I have written four novels that involve crime in one way or another, but I do not consider myself a crime novelist. I simply find crime stories offer a compelling way to explore universal human experiences. I was a prosecutor when I was younger, so I try to bring a level of fluency in criminal law to my novels, but the usual warning applies: this is fiction, and it is better that a story be authentic than actually true.
In the current media environment, it is hard for us to do the one essential thing that novel readers must do: suspend disbelief—to read something that we know is not true, yet accept it as if it were true. It is a cynical time. We have learned to mistrust what we read.
So what is a novelist to do? Well, one way to win over skeptical readers is by a simple trick, one that I love (as both reader and writer): the novelist appears in his own novel. My novel uses a similar device, beginning with a novelist-narrator who bears a striking resemblance to me. These five novels all use a similar strategy.
The first book, American Pastoral, is one of my favorites. Philip Roth frequently borrowed from his own life in his novels, but to me, this is his most effective blend of fact and fiction. The novel lifts…
Philip Roth's fiction has often explored the human need to demolish, to challenge, to oppose, to pull apart. Now, writing with deep understanding, with enormous power and scope and great storytelling energy, he focuses on the counterforce: the longing for an ordinary life. Seymour 'Swede' Levov - a legendary high school athlete, a devoted family man, a hard worker, the prosperous inheritor of his father's glove factory - comes of age in thriving, triumphant, postwar America. He has a beautiful wife - Miss New Jersey 1949 - and a lively, precocious daughter, Merry. She is the apple of his eye…
Don’t ask me why I grew aware, from the earliest age, of living in more than one world. There seemed to be a strident world of what we said was happening, and a twilight world of what was really happening. I ended up liking and writing about the world of what really happens, because while all our seamless goal-driven plans are filling the air there’s this beautiful, whimsical, frail and often ridiculous world where we’re hapless and riddled with twists. The world of humanity. The backstage of laughter and tears. And for that, I present five outrageous old friends living in books from our strange human history.
Being lured into another world by a strong first-person voice turns a book into a wide-open door, and I love going through strange doors. This one opens onto a richly detailed middle-class mess who’s also an exceptional host, recently widowed alcoholic single-parent Peter Jernigan. He takes us on a ride through suburban New Jersey as passengers in his mind, narrating his life’s unravelling with brutal whimsy and humour. This was one of the most helpless relationships I’ve had with a character in a book. A privilege and a reminder of the balancing act we all face.
Peter Jernigan's life is slipping out of control. His wife's gone, he's lost his job and he's a stranger to his teenage son. Worse, his only relief from all this reality - alcohol - is less effective by the day. And when the medicine doesn't work, you up the dose. And when that doesn't work, what then? (Apart from upping the dose again anyway, because who knows?)
Jernigan's answer is to slowly turn his caustic wit on everyone around him - his wife Judith, his teenage son Danny, his vulnerable new girlfriend Martha and, eventually, himself - until the laughs…
I’m a child of the Puerto Rican diaspora. Born in the island, raised in the South Bronx—with an interval period in the homeland “to find roots”—I now reside in upstate New York. My life is representative of the vaivén—the “coming and going”—that is a constant in Puerto Rican modern history. Like many Diasporicans, I grew up disconnected from my history, culture, and heritage. These books did not recover what I lost. It is difficult to reclaim culture and national identity secondhand. But these writers shared an experience I readily recognized. Reading them, I embrace my tribe and don’t feel alone. They inspire me to write and tell my own stories.
Nominated for a Pulitzer, Ortiz-Cofer’s book is an eclectic collection of poetry, creative nonfiction and fiction. She weaves these genres masterfully into a mosaic of diasporican life, especially from a woman’s perspective. Published in 1993, The Latin Deli breaks from the traditional, bleak picture of Puerto Rican urban life in the States. Growing up in Paterson, New Jersey, and then Georgia, Ortiz Cofer focuses on the more typical stories of growing up in a middle-class home and what she casts as the daily struggle “to consolidate my opposing cultural identities.” A subtextual element of the book is Ortiz Cofer’s developing identity as a Latina writer in a country that sees you as an “other.”
A community transplanted from what they now view as an island paradise, these Puerto Rican families yearn for the colors and tastes of their former home. As they carve out lives as Americans, their days are filled with drama, success, and sometimes tragedy. A widow becomes crazy after her son is killed in Vietnam, her remaining word "nada." Another woman carries on after the death of her husband, keeping their store, filled with plantain, Bustello coffee, jamon y queso, open as a refuge for her neighbors. And there are Cofer's stories of growing up with a dictatorial and straying father,…
I love reading complicated women. Messy, difficult, sarcastic, strong, clever, unusual, prickly women—works in progress who don’t always make good decisions and defy expectations. Characters shaped by their circumstances—good or bad—who use their considerable talents to figure their way out of difficult situations. I crave books that make me look anew at familiar genres or subjects. An element of mystery is the secret ingredient that makes me fall hard for a story; add a memorable female lead, and you’ve got the perfect book. It wasn’t long before I switched from reading female-led mysteries to writing them. I haven’t looked back.
