Thomasās memoir is a seminal text of Nuyorican Literature (a sub-genre of Diasporican Literature) and the Latinx canon. It also belongs to the urban literature genre that emerged in the 1960s. His, however, was the first Latinx version of a narrative that depicts, some would say sensationalizes and exploits, the gritty, raw life of the inner city. As such, it had a tremendous impact on developing Latinx writers who had few role models at the time. His work, along with others of that genre, still holds influence stylistically and thematically with some Latinx authors. Written in the traditional Augustinian autobiographical model, Mean Streets tracks Piriās fall into crime and drugs and final transformation and redemption. More significantly, this memoir introduces the issue of Latinx black identity and the complication of it within the American black-white paradigm.
A modern classic of manhood, marginalization, survival, and transcendenceāand a lyrical memoir of coming of age on the streets of Spanish Harlem.
"A report from the guts and heart of a submerged population group ... It claims our attention and emotional response." āThe New York Times Book Review
Thirty years ago Piri Thomas made literary history with this lacerating memoir. Here was the testament of a born outsider: a Puerto Rican in English-speaking America; a dark-skinned morenito in a family that refused to acknowledge its African blood. Here was an unsparing document of Thomas's plunge into the deadly consolations ofā¦
Nominated for a Pulitzer, Ortiz-Coferās book is an eclectic collection of poetry, creative nonfiction and fiction. She weaves these genres masterfully into a mosaic of diasporican life, especially from a womanās perspective. Published in 1993, The Latin Deli breaks from the traditional, bleak picture of Puerto Rican urban life in the States. Growing up in Paterson, New Jersey, and then Georgia, Ortiz Cofer focuses on the more typical stories of growing up in a middle-class home and what she casts as the daily struggle āto consolidate my opposing cultural identities.ā A subtextual element of the book is Ortiz Coferās developing identity as a Latina writer in a country that sees you as an āother.ā
A community transplanted from what they now view as an island paradise, these Puerto Rican families yearn for the colors and tastes of their former home. As they carve out lives as Americans, their days are filled with drama, success, and sometimes tragedy. A widow becomes crazy after her son is killed in Vietnam, her remaining word "nada." Another woman carries on after the death of her husband, keeping their store, filled with plantain, Bustello coffee, jamon y queso, open as a refuge for her neighbors. And there are Cofer's stories of growing up with a dictatorial and straying father,ā¦
Soon after 9/11, I had dinner with several American scientists worried about how new security measures would affect international collaborations and foreign-born colleagues. Since science rarely if ever comes up in discourse about the War on Terror, that set me off. Iām always drawn to whatever gets overlooked. I was born in one international city ā New York ā and have lived in another ā Los Angeles ā for over 20 years. Iāve spent time on four continents and assisted survivors of violent persecution as they seek asylum ā which may explain why I feel compelled to include viewpoints from outside the US and fill in the gaps when different cultural perspectives go missing.
Through friendships with BorinqueƱxs and interest in the island, I donāt consider myself wholly ignorant about Puerto Rico. Like the Philippines, Puerto Rico was claimed by the US following the Spanish American War, but once again, when I tried to learn more about that era, I ran into a brick wall. Marisel Vera recovers that history while offering all the pleasures of a traditional family saga. She brings the reader close to the daily lives and loves of a family of coffee farmers who struggle first under Spanish rule and then the system established by the US. Vera also taught me something Iād never heard of: the deceptive recruitment that carried newly impoverished but still hopeful Puerto Ricans off to Hawaii to labor in the sugar fields.
Marisel Vera emerges as a major new voice in contemporary fiction with this "capacious" (The New Yorker) novel set in Puerto Rico on the eve of the Spanish-American War. Up in the mountainous region of Utuado, Vicente Vega and Valentina Sanchez labor to keep their coffee farm from the creditors. When the great San Ciriaco hurricane of 1899 brings devastating upheaval, the young couple is lured along with thousands of other puertorriquenos to the sugar plantations of Hawaii, where they are confronted by the hollowness of America's promises of prosperity. Depicting the roots of Puerto Rican alienation and exodus, whichā¦
This was a great book because it incorporated lots of fictional characters. These characters made the story really great and entertaining. It modified the storyline of the first book by adding new landmarks to the town and changing the inside and outside of the school. And it added new rooms and new people.
