The most recommended books about musicians

More music-and-magic—this one is an alternate history, part of a series set in the invented European country of Alpennia that explores the lives of a community of queer women in the early 19th century. While not exactly a romance, Mother of Souls focuses on the relationship between Serafina, who can see magic, and Luzie, who has musical powers that only Serafina can perceive. Both women are struggling in different ways, and I loved seeing the way their relationship and their musical connection helped them both to move forward. I also loved the depth of the worldbuilding—the city of Rotenek feels as real as any place I’ve been to.

Provocative questions about redemption and second chances are at the heart of this story, and they made me dive deeper into my own ideas about these issues. The book shows that truth is never straightforward, and the burden of guilt and shame can complicate the lives of everyone involved.

I loved Macmillan’s story-telling style. Despite the novel unfolding gently—it’s a slow burn—I read it in 3 days. That’s a record for me. It’s a testament to how attached I became to the character’s plight and the suspense and tension created by the writer. It’s a profound and engrossing story.

It’s both plot and character-focused, and I was hooked from the beginning. It starts with a simple premise, then turns it on its head and introduces doubt and mystery. The author kept me guessing; just when I thought I knew what was happening, the ground shifted under my feet. There was… show more.

The definitive book on outsider musicians, from The Shaggs to Jandek to the hyper-obscure likes of Y. Bhekhirst, who left copies of his outrageously bizarre cassette album, Hot In the Airport, at several NYC record stores before permanently disappearing into thin air. A detailed work that required copious original research to dig up murky facts about obscure musicians, it has been an inspiration to me as a writer. In fact, in my book I dedicate an entire chapter to outsider musicians of the digital age, in obvious homage to this magical tome.

If I were allowed to have only one novel about German culture and the coming of the Nazis, this would be it. And, if I were allowed only one novel about the price paid by those who create great art, this would also be it.

I have never read a better fictional account of what it means to make music, and there is something truly thrilling (but also quite chilling) about the story of the composer Adrian Leverkuhn’s Faustian pact with the devil.

I was also captivated by the way that Thomas Mann has his narrator tell this story, from the recent German past, from the “present” of bombs falling on Germany at the end of World War II.

The magical tale, Music for Mister Moon, is about a little girl named Harriet, who likes to be called Hank. She loves nothing more than to play her cello, alone. When her parents suggest how wonderful it would be to play in a big orchestra someday, she retreats into her room playing her cello. When the owl hoots outside her window she loses her temper and throws a teacup. And so begins her imaginative journey that tickles the reader's imagination. On Hank’s adventure with Mr. Moon, they encounter kind and thoughtful animals with a profound understanding of acceptance and giving. Each time I read this book, I can almost hear the music of the cello float out the window, the crash of the teacup, the smell of the smoke that fills the little house. Harriet’s emotional journey comes full circle with a most satisfying ending. A must-read, over and… show more.

I’m a sucker for a great ending, and this book offers the best. Though the beginning is pretty great, as well. Paige is a fish out of water when she heads from Chicago to Sydney, Australia to work for a mega-church even though she’s become jaded against organized religion. She doesn’t realize the guy she’s instantly attracted to on the flight overseas is the pastor’s son. To make things worse, Josh has an ex who abused alcohol, so when Paige barfs on his shoes, he suspects she’s inebriated even though she’s simply airsick. When forced to work together, they assume the worst of each other in spite of grudging respect and growing attraction. These characters are absolutely enjoyable, though be prepared to go through some tough stuff with them too.

All the characters in this story—even the minor ones—are so three-dimensional and human that they must be based at least partly on real people. The protagonist, Via—who lost her parents to gun violence as a child and struggles with substance abuse and other things—isn’t a musician or a die-hard music fan, but music and the Seattle music scene play such a huge role in this story that I was compelled to include it on my list. Ina Zajac’s writing is impeccable. She doesn’t shy away from the gritty side of reality and demonstrates a deep understanding of musicians, the things that make them tick, and the people who love them.

I wasn’t expecting this! One of the most gifted and quirky songsmiths of the age, the lead singer of art pop band The Talking Heads no less, turns his attention to the technological evolution of music.

I found profound insight and erudition on every page, but it’s not preachy or overly auto-biographical. Instead, Byrne limns out the changing shapes of music and how it comes into being in composition, performance, and education. He is as much at ease with Hume and Adorno as he is with scales, harmonies, and DJ culture, and the payoff is enormous.

Whenever I pick this book up, which is regularly, it takes me on unexpected journeys and provokes new ideas. My favorite quote on the creative process: “The idea is to allow the chthonic material the freedom it needs to gurgle up.” 

Tegan and Sara’s joint autobiography reminded me how often music acts as a lifeline to survive childhood and beyond.

These identical twins from Calgary have such an amazing vibe and energy to their songs, and through their music they have been super advocates for gender and sexuality equality. Learning more about them also made me proud to be Canadian.

This book not only introduces readers to the sections and instruments in an orchestra, it does so in lyrical, rhythmic, rhyming verse. Readers will love saying – and hearing – sounds like “pling…plung,” “lootle-oots,” and “bumble, boom…crash!” As a bonus, readers learn musical terms like “arpeggio,” “glissando,” and “diminuendo.” The illustrations are colorful and dynamic and remind me of a movie I loved as a child – Fantasia!