Constance Kopp was a real person, one of the first female deputy sheriffs in the United States, and the inspiration for this book.
I love how Stewart plays off brief mentions in the historical record and brings her fully to life. Constance doesn’t fit the expectations of a proper lady in 1914 New Jersey—she’s too outspoken, too tall, too independent. This is a feminist story, a finding-your-purpose story, and a wonderful historical snapshot.
The next book in the series is called Lady Cop Makes Trouble, and if you haven’t figured it out yet, I love women who make trouble.
From the New York Times best-selling author of The Drunken Botanist comes an enthralling novel based on the forgotten, true story of one of the US's first female deputy sheriffs.
Constance Kopp doesn't quite fit the mould. She towers over most men, has no interest in marriage or domestic affairs, and has been isolated from the world since a family secret sent her and her sisters from the city to the country fifteen years before. When a powerful, ruthless factory owner runs down their buggy, a dispute over damages turns into a war of bricks, bullets, and threats as he…
For the last decade, I’ve spent the majority of each year traveling. I’ve been to 60 countries across 6 continents and every US state. My love of travel was inspired and encouraged by my parents from a very early age. I’ve also been inspired by a wide variety of other sources, like movies, TV, photography, and, of course, books. Often, I’ll plan an adventure around a cool location I saw or read about and then just go. I’ll just show up and see what happens. All it takes is that little initial nudge, like what I found in these books.
This is the quintessential American road trip travelogue by one of America’s greatest novelists. Written towards the end of his life, after driving literally around the country with his faithful poodle Charley, it’s a remarkable, if sometimes probably fictionalized or at least embellished, snapshot of the country in late 1960.
Some language and aspects throughout are definitely “of its time,�� but so many insights and perspectives could have easily been written about the modern US. It’s a testament to the power and wonder of a good road trip that is sometimes funny, sometimes nostalgic, sometimes heart-wrenching, but always captivating.
An intimate journey across America, as told by one of its most beloved writers
To hear the speech of the real America, to smell the grass and the trees, to see the colors and the light-these were John Steinbeck's goals as he set out, at the age of fifty-eight, to rediscover the country he had been writing about for so many years.
With Charley, his French poodle, Steinbeck drives the interstates and the country roads, dines with truckers, encounters bears at Yellowstone and old friends in San Francisco. Along the way he reflects on the American character, racial hostility, the…
I have a Walter Mitty view of the world. If I were a movie character, I would be Edward Bloom, in Big Fish. I have been a lawyer in the entertainment industry for almost four decades. As a result of my personality and profession, my books mix fantasy, science fiction, and the mystical into our everyday world, and I do it in a way that makes you wonder if what I’m telling you is true, causes you to hope it is true and compels you to wish you could join in the adventures.
The Celt in me loves Dark Humor. Managed Care is one of the funniest Dark Humor books I have ever read.
The dialogue is amazing, the characters fully developed and the story unique. Incredibly fast read. There is a poignancy to the story, and you cannot help but root for everything to work itself out for the characters.
"Funniest book I've ever read." –Tom McCaffrey, bestselling author of The Wise Ass
Is it too much to ask that a managed care facility refund a year's advance payment when your grandfather dies before he can move in?
Frank Johnson doesn't think so, which is why the thirty-three-year-old now lives in a nursing home, locked in a chess match feud with management that doesn't occupy nearly enough of his time.
When foster kid Elroy is thrust into his life, Frank decides to turn this forced relationship to his advantage - launching a string of absurd decisions, inappropriate behaviors and unexpected…
Before I wrote crime novels, I was a lawyer. Legal mysteries back then were mostly set in traditional firms, with just enough lawyering to set up final courtroom scenes. I preferred novels that showed more of the nitty-gritty, the conflicts, and temperaments peculiar to different workplaces. I’d been binging Dick Francis, with his deep dives into jobs connected to racing, and I wished there were books with his level of detail in settings I knew—students scrabbling to make law review, firebrand litigators in labor firms, double-crosses in corporate practice, the horrors of bank law retreats. When I finished Francis’s excellent Whip Hand, I decided to try writing one myself.
What is it like to be a thief? I picked up Ghostman after writer Barbara Ehrenreich (Nickel and Dimed) joked on Facebook that the book taught her how to rob a casino. This exciting story does that and much more. The protagonist is forced to untangle a caper gone FUBAR and then disappear without a trace. Through multiple twists and backstabbings, readers learn the fine points of pulling off grand thefts and long cons, the tricks and trials of becoming a permanent “ghost.” The information is offered seamlessly, with no jarring breaks from action or characterization. In my opinion, there’s never been a better heist novel, though its sequel, Vanishing Games, comes close. (Sadly, Hobbs died when he was only 26, leaving behind no additional manuscripts.)