"Magnificent." -Kirkus Reviews, STARRED Review on Time Villains
Story Thieves meets Escape from Mr. Lemoncello's Library in the second book of this wacky, hilarious, and fast-paced middle-grade series. Can Javi and his friends stop Count Dracula from taking over the school?
With Blackbeard banished from their present time, life has gone somewhat back to normal for Javi, his sister Brady, and his best friend Wiki. And Javi can now focus on his favorite thing in the world: crafting extreme sandwiches. Except their beloved Principal Gale has to make an unexpected trip back to Oz, leaving the excessively strict and downrightā¦
I am a multicultural published author from California. I attended different schools growing up, reading classic literature that I couldn't relate to, resulting in becoming a reluctant reader. I didn't live in historical time periods. My skin was a lighter shade of brown. In my world, I met kids from diverse backgrounds, who spoke slang and had personal hardships. Where were the books like that? That's why I wrote Graffiti Girl. To share a realistic, multicultural approach so the reluctant reader could have characters they could see themselves in. That's why I chose these books, in no specific order, that share contemporary, urban stories involving people of different cultures, who face unique hardships.
Luz Cordero lost her brother in a police shooting. Anger and grief burn within her for her brother's tragic death, and this young girl must battle through her emotional pain toward forgiveness during her stay at a Boys and Girls home. This is one girl's story as she pulls herself from the life of gangs and violence toward forgiveness and ultimately peace. I couldn't put it down.
Luz Cordero is on fire. Sheās burning up with rage. She was there the night her brother got killed. She saw the cop pull the trigger. She tried to do something positive about it by going to protests, but all her anger got her into trouble. Now Luz is living at the St. Therese Home for Boys and Girls, working to turn her life around.
Sister Ellen and Luzās three fellow residents are helping. When Sister Ellen gives Luz a journal to write everything down, Luz is finally able to face the truth about what happened that night. And sheāsā¦
Iām a filmmaker and writer who made a TV series about street gangs around the world with actor and presenter Ross Kemp. But it was one London street gang, the PDC, that particularly caught my attention. The newspaper reports were full of overblown headlines, terrifying statistics, and quotes from police forces. Thatās when I decided to head down to the PDCās āturfā in a small corner of south London because if you are going to try and tackle this crimewave itās best to find out who is doing it and why. Right? I spoke to PDC gang members, their friends and families and the surprising truth behind the headlines is revealed in my book.
What became apparent as I was writing my book was just how difficult it is for young kids to get away from a life of crime on the streets. Once a King, Always a King helped me understand the challenge ā itās not just that bad habits get absorbed into a personality from a young age, or that adults donāt help kids escape from their criminality. The social care and justice system actively collude in trapping young gang members in a cycle of violence, abuse, and poverty.
This riveting sequel to My Bloody Life traces Reymundo Sanchez's struggle to create a ānormalā life outside the Latin Kings, one of the nation's most notorious street gangs, and to move beyond his past. Sanchez illustrates how the Latin King motto āonce a king, always a kingā rings true and details the difficulty and danger of leaving that life behind. Filled with heart-pounding scenes of his backslide into drugs, sex, and violence, Once a King, Always a King recounts how Sanchez wound up behind bars and provides an engrossing firsthand account of how the Latin Kings are run from insideā¦
I am Monique āNikkiā Murphy, an awarded poet, author, and Diversity, Equity, and Inclusion professional. I grew up in a Black low-income neighborhood with the love of a single mother and the absence of a father, which all impacted the way I experienced the failed promise of justice and equality for all. My mother, an avid reader of Black novels, fostered a love of reading in me and a deep sensitivity to caring about the issues that affected Black people. This sensitivity manifested in a career in Diversity, Equity, & Inclusion and a love of creative writing & books that explore issues of inequality, trauma, and personal development. As a poet, I love the artistic exploration of our lived experiences and art that inspires activism.
This coming-of-age novel-in-verse beautifully captures the dynamics of survival in tough neighborhoods in a way that honors the humanity and nuance of the communityādetails that are too often lost in media and forgotten by the people that āmake it out.ā Through the lens of the Puerto Rican-American protagonist, Sarai, her family, and the neighborhood characters that are all too familiar, I was brought into the heart of pre-gentrified Bushwick, Brooklyn, and Puerto Rican culture to go on Saraiās journey of self-discovery. We are sitting on the stoop, at the foot of the bed, in the back pew in conversation with Sarai. We see her, we hear her, we love her. And wonāt ever forget her. We are left to reflect on what it really means to āmake it.ā
"The energy. The clarity. The beauty. Elisabet Velasquez brings it all. . . . Her voice is FIRE!"-NYT bestselling and award-winning author Jacqueline Woodson
An unforgettable, torrential, and hopeful debut young adult novel-in-verse that redefines what it means to "make it," for readers of Nicholasa Mohr and Elizabeth Acevedo.
