world they knew. To me, it was rain in a desert of ignorance.