'Fast, hard and knowing: this is an amazing debut full of intrigue, tradecraft and suspense. Read it immediately!' Lee Child
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I make things disappear. It's what I do. This time I'm tidying up the loose ends after a casino heist gone bad. The loose ends being a million cash. But I only have 48 hours, and there's a guy out there who wants my head in a bag.
He'll have to find me first. They don't call me the Ghostman for nothing...
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'Brilliantly clever, gripping and action-packed. Utterly original and bound to become a big-budget movie.' SUNDAY MIRROR…
I have been a reader and a writer for as long as I can remember, so books about reading, writing, and storytelling have always interested me. As a school library media specialist for over 30 years, I have read thousands of picture books and placed wonderful books in the hands of thousands of young people. Several of these books were mentor texts when I wrote my picture book biography. I want young people to be inspired to read and write, and I hope these books will do that for the adults who select them and the children who read them.
I found this book to be the perfect illustration of how writers get their ideas and inspiration. This “oh-so-simple picture book” emulates the simplicity of William Carlos Williams’s beloved poem, The Red Wheelbarrow.
I found it to be a very thoughtful and thought-provoking book. The gentle illustrations complement the lyrical text, and the prose is as lovely to read aloud as William Carlos Williams’s poem. It’s such great inspiration for writers of all ages.
This simple nonfiction picture book about the beloved American poet William Carlos Williams is also about how being mindful can result in the creation of a great poem like "The Red Wheelbarrow"--which is only sixteen words long.
"Look out the window. What do you see? If you are Dr. William Carlos Williams, you see a wheelbarrow. A drizzle of rain. Chickens scratching in the damp earth." The wheelbarrow belongs to Thaddeus Marshall, a street vendor, who every day goes to work selling vegetables on the streets of Rutherford, New Jersey. That simple action inspires poet and doctor Williams to pick…
I have read thrillers for as long as I can remember reading adult novels. I can chart my life of reading from Robert Parker to David Baldacci to Jeffery Deaver and today’s luminaries such as Sarah Pekkanen, Mary Kubica, and all the authors listed below. While I love a good beach or airport read, the novels that stick with you—that make you want to clear your schedule because you need to sit and think about what you’ve just read—are my favorites.
Harlan Coben is the master of the twists and reveals that wrench your heart out, and I could have picked any of a dozen of his books here. He places ordinary people in extraordinary situations and rarely resorts to using a simple ‘evil’ bad guy. There’s always meaning, there’s always hope, and often there is pain as well.
Four kids disappear in the woods, presumed lost forever, until a murder victim twenty years later is discovered to be one of the missing kids. Paul, the brother of one of the missing kids, finally has new hope that his sister is still out there. That’s what’s best about Harlan Coben: he provides hope and heart and the reader has no clue what the next twist will be.
The bestselling author and creator of the hit Netflix drama The Stranger takes readers into the heart of family loyalty in this twisty page-turner that proves the darkest secrets are often closest to home.
Paul Copeland, a New Jersey county prosecutor, is still grieving the loss of his sister from twenty years ago—the night she walked into the woods, never to be seen again. But now, a homicide victim is found with evidence linking him to the disappearance. The victim could be the boy who vanished along with Paul's sister. And, as hope rises that…
I’m a proud Jersey girl who grew up walking to the ice cream shop where Tony Soprano took his last breath and spending summers “Down the Shore,” near the MTV house, where Snookie and Co. tried to claim the Jersey Shore as their own. When I was younger, outsiders almost had me convinced those overdone jokes about New Jersey were on to something. After traveling the world and living in other places, I realized how much my home state had to offer. My four young adult novels feature proud Jersey girl protagonists and two of my books are set at the real Jersey shore—The Summer After You and Me and August and Everything After.
I was honored to read an early draft of this novel by fellow human and Jerseyite, Val Emmich, and was immediately taken with the voice of Joan, a 10-year-old girl with a special condition that gives her the ability to remember everything, but is afraid of being forgotten. To remedy that, she wants to win a prestigious songwriting contest by writing a song that makes people both want to dance and cry (two of the strongest feelings in her opinion). So she strikes a deal with Gavin, an adult songwriter who she believes can help her make that happen. Jersey City is the primary setting for this novel, a city that along with its many other charms, offers spectacular views of the New York City skyline.
'A wonderful and unusual story told in a beautifully understated way. Quietly magnificent' Ruth Hogan, author of The Keeper of Lost Things
Ten-year-old Joan was born with a rare gift: she can remember every single day of her life in perfect detail. She can tell you how many times her mother has uttered the phrase 'it never fails' in the last six months (twenty-seven), or what she was wearing when her grandfather took her fishing on a particular Sunday in June years ago (fox socks).
But Joan doesn't want to be the girl who remembers everything - she wants to…