Sarai is a first-generation Puerto Rican question asker who can see with clarity the truth, pain, and beauty of the world both inside and outside her Bushwick apartment. Together with her older sister, Estrella, she navigates the strain of family traumas and the systemic pressures of toxic masculinity and housing insecurityā¦
I've loved books and reading from an early age. My family and I go to the library nearly every week to check out books, do research, or attend library programs like storytime. My interest in libraries led me to read books about libraries and write one of my own. Iām a childrenās book author living in North Carolina with my husband and two book-devouring kids. I Want My Book Back is my second book, following my debut, Teach Your Giraffe to Ski. When Iām not reading or writing, I like hanging out with my family, being outdoors, and going on everyday adventures.
As my kids are getting older, I keep my eyes open for longer, more complex picture books ā and this book attracted my attention. Itās a great non-fiction biography for kids who like learning about notable historical personalities. It took roughly 45 minutes to read this book with the kids, and we all learned so much about Schomburg and his quest to collect literature by and about people of African descent worldwide. One thing that really impressed the kids and me was how he managed to keep this humongous collection in his home. (The kids and I were wondering if the whole family was sleeping on books instead of beds)!
In luminous paintings and arresting poems, two of childrenās literatureās top African-American scholars track Arturo Schomburgās quest to correct history.
Where is our historian to give us our side? Arturo asked.
Amid the scholars, poets, authors, and artists of the Harlem Renaissance stood an AfroāPuerto Rican named Arturo Schomburg. This law clerkās lifeās passion was to collect books, letters, music, and art from Africa and the African diaspora and bring to light the achievements of people of African descent through the ages. When Schomburgās collection became so big it began to overflow his house (and his wife threatened to mutiny),ā¦
It's one of my favorite books because it incorporates multiple figures from history, and some of the figures are very cool. And Blackbeard somehow even seemed to be better than anticipated. That's why I liked this story. This story had a lot of action and ended up being a great read.
"Magnificent."-Kirkus Reviews, STARRED Review Story Thieves meets Escape from Mr. Lemoncello's Library in this wacky, hilarious, and fast-paced middle-grade series starter, with the perfect combination of magic, imagination, and adventure. Javi Santiago is trying his best not to fail sixth grade. So, when the annual "invite any three people to dinner" homework assignment rolls around, Javi enlists his best friend, Wiki, and his sister, Brady, to help him knock it out of the park. But the dinner party is a lot more than they bargained for. The family's mysterious antique table actually brings the historical guests to the meal...and Blackbeardā¦
Iām a Panamanian American author and mother of two bilingual and bicultural children. I live a life between two beautiful languages and cultures, but that intersection is not always easy. In Squawk of Spanish, I explore the issue some children face when they donāt feel comfortable speaking the language of their grandparents. On this list, Iāve included a sample of books that celebrate some of the day-to-day joys and challenges of growing up Latine in the US. I hope you enjoy it!
A beautiful book about preserving traditions. This book follows a girl who anticipates a beloved holiday but worries about not being able to celebrate it in her new home. Where will she find grass for the camels in the midst of the Midwest snow?
This book helped our family discuss the different traditions we celebrate and answer some of my childrenās questions: Can the three kings visit us in the US? And will Santa find his way to us if we move? I appreciate how the book introduces Three Kings Day and serves as a reminder that we carry our heritage and traditions wherever life takes us.
In this story about Dia de los Reyes, or Three Kings' Day, a girl and her family discover new ways to celebrate their Puerto Rican heritage in Ohio.
It's eleven days after Christmas and Lucia yearns to be in lush Puerto Rico celebrating Dia de los Reyes with family and friends. But this year, instead of dancing and singing in the parrandas of her Puerto Rican neighborhood, she is surrounded by cold and silence in snow-blanketed Ohio. How will she ever be able to guide the Three Kings to her new home in the frosty Midwest? This picture book isā¦
