I’ve been a devoted fan of Nick Drake’s hushed, melancholic music for decades now, and Richard Morton Jack’s superlative biography—the first produced with support from the late singer’s family—sensitively brings to light the real man behind the music.
Drake’s slide into mental illness and early death has been extensively covered, but this book steadfastly avoids glamourising the ‘doomed artist’. The pain Nick’s illness caused himself and his family is depicted delicately but unflinchingly, and without overshadowing his sublime talent.
From the wealth of friends, family, and colleagues interviewed, it seems Nick was always, in part, unknowable. Richard Morton Jack’s book brings us as close to understanding him as anything ever will, outside of those three perfect albums.
'This is the book we've been waiting for . . . It is a biography to be treasured' Joe Boyd
'The Drake completist could ask for nothing else' Daily Telegraph
'Illuminating. The definitive word on Drake' Observer
In 1968 Nick Drake had everything to live for. The product of a loving, creative family and a privileged background, he was not only a handsome and popular Cambridge undergraduate, but also a new signing to the UK's hippest record label, Island.
Three years later, however - having made three well-reviewed but low-selling albums - Nick had been overwhelmed by a mysterious mental…
Almost all of my books have been historical novels, but this one is the one most dear to me, an attempt to understand the fault line that the Vietnam War laid across American society, leaving almost every man of my generation with scars physical or psychic. My picks are all books that illuminate the multiple upheavals of that time.
If there is any cultural icon that defines this era, it is music.
Positively 4thStreetchronicles the personal and musical lives of these four, a portrait of extravagant, quarrelsome genius and the transformation of folk music from academic song-collecting to an era-defining musical form, by way of Greenwich Village, the anti-war movement, and shifting personal entanglements.
When twenty-five-year-old Bob Dylan wrecked his motorcycle near Woodstock in 1966 and dropped out of the public eye, he was already recognized as a genius, a youth idol with an acid wit and a barbwire throat; and Greenwich Village, where he first made his mark, was unquestionably the center of youth culture.
In Positively 4th Street, David Hajdu recounts the emergence of folk music from cult practice to popular and enduring art form as the story of a colorful foursome: not only Dylan but also his part-time lover Joan Baez -- the first voice of the new generation; her sister…